Scrutiny to Subcultures: Notes on Literary Criticism and Popular Music

Popular Music

Volumn 13, Issue 2, 1994, Pages 179-190

  Laing, Dave ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84973991664     PISSN: 02611430     EISSN: 14740095     Source Type: Journal    
DOI: 10.1017/S0261143000007042     Document Type: Article

References (25)

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3. Bourne, G. 1912. Change in the Village (London)
4. Chambers, I. 1985. Urban Rhythms: Pop Music and Popular Culture (London)
5. Copper, B. 1971. A Song for Every Season (London)
6. Frith, S. 1981. Sound Effects (New York)
7. Frith, S. 1988. Music For Pleasure (London)
8. Gray, M. 1972. Song and Dance Man: The Art of Bob Dylan (London)
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11. Hoggart, R. 1957. The Uses of Literacy (London)
12. Hoggart, R. 1991. A Sort of Clowning (Oxford)
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17. Mabey, R. 1969. The Pop Process (London)
18. Mellers, W. 1973. The Twilight of the Gods: The Beatles in Retrospect (London)
19. Mellers, W. 1984. A Darker Shade of Pale. A Backdrop to Bob Dylan (London)
20. Mellers, W. 1993. ‘Still Hunky Dory, after all these years’ in The Bowie Companion, eds Elizabeth Thomson and David Gutman (London)
21. Pegg, B. 1977. Introduction to Memories by Harry Greenwood (Hebden Bridge)
22. Reeves, J. 1958. The Idiom of the People (London)
23. Swan wick, K. 1968. Popular Music and the Teacher (Oxford)
24. Trudgill, P. 1983. ‘Acts of conflicting identity: the sociolinguistics of British pop-song pronunciation’, in On Dialect: Social and Geographical Perspectives (Oxford)
25. Williams, R. 1951. ‘Stocktaking: 1 Culture and Environment’, The Use of English, vol. 1, no. 3 (London) 1979. Politics and Letters (London)