Participation and Response in Movement-Sensing Installations

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 2000, Pages

  Winkler, Todd ^a  

^a BROWN UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

AUDIO AND VIDEO; INTERACTIVE INSTALLATIONS; NATURAL MOVEMENTS; PRIMARY INPUTS;

EID: 84975470120     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (7)

1. Graham, Beryl. 1997. A Study of Audience Relationships with Interactive Computer-Based Visual Artwork in Gallery Settings, through Observation, Art Practice, and Curation. Ph.D. thesis, University of Sunderland, England.
2. Mitchell, Kate and Bicknell, Sandra 1994. Launch Pad: Summative Evaluation. Summary of Creative Research Reports. Unpub. paper, The National Museum of Science and Industry, London. (As cited in Graham, 1997).
3. Ritter, Don. 1997. “My Finger’s Getting Tired: Unencumbered Interactive Installations for the Entire Body.” Lecture for the 1997 International Society of Electronic Arts (ISEA). Liverpool, England. http://users.rcn.com/ritter.interport/article.html.
4. Rokeby, D. 1995. “Transforming Mirrors: Subjectivity and Control in Interactive Media” Simon Penny, (Ed.), Critical Issues in Electronic Media. SUNY Press (USA).
5. Rokeby, D. (1995) Lecture for “Info Art.” Kwanju Biennale. Kwangju, Korea. http://www.interlog.com/drokeby/install.html
6. Winkler, Todd. 1998. Composing Interactive Music: Ideas and Techniques Using Max. Cambridge, Massachusetts: MIT Press.
7. Winkler, T. 1998. “Motion-Sensing Music: Artistic and Technical Challenges in Two Works for Dance.” Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association.