A Generative Grammar for Jazz Chord Sequences

Music Perception

Volumn 2, Issue 1, 1984, Pages 52-77

  Steedman, Mark J ^a  

^a UNIVERSITY OF WARWICK   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84968265132     PISSN: 07307829     EISSN: 15338312     Source Type: Journal    
DOI: 10.2307/40285282     Document Type: Article

References (14)

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4. Lerdahl, F., & Jackendoff, R. Towards a formal theory of tonal music. Journal of Music Theory, 1977, X, 111-171.
5. Longuet-Higgins, H. C. Letter to a musical friend, and Second letter to a musical friend. The Musical Review, 1962, 23, 244-248 and 271-280.
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10. Steedman, M. J. The formal description of musical perception. Unpublished Ph.D. thesis, Edinburgh University, 1973.
11. Steedman, M. J. The perception of rhythm and metre in music. Perception, 1977, 6, 555-569.
12. Sundberg, J., & Lindblom, B. Generative theories in language and music descriptions. Cognition, 1976, 4, 98-122.
13. Ulrich, J. W. The analysis and synthesis of jazz by computer. Proceedings of the 5th International Joint Conference on Artificial Intelligence, 1977, 865-872.
14. Winograd, T. Linguistics and the computer analysis of harmony. Journal of Music Theory, 1968, 12, 2-49.