"Like obtaining a great treasure": The illustrations in song Yingxing's the exploitation of the works of nature

Sinica Leidensia

Volumn 79, Issue , 2007, Pages 569-614

  Golas, Peter J ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84969546635     PISSN: 01699563     EISSN: None     Source Type: Book Series    
DOI: None     Document Type: Review

References (61)

1. ATWELL, William S. 2002. "Time, Money, and the Weather: Ming China and the 'Great Depression' of the Mid-Fifteenth Century." The Journal of Asian Studies 61.1 (February): 83-113.
2. BICKFORD, Maggie. 1993. "Stirring the Pot of State: The Sung Picture-Book Mei-Hua Hsi-Shen P'u and Its Implications for Yüan Scholar-Painting." Asia Major (Third Series) 6.2: 169-226.
3. BRAY, Francesca. 2000. Review of Sucheta Mazumdar, Sugar and Society in China:Peasants, Technology, and the World Market, China Review International 7.1: 155-160.
4. BROKAW, Cynthia J. 1996. "Commercial Publishing in Late Imperial China: The Zou and Ma Family Businesses of Sibao, Fujian." Late Imperial China 17.1 (June): 49-92.
5. BROOK, Timothy. 1995. "Weber, Mencius, and the History of Chinese Capitalism." Asian Perspective 19.1: 79-97.
6. - 1988. "Censorship in Eighteenth-Century China: A View from the Book Trade." Canadian Journal of History 23.2 (August): 177-196.
7. BUSH, Susan. 1971. The Chinese Literati on Painting: Su Shih (1037-1101) to Tung Ch'i-ch'ang (1555-1636. Cambridge: Harvard University Press.
8. CAHILL, James. 1982. The Distant Mountains; Chinese Painting of the Late Ming Dynasty, 1570-1644. New York and Tokyo: Weatherhill.
9. - 1994. The Painter's Practice; How Artists Lived and Worked in Traditional China. New York: Columbia University Press.
10. CLUNAS, Craig. 1997a. Art in China. Oxford and New York: Oxford University Press.
11. - 1997b. Pictures and Visuality in Early Modern China. Princeton: Princeton University Press.
12. - 1991. Superfluous Things; Material Culture and Social Status in Early Modern China. Cambridge: Polity Press.
13. CULLEN, Christopher. 1990. "The Science/Technology Interface in Seventeenth- Century China: Song Yingxing on Qi and the Wu Xing." Bulletin of the School of Oriental and African Studies 53.2: 295-318.
14. DANIELS, Christian. 1996. Part 3: Agro-Industries: Sugarcane Technology. Forestry. Agro-industries: Sugarcane technology. In: Science and Civilisation in China. Vol. VI. Biology, Agriculture and Medicine, ed. Joseph Needham. Cambridge: Cambridge University Press, pp. 1-539.
15. DONG Wen, ed. 1962. Jiaozheng Tiangong kaiwu. Taibei: Shijie.
16. EDGERTON, Samuel Y. Jr. 1985. "The Renaissance Development of Scientific Illustration." In: Science and the Arts in the Renaissance, eds. John W. Shirley and F. David Hoeniger. Washington, D.C.: The Folger Shakespeare Library (Associated University Presses), pp. 168-197.
17. FERGUSON, Eugene S. 1977. "The Mind's Eye: Nonverbal Thought in Technology." Science 197 (August 26): 827-836.
18. - 1992. Engineering and the Mind's Eye. Cambridge: MIT Press.
19. FONG, Wen C. 1992. Beyond Representation: Chinese Painting and Calligraphy, 8th to 14th Century. New Haven: Yale University Press.
20. GERNET, Jacques. 1996. A History of Chinese Civilization. Tr. J. R. Foster and Charles Hartman. Cambridge: Cambridge University Press. [2nd ed.]
21. - 1984. "La société chinoise a la fin des Ming." Recherches de science religieuse 72.1: 27-36.
22. GIRMOND, Sybille. 1993. "Chinesische Bilderalben zur Papierherstellung; Historische und stilistische Entwicklung der Illustrationen von Produktionsprozessen in China von den Anfängen bis ins 19. Jahrhundert." In: Chinesische Bambuspapierherstellung; Ein Bilderalbum aus dem 18. Jahrhundert, eds. Wolfgang Schlieder, Pan Jixing and Sybille Girmond. Berlin: Academie Verlag, pp.18-38.
23. GOLAS, Peter J. 1980. "Rural China in the Song." The Journal of Asian Studies 39.2 (February): 291-325.
24. - 2003. "Technical Representation in China: Tools and Techniques of the Trade." East Asian Science, Technology, and Medicine 20 : 11-44.
25. - 1999. "The Emergence of Technical Drawing in China; The Xin Yi Xiang Fa Yao and its Antecedents." History of Technology 21: 29-63.
26. - 2001. "Technological Illustration in China; a post-Needham Perspective." In: Science and technology in East Asia; the Legacy of Joseph Needham, eds. Alain Arrault and Catherine Jami. Turnhout, Belgium: Brepols, pp. 43-58.
