Visual Perception of Performance Manner in the Movements of Solo Musicians

Psychology of Music

Volumn 21, Issue 2, 1993, Pages 103-113

  Davidson, Jane W ^a  

^a CITY UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84970103667     PISSN: 03057356     EISSN: 17413087     Source Type: Journal    
DOI: 10.1177/030573569302100201     Document Type: Article

References (13)

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3. Gibson, J. J. (1979). The ecological approach to visual perception. Boston : Houghton Mifflin.
4. Johansson, G. (1973). Visual perception of biological motion and a model for its analysis. Perception and Psychophysics, 14, 201–211.
5. Morgenstern, S. (1956). Composers on music. London : Faber & Faber.
6. Nakamura, T. (1987). The communication of dynamics between musicians and listeners through musical performance. Perception and Psychophysics, 41, 525–533.
7. Runeson, S. (1984). Perceiving people through their movements. In: B. Kirkaldy (Ed.), Individual differences in movement. Lancaster : M.T.P. Press.
8. Runeson, S. and Frykholm, G. (1983). Kinematic Specification of Dynamics as an informational basis for person-and-action perception: Expectations, gender, recognition, and deceptive intention. Journal of Experimental Psychology: General. 112, 585–615.
9. Scully, D. M. (1986). Visual perception of technical execution and aesthetic quality in biological motion. Human Movement Science, 5, 185–206.
10. Shaffer, L. H. (1984). Timing in solo and duet piano performances. Quarterly Journal of Experimental Psychology, 36(A), 577–595.
11. Sloboda, J.A. (1983). The communication of musical metre in piano performance. Quarterly Journal of Experimental Psychology, 35(A), 377–396.
12. Van Wieringen, P. C., Boon, I. and Gerritsen, A. (1987). Perception of dance phrases: Normal presentation versus presentation of moving lights. Paper presented at Fourth International Conference on Event Perception and Action, Trieste, August 1987.
13. Winold, H., Thelen, E. and Ulrich, B. D. (1990). Co-ordination and control in the bow arm movements of highly skilled cellists. Unpublished manuscript, Indiana University.