HMSL: Overview (Version 3.1) and Notes on Intelligent Instrument Design

Proceedings of the 1987 International Computer Music Conference, ICMC 1987

Volumn , Issue , 1987, Pages 220-227

  Polanský, Larry ^a   Rosenboom, David ^a   Burk, Phil ^a  

^a MILLS COLLEGE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

ALGORITHMIC COMPOSITIONS; INSTRUMENT DESIGNS; INTELLIGENT INSTRUMENT; LANGUAGE CAPABILITY; MORPHOLOGICAL TRANSFORMATIONS; PERFORMANCE; PROGRAMMING ENVIRONMENT; TRANSFORMATION FUNCTIONS;

COMPUTER MUSIC;

EID: 84976800121     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (15)

1. Anderson, J.R.,The Architecture of Cognition, Harvard University Press, Cambridge, 1983
2. Burk, P., "HMSL - An Object Oriented Programming Language", Robocity News, Volume I I I, Issue 4, May 1987
3. Chaitin, G., "Godel's Theorem and Information", International Journal of Theoretical Physics, 22, pp. 941-954,1982
4. Cox, Brad J ., Object Oriented Programming: An Evolutionary Approach, Addison Wesley Publishing Co., 1986
5. Polanský, L ., "Morphological Metrics: Introduction to a theory of formal distances", paper given at the International Computer Music Conference, 1987, Urbana, Illinois
6. Polanský, L., "Distance Musics I - V I ", (contains Simple Actions) in Perspectives of New Music, Special James Tenney Packet (Polanský and Rosenboom, guest editors). Volume 25 l/ll. Spring, 1987
7. Polanský, L ., "The HMSL Experimental Intonation Environment", in 1/1, Jrnl. of the Just Intonation Network, Vol. 3 #1, Winter 1987
8. Polanský, L ., Burk, P., Marsanyi, R., and Hays, D., HMSL Version 3.1 Programmer's Manual, available with HMSL software. Frog Peak Music, Oakland, 1987
9. Polanský, L ., Cocks crow, dogs bark..., (for three performers, HMSL, and signal processor). Frog Peak Music, Oakland, 1987
10. Polanský, L ., Rosenboon, D., "HMSL (Hierarchical Music Specification Language), A Real-Time Environment for Formal, Perceptual, and Compositional Experimentation", in the Proceedings of the International Computer Music Conference, Simon Fraser University, Vancouver, 1985, published by the Computer Music Association
11. Rosenboom, D.: "On Being Invisible", Musicworks 28,, Toronto, Summer, 1984
12. Rosenboom, D., Zones ofInfluence, five movement work for percussion, computer music system and auxiliary melody instrument parts, David Rosenboom Pub., Piedmont, CA, 1984-86
13. Rosenboom, D., Systems ofJudgment, 65-minute work for a variety of electronic, acoustic, and computer instrument sources, made for the dance and sculpture work of the same name, David Rosenboom Pub., Piedmont, CA, 1987a
14. Rosenboom, D., Chant Vital (Life Field), violin, piano, and percussion, David Rosenboom Pub., Piedmont, CA, 1987b
15. Rosenboom, D., "A Program for the Development of Performance Oriented Electronic Music Instrumentation in the Coming Decade: What You Conceive is What You Get'", in Perspectives of New Music, Vol. 25 Vìi, 1987c