The music industry and the ‘cultural imperialism’ thesis

Media, Culture & Society

Volumn 8, Issue 3, 1986, Pages 331-341

  Laing, Dave ^a  

^a IFPI   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84970091452     PISSN: 01634437     EISSN: 14603675     Source Type: Journal    
DOI: 10.1177/016344386008003005     Document Type: Article

References (13)

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2. Davies, G. (1984) Statistical Profile of the Music Industry (1983-4) London: IFPI (International Federation of Phonogram & Videogram Producers).
3. Fejes, F. (1981) ‘Media Imperialism: An Assessment’, Media, Culture and Society, 3: 281-9.
4. Garnham, N. (1983) ‘Public Service Versus the Market’, Screen, 24 (1): 6-27.
5. Garnham, N. (1983) Concepts of Culture, Public Policy and Cultural Industries. London: Greater London Council.
6. Garnham, N. (1984) ‘Introduction’, pp. 1-6 in A. Mattelart, X. Decourt and M. Mattelart, International Image Markets. London: Comedia.
7. Laing, D. (1985) One Chord Wonders: Power and Meaning in Punk Rock. Milton Keynes: Open University Press.
8. Nestiev, I. (1982) ‘Popular Music in the USSR: Problems and Opinions’, pp. 155-62 in D. Horn and P. Tagg (eds), Popular Music Perspectives. Exeter: International Association for the Study of Popular Music.
9. Peterson R. and Berger D. (1975) ‘Cycles in Symbol Production: The Case of Popular Music’, American Sociological Review, 40: 97-107.
10. Rothenbuhler, E. and Dimmick, J. (1982) ‘Popular Music: Concentration and Diversity in the Industry, 1974-1980’, Journal of Communication, Winter, 143-9.
11. Szemere, A. (1983) ‘Pop and Rock Music in Hungary’, pp. 121-42 in R. Middleton and D. Horn (eds) Popular Music 3. Cambridge: Cambridge University Press.
12. Wallis, R. and Malm, K. (1984) Big Sounds from Small People. London: Constable.
13. Wicke, P. (1985) ‘Aesthetic Aspects of Rock Music’, unpublished paper delivered to the 3rd Conference of the International Association for the Study of Popular Music, Montreal, July.