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Volumn , Issue , 2007, Pages 1-331

The theory and techniques of electronic music

Author keywords

[No Author keywords available]

Indexed keywords

COMPLEX NUMBER; ELECTRONIC MUSIC; MUSICAL SOUNDS; ON-LINE COMMUNITIES; PROBLEM AREAS;

EID: 84967596312     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1142/6277     Document Type: Book
Times cited : (55)

References (29)
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    • Richard Boulanger, editor. The Csound book. MIT Press, Cambridge, Massachusetts, 2000.
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    • Boulanger, R.1
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    • The synthesis of complex audio spectra by means of frequency modulation
    • John Chowning. The synthesis of complex audio spectra by means of frequency modulation. Journal of the Audio Engineering Society, 21(7): 526-534, 1973.
    • (1973) Journal of the Audio Engineering Society , vol.21 , Issue.7 , pp. 526-534
    • Chowning, J.1
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    • 5544306858 scopus 로고
    • Frequency modulation synthesis of the singing voice
    • Max V. Mathews and John R. Pierce, editors, MIT Press, Cambridge
    • John Chowning. Frequency modulation synthesis of the singing voice. In Max V. Mathews and John R. Pierce, editors, Current Directions in Computer Music Research, pages 57-64. MIT Press, Cambridge, 1989.
    • (1989) Current Directions in Computer Music Research , pp. 57-64
    • Chowning, J.1
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    • 0023506078 scopus 로고
    • Digital waveform generation by fractional addressing
    • William M. Hartmann. Digital waveform generation by fractional addressing. Journal of the Acoustical Society of America, 82: 1883-1891, 1987.
    • (1987) Journal of the Acoustical Society of America , vol.82 , pp. 1883-1891
    • Hartmann, W.M.1
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    • 0020765031 scopus 로고
    • Digital synthesis of pluckedstring and drum timbres
    • Kevin Karplus and Alex Strong. Digital synthesis of pluckedstring and drum timbres. Computer Music Journal, 7(2): 43-55, 1983.
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    • Karplus, K.1    Strong, A.2
  • 12
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    • A derivation of the spectrum of FM with a complex modulating wave
    • Marc Lebrun. A derivation of the spectrum of FM with a complex modulating wave. Computer Music Journal, 1(4): 51-52, 1977.
    • (1977) Computer Music Journal , vol.1 , Issue.4 , pp. 51-52
    • Lebrun, M.1
  • 17
    • 0029208221 scopus 로고
    • Formant-based audio synthesis using nonlinear distortion
    • Miller S. Puckette. Formant-based audio synthesis using nonlinear distortion. Journal of the Audio Engineering Society, 43(1): 224-227, 1995.
    • (1995) Journal of the Audio Engineering Society , vol.43 , Issue.1 , pp. 224-227
    • Puckette, M.S.1
  • 19
    • 84923922994 scopus 로고    scopus 로고
    • Synthesizing sounds with specified, timevarying spectra
    • Ann Arbor, International Computer Music Association
    • Miller S. Puckette. Synthesizing sounds with specified, timevarying spectra. In Proceedings of the International Computer Music Conference, pages 361-364, Ann Arbor, 2001. International Computer Music Association.
    • (2001) Proceedings of the International Computer Music Conference , pp. 361-364
    • Puckette, M.S.1
  • 20
    • 84923884466 scopus 로고    scopus 로고
    • Phase bashing for sample-based formant synthesis
    • Ann Arbor, International Computer Music Association
    • Miller S. Puckette. Phase bashing for sample-based formant synthesis. In Proceedings of the International Computer Music Conference, pages 733-736, Ann Arbor, 2005. International Computer Music Association.
    • (2005) Proceedings of the International Computer Music Conference , pp. 733-736
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  • 21
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    • Special filter design
    • Sanjit K. Mitra and James F. Kaiser, editors, Wiley, New York
    • Phillip A. Regalia. Special filter design. In Sanjit K. Mitra and James F. Kaiser, editors, Handbook for digital signal processing, pages 907-978. Wiley, New York, 1993.
    • (1993) Handbook for digital signal processing , pp. 907-978
    • Regalia, P.A.1
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    • Analysis of musical instrument tones
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  • 25
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    • Schottstaedt, B.1
  • 28


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.