Room at the Top, Soturday Night and Sundoy Morning, and the ‘Cultural Revolutionș in Britain

Journal of Contemporary History

Volumn 19, Issue 1, 1984, Pages 127-152

  Marwick, Arthur ^a  

^a OPEN UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84976926810     PISSN: 00220094     EISSN: None     Source Type: Journal    
DOI: 10.1177/002200948401900107     Document Type: Article

References (5)

1. See also Allen R. Penner, Alan Sillitoe (New York 1972), Ronald Dee Vaverka, Commitment as Art: A Marxist Critique of a Selection of Alan Sillitoe's Political Fiction (1978), and Stanley S. Atherton, Alan Sillitoe: A Critical Assessment (1979).
2. Alan Sillitoe, Saturday Night and Sunday Morning (1975 paperback edition), 29-30.
3. Louis Marcorelles, ‘Les temps ont changés', Cinéma 61, March 1961.
4. Pauline Kael, ‘Britain: Commitment and the Strait-Jacket', Fall 1961.
5. Peter Graham, The Abortive Renaissance: Why Are Good British Films So Bad? (1963). See also Roy Armes, A Critical History of the British Cinema (1978), chapter 15.