27. HALL, Bert S. 1982. "Production et diffusion de certain traités de techniques au moyen âge." In: Cahiers d'études médiévales 7; Les arts mécaniques au moyen âge, eds. G. H. Allard and S. Lusignan. Montreal: Bellarmin, pp. 146-170.
28. HARLEY, J. B. and Woodward, David, eds. 1994. The History of Cartography. Vol. II, Book 2. Cartography in the Traditional East and Southeast Asian Societies. Chicago and London: The University of Chicago Press.
29. HEGEL, Robert E. 1998. Reading Illustrated Fiction in Late Imperial China. Stanford: Stanford University Press.
30. HOMMEL, Rudolf P. 1969. China at Work. Cambridge: The MIT Press.
31. HUMMEL, Arthur W., ed. 1944. Eminent Chinese of the Ch'ing Period. 2 vols. Washington: United States Government Printing Office, Vol. 2.
32. KUHN, Dieter. 1977. "Marginalie zu einigen Illustrationen im Nung-shu des Wang Zhen." In: Zur Kunstgeschichte Asiens; 50 Jahre Lehre und Forschung an der Universität Köln. Wiesbaden: Franz Steiner, pp. 143-152.
33. LAUFER, Berthold. 1909. Chinese Pottery of the Han Dynasty. Leiden: E. J. Brill, [repr. Rutland, VT: Tuttle, 1962].
34. Li, Ch'iao-ping et al. 1980. Tien-Kung-Kai-wu; Exploitation of the Work of Nature (Chinese Agriculture and Technology in the XVII Century by Sung Ying-sing). Taipei: China Academy.
35. MAEDA, Robert J. 1985-1986. "Spacial Enclosures: the Idea of Interior Space in Chinese Painting." Oriental Art 3 (Winter): 385-387.
36. MAZUMDAR, Sucheta. 2000. "Sugar and Society in China: Peasants, Technology, and the World Market." China Review International 7.1 (Spring): 155-160.
37. - 1998. Sugar and Society in China; Peasants, Technology, and the World Market. Cambridge: Harvard University Press (Harvard University East Asia Center).
38. MORRIS-SUZUKI, Tessa. 1991. "Concepts of Nature and Technology." East Asian History (Canberra) 1: 81-97.
39. MOTE, Frederick W. 1999. Imperial China, 900-1800. Cambridge: Harvard University Press.
40. MOTE, Frederick W. and Denis TWITCHETT, eds. 1988. The Cambridge History of China. Vol. 7: The Ming Dynasty, 1368-1644, Part 1. Cambridge: Cambridge University Press.
41. - eds. 1998. The Cambridge History of China. Vol. 8: The Ming Dynasty, 1368-1644, Part 2. Cambridge: Cambridge University Press.
42. NEEDHAM, Joseph. 1965. Science and Civilisation in China. Vol. 4: Physics and Physical Technology. Part 2: Mechanical Engineering. Cambridge: Cambridge University Press.
43. PACEY, Arnold. 1992. The Maze of Ingenuity; Ideas and Idealism in the Development of Technology. Cambridge: MIT Press.
44. PAN, Jixing. 1990. Song Yingxing ping zhuan. Nanjing: Nanjing Daxue Chubanshe.
45. - 1988. Tiangong kaiwu daodu. Chengdu: Ba Shu Shushe.
46. - 1989. Tiangong kaiwu jiao zhu ji yanjiu. Chengdu: Ba Shu Shushe.
47. - 1993. Tiangong kaiwu yi zhu. ShànghǍi: ShànghǍi Guji Chubanshe.
48. SAIGUSA Hiroto, ed. 1943. Tenkô kaibutsu. Tokyo: Juichigumi shuppanbu.
49. SAKAI, Tadao. 1970. "Confucianism and Popular Educational Works". In:Self and Society in Ming Thought, ed. Wm. Theodore de Bary. New York: Columbia University Press, pp. 331-362.
50. SAKAKIDA RAWSKI, Evelyn. 1979. Education and Popular Literacy in Ch'ing China. Ann Arbor: University of Michigan Press.
51. SMITH, Richard J. 1998. "Mapping China's World: Cultural Cartography in Late Imperial Times". In:Landscape, Culture and Power in Chinese Society, ed. Wen-hsin Yeh. Berkeley: Institute of East Asian Studies, pp. 52-109.
52. SONG Yingxing. 1959. Tiangong kaiwu. ShànghǍi: Shangwu shuju.
53. SULLIVAN, Michael. 1979. Symbols of Eternity; the Art of Landscape Painting in China. Stanford: Stanford University Press.
54. SUN, E-tu Zen and Sun, Shiou-Chuan, trs. 1966. T'ien-kung k'ai-wu; Chinese Technology in the Seventeenth Century. University Park and London: The Pennsylvania State University Press.
55. VOGEL, Hans Ulrich. 1999. "Diagrams and Illustrations." Unpublished ms.
56. WANG Chaosheng. 1995. Zhongguo gudai geng zhi tu. Beijing (?): Zhongguo nongye chubanshe, pp. 179-181.
57. YABU'UCHI, Kiyosh i.1953. Tenkô kaibutsu no kenkyû. Tokyo: Kôsei.
58. YANG, L. S. 1954. Review of Yabu'uchi Kiyoshi, Tenkô kaibutsu no kenkyû (Tokyo: Kôsei, 1953). Harvard Journal of Asiatic Studies 17: 307-16.
59. YOSHIDA, Tora. 1993. Salt Production Techniques in Ancient China; the Aobo Tu. Tr. and rev. by Hans Ulrich Vogel. Leiden: E. J. Brill.
60. ZHAO Qingzhi. 1997. "Li shi zhu yi Tiangong kaiwu shimo". Zhongguo keji shiliao 3: 90-104.
61. ZHONG Guangyan, ed. and tr. 1978. Tiangong kaiwu. Hong Kong: Zhonghua Shuju.