-
1
-
-
84954178869
-
Starting from the perpetual de-centering of the conversations they're having with each other, the being-together of their song emerges in the proximity of what does not stop arriving
-
Paris: Belin
-
Helen Merrill and Stan Getz: "Starting from the perpetual de-centering of the conversations they're having with each other, the being-together of their song emerges in the proximity of what does not stop arriving." Feu le free? (Paris: Belin, 1990), 126.
-
(1990)
Feu le free?
, pp. 126
-
-
Merrill, H.1
Getz, S.2
-
2
-
-
84954183701
-
É coute
-
Paris: Seuil, 1982
-
Roland Barthes, "É coute" (1976), in L'obvie et l'obtus (Paris: Seuil, 1982), 217.
-
(1976)
L'obvie et l'obtus
, pp. 217
-
-
Barthes, R.1
-
4
-
-
84954188630
-
Anweisungen zum Hören neuer Musik
-
Frankfurt: Suhrkamp
-
Adorno, "Anweisungen zum Hören neuer Musik," Der getreue Korrepetitor (Frankfurt: Suhrkamp, 1976), 188-248.
-
(1976)
Der getreue Korrepetitor
, pp. 188-248
-
-
Adorno1
-
6
-
-
84954175579
-
-
Paris:Jules Renouard
-
Augustin-Charles Renouard, Traité des droits d'auteurs, dans la littérature, les sciences et les beaux-arts (Paris:Jules Renouard, 1838), 1:16.
-
(1838)
Traité des droits d'auteurs, dans la littérature, les sciences et les beaux-arts
, vol.1
, pp. 16
-
-
Renouard, A.-C.1
-
8
-
-
0001992087
-
-
trans. Roger Lustig, Chicago:University of Chicago Press
-
Carl Dahlhaus, The Idea of Absolute Music, trans. Roger Lustig (Chicago:University of Chicago Press, 1989), 55.
-
(1989)
The Idea of Absolute Music
, pp. 55
-
-
Dahlhaus, C.1
-
11
-
-
84881097280
-
Auktoriale Aufführungstradition
-
July-August
-
Hermann Danuser, "Auktoriale Aufführungstradition," Musica (July-August 1988): 348ff.
-
(1988)
Musica
, pp. 348ff
-
-
Danuser, H.1
-
12
-
-
84928307575
-
J. C. Bach Goes to Law
-
September
-
John Small, "J. C. Bach Goes to Law," The Musical Times (September 1985): 526-29.
-
(1985)
The Musical Times
, pp. 526-529
-
-
Small, J.1
-
14
-
-
84954182334
-
-
Paris: Librairie générale de droit et de jurisprudence
-
Paul Olagnier, Le droit d'auteur (Paris: Librairie générale de droit et de jurisprudence, 1934) 1:176-79.
-
(1934)
Le droit d'auteur
, vol.1
, pp. 176-179
-
-
Olagnier, P.1
-
15
-
-
84954173281
-
-
trans. Ernest Newman, New York: Dover
-
Hector Berlioz, Memoirs, trans. Ernest Newman (New York: Dover, 1960), 344-45.
-
(1960)
Memoirs
, pp. 344-345
-
-
Berlioz, H.1
-
16
-
-
71249105569
-
-
Cologne: Musikverlag Hans Gerig
-
Carl Dahlhaus, Musikästhetik (Cologne: Musikverlag Hans Gerig, 1967).
-
(1967)
Musikästhetik
-
-
Dahlhaus, C.1
-
19
-
-
84954088008
-
The Musical Customs of China
-
trans. Elizabeth Csicsery-Ró nay, Bloomington:Indiana University Press
-
Hector Berlioz, "The Musical Customs of China," in The Art of Music and Other Essays, trans. Elizabeth Csicsery-Ró nay (Bloomington:Indiana University Press, 1994), 178.
-
(1994)
The Art of Music and Other Essays
, pp. 178
-
-
Berlioz, H.1
-
20
-
-
84954178771
-
-
ed. Pierre Citron, Paris: Flammarion, and passim
-
Mémoires d'Hector Berlioz, ed. Pierre Citron (Paris: Flammarion, 1991), 97, 358, and passim.
-
(1991)
Mémoires d'Hector Berlioz
, vol.97
, pp. 358
-
-
-
21
-
-
84954114678
-
Sixth Letter
-
Franz Liszt, ed. Jean Chantavoine, Paris: É ditions d'Aujourd'hui
-
"Sixth Letter," in Franz Liszt, Pages romantiques, ed. Jean Chantavoine (Paris: É ditions d'Aujourd'hui, 1912), 187.
-
(1912)
Pages romantiques
, pp. 187
-
-
-
23
-
-
84954165847
-
-
London: Merrell Holberton
-
The Stairs (London: Merrell Holberton, 1994), 4.
-
(1994)
The Stairs
, pp. 4
-
-
-
24
-
-
84954176369
-
De la situation des artistes et de leur condition dans la société
-
Franz Liszt, "De la situation des artistes et de leur condition dans la société" (1835), in Pages romantiques, 71-72.
-
(1835)
Pages romantiques
, pp. 71-72
-
-
Liszt, F.1
-
26
-
-
84954104074
-
-
Berlin:Evangelische Verlagsanstalt
-
Georg Schünemann