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Volumn 8, Issue 2, 1990, Pages 115-127

The Psychological Structure of Music

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EID: 84968172250     PISSN: 07307829     EISSN: 15338312     Source Type: Journal    
DOI: 10.2307/40285492     Document Type: Article
Times cited : (17)

References (24)
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  • 7
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    • Hasegawa, Y., & Umemoto, T. A Study on the fitness of timbre to melody. Research report of annual meeting of Japanese Association of Music Psychology and Therapy, 1989.
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    • Hasegawa, Y.1    Umemoto, T.2
  • 8
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    • Tonality” and “coherence of pattern” in melody cognition
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  • 9
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    • On the identification of a tone in chords
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  • 14
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    • Construction of the Test on Cognition of Pitch Deviations— Studies by factor analyses
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    • Mikumo, M., & Umemoto, T. Construction of the Test on Cognition of Pitch Deviations— Studies by factor analyses. Japanese Society of Acoustics, Music Acoustics Section, Report. MA-89-20, 1990.
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  • 17
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    • The perceptual roles of melodic process, contour, and form
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    • The octave—percept or concept
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    • Umemoto, T., Ito, M., & Tsuji, H. Problem of subjects on octave similarity. In Umemoto, T. (ed.), Perceptual and representational cognition in the control of performance. Report of Research Project, Grant-in-Aid for Scientific Research, Ministry of Education, 1989, 38-47.
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    • Scanning a tone in a melody
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    • Umemoto, T., & Mikumo, M. Scanning a tone in a melody. In Umemoto, T. (ed.), Perceptual and representational cognition in the control of performance. Report of Research Project, Grant-in-Aid for Scientific Research, Ministry of Education 1989, 3-37.
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    • Development of tonal sense—a new test on cognition of pitch deviation
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* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.