THE WORK OF ART IN THE AGE OF ITS ELECTRONIC MUTABILITY

Walter Benjamin and Art

Volumn , Issue , 2005, Pages 209-225

  Ziarek, Krzysztof ^a  

^a UNIVERSITY AT BUFFALO   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84977564933     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (8)

1. This description of Mikami’s work is cited from: http://red.ntticc.or.jp/preactivities/ic95/profile/mikami-e.html, accessed February 2000.
2. Another gloss on this work can be found at: http://web.canon.jp/cast/artlab/archives/artlab5/main.html, accessed April 2004.
3. The work itself is to be found at: http://web.canon.jp/cast/artlab/artlab5/, accessed April 2004.
4. Ziarek, The Historicity of Experience: Modernity, the Avant-Garde, and the Event (Evanston: Northwestern University Press, 2001).
5. Theodor W. Adorno, Aesthetic Theory, trans. Robert Hullot-Kentor (Minneapolis: University of Minnesota Press, 1997), p. 230.
6. The full text from which this excerpt comes can be found on Eduardo Kac’s web page: http://www.ekac.org/osthoffldr.html (accessed April 2004).
7. Ziarek, ‘The Turn of Art: The Avant-Garde and Power’, New Literary History 33 (2002): 96-7.
8. ‘Is All Technological: Global Power, Aesthetic Forces’, The New Centennial Review 2 (2002): 139-68.