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Volumn , Issue , 2014, Pages 609-614

Tangible scores: Shaping the inherent instrument score

Author keywords

[No Author keywords available]

Indexed keywords

TEXTURES;

EID: 84964909845     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (18)

References (22)
  • 2
    • 82455206243 scopus 로고    scopus 로고
    • Some Ideas for Three-Dimensional Musical Scores
    • M. Berghaus, ”Some Ideas for Three-Dimensional Musical Scores”, Leonardo Music Journal Volume 21, pp. 7-8, 2011
    • (2011) Leonardo Music Journal , vol.21 , pp. 7-8
    • Berghaus, M.1
  • 4
    • 85159676955 scopus 로고    scopus 로고
    • Composing for the (dis)Embodied ensemble: notational systems in (dis)Appearances
    • Singapore
    • M. Burtner, ”Composing for the (dis)Embodied ensemble: notational systems in (dis)Appearances”, Proc. of NIME Conference, Singapore, 2003.
    • (2003) Proc. of NIME Conference
    • Burtner, M.1
  • 5
    • 0040318024 scopus 로고
    • Interactive Composing
    • VIII:1, Republished in Curtis Roads, ed., The Music Machine. MIT Press, 1989
    • J. Chadabe, ”Interactive Composing”, Computer Music Journal, VIII:1, 1984. Republished in Curtis Roads, ed., The Music Machine. MIT Press, 1989.
    • (1984) Computer Music Journal
    • Chadabe, J.1
  • 7
    • 0011020185 scopus 로고
    • Interview with Laurie Spiegel
    • The Scarecrow Press, Inc. N.J
    • Gagne, C. ”Interview with Laurie Spiegel”. In Soundpieces 2: Interviews With American Composers. The Scarecrow Press, Inc. N.J., pp. 295-333. 1993.
    • (1993) Soundpieces 2: Interviews With American Composers , pp. 295-333
    • Gagne, C.1
  • 8
    • 63349086860 scopus 로고    scopus 로고
    • Scratch Input: Creating Large, Inexpensive, Unpowered and Mobile finger Input Surfaces
    • ACM
    • C. Harrison, S. E. Hudson, ”Scratch Input: Creating Large, Inexpensive, Unpowered and Mobile finger Input Surfaces”. Proceedings UIST ’08. ACM, 2008.
    • (2008) Proceedings UIST ’08
    • Harrison, C.1    Hudson, S. E.2
  • 9
    • 0030679094 scopus 로고    scopus 로고
    • Tangible bits: towards seamless interfaces between people, bits and atoms
    • H. Ishii, B. Ullmer, ”Tangible bits: towards seamless interfaces between people, bits and atoms”. Proceedings of CHI’97 ACM SIGCHI, 1997.
    • (1997) Proceedings of CHI’97 ACM SIGCHI
    • Ishii, H.1    Ullmer, B.2
  • 11
    • 84961173643 scopus 로고    scopus 로고
    • Open Sources: Words, Circuits, and the Notation/Realization Relation in the Music of David Tudor
    • Presented at the Getty Research Institute Symposium, ”The Art of David Tudor
    • R. Kuivila, ”Open Sources: Words, Circuits, and the Notation/Realization Relation in the Music of David Tudor”, Presented at the Getty Research Institute Symposium, ”The Art of David Tudor”, 2001.
    • (2001)
    • Kuivila, R.1
  • 12
    • 84923626635 scopus 로고    scopus 로고
    • Origins of a Form: Acoustic Exploration, Science and Incessancy
    • A. Lucier, ”Origins of a Form: Acoustic Exploration, Science and Incessancy”. Leonardo Music Journal 8, pp. 5-11, 1998.
    • (1998) Leonardo Music Journal , vol.8 , pp. 5-11
    • Lucier, A.1
  • 13
    • 85160310497 scopus 로고    scopus 로고
    • The musical score: the system and the interpreter
    • T. Magnusson, The musical score: the system and the interpreter In: Proceedings of ISEA, 2011.
    • (2011) Proceedings of ISEA
    • Magnusson, T.1
  • 14
    • 0040802749 scopus 로고
    • The Radio Baton and Conductor program, or: Pith, the most important and least expressive part of music
    • M. Mathews, ”The Radio Baton and Conductor program, or: Pith, the most important and least expressive part of music”, Computer Music Journal, 15:4, 37-46, 1991.
    • (1991) Computer Music Journal , vol.15 , Issue.4 , pp. 37-46
    • Mathews, M.1
  • 17
    • 85022725340 scopus 로고    scopus 로고
    • Introducing Composed Instruments: Technical and Musicological Implications
    • N. Schnell, M. Battier, Introducing Composed Instruments: Technical and Musicological Implications, Proceedings of NIME, 2002.
    • (2002) Proceedings of NIME
    • Schnell, N.1    Battier, M.2
  • 18
    • 33745088642 scopus 로고    scopus 로고
    • Concatenative Sound Synthesis: The Early Years
    • Mars 2006
    • D. Schwarz, ”Concatenative Sound Synthesis: The Early Years”, Journal of New Music Research, Mars 2006, Vol. 35, p.3-22, 2006.
    • (2006) Journal of New Music Research , vol.35 , pp. 3-22
    • Schwarz, D.1
  • 19
    • 85160358359 scopus 로고    scopus 로고
    • The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative Synthesis
    • D. Schwarz, ”The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative Synthesis”, New Interfaces for Musical Expression (NIME), 2012.
    • (2012) New Interfaces for Musical Expression (NIME)
    • Schwarz, D.1
  • 22
    • 0036750135 scopus 로고    scopus 로고
    • Evaluation of input devices for musical expression: Borrowing tools from HCI
    • M. M. Wanderley and N. Orio. ”Evaluation of input devices for musical expression: Borrowing tools from HCI”. Computer Music Journal, 62-76, 2002.
    • (2002) Computer Music Journal , pp. 62-76
    • Wanderley, M. M.1    Orio, N.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.