Staging women-exploring theory and performance: An analysis of the singular life of albert nobbs

Studies in Theatre Production

Volumn 6, Issue 1, 1992, Pages 1-22

  Smith, Sue ^a   Taylor, Lib ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84960668610     PISSN: 13575341     EISSN: None     Source Type: Journal    
DOI: 10.1080/13575341.1992.10806853     Document Type: Article

References (26)

1. Simone Benmussa, Benmussa Directs, (tr. Anita Barrows), John Calder, London, 1979.
2. George Moore, 'Albert Nobbs' (in Celibate Lives), Heinemann, 1927.
3. El in Diamond, 'Refusing the Romanticism of Identity: Narrative Interventions in Churchill, Benmussa and Duras', in Sue-Ellen Case (ed), Performing Feminisms, John Hopkins University Press, Baltimore, 1990, p.98.
4. Julia Kristeva, 'Revolution in Poetic Language' in Toril Moi (ed), Kristeva Reader, Blackwell, Oxford, 1986, p.110.
5. Chris Weedon, Feminist Practice and Poststructural Theory, Blackwell, Oxford, 1987, p.110.
6. Simone Benmussa, Feminist Practice and Poststructural Theory., p.24.
7. Simone Benmussa, Feminist Practice and Poststructural Theory., p.24.
8. 'Yugen' - a term referring to 'beauty' in Noh Theatre, "a dark, mysterious, and sublime elegance." Kinion Komparu, The Noh Theatre Principles and Perspectives, Weatherhill/Tankosha, New York, 1983, p.10.
9. Gidayu-bushi" refers to "the narrative singing… which carries the story line" in Bunraku. Yoshinobu Ioura and Toshio Kawatake, The Traditional Theater of Japan, Weatherhill, New York, 1981, p.147.
10. Donald Keen, Twenty Plays of the Noh, Columbia University Press, New York, 1981, Introduction.
11. Simone Benmussa, Twenty Plays of the Noh. p.24.
12. Simone Benmussa, Twenty Plays of the Noh. p.24.
13. Elin Diamond, Twenty Plays of the Noh. p.92-105.
14. Julia Kristeva, 'La Femme' 21, quoted in Tori! Moi, Sexual Textual Politics, Methuen, 1985, p.163.
15. Simone Benmussa, 'La Femme' 21, quoted in Tori! Moi, Sexual Textual Politics, Methuen, 1985. p.82.
16. Simone Benmussa, 'La Femme' 21, quoted in Tori! Moi, Sexual Textual Politics, Methuen, 1985. p.24.
17. Xaviere Gauthier in Elaine Marks and Isabelle de Courtivron (eds), New Trench Feminisms, Manchester University Press, 1981, p.162.
18. Simone Benmussa, Xaviere Gauthier in Elaine Marks and Isabelle de Courtivron. p.120.
19. Concise Oxford Dictionary, Oxford, Oxford University Press, 1964.
20. Women do not have a proper name - the Name of the Father is what psychoanalysis designates as that which determines submission to… any 'conventional language' - women writers often resorted to masculine pseudonyms to disguise themselves." Elaine Marks and Isabelle de Courtivron, (1981), p.163.
21. Simone Benmussa, women writers often resorted to masculine pseudonyms to disguise themselves. p.87.
22. Simone Benmussa, women writers often resorted to masculine pseudonyms to disguise themselves. p.22.
23. Simone Benmussa, women writers often resorted to masculine pseudonyms to disguise themselves. p.23.
24. Noel Carrington, Carrington, Thames and Hudson, 1980, p.83.
25. Simone Benmussa, Carrington, Thames and Hudson. p.96.
26. Simone Benmussa, Carrington, Thames and Hudson. p.96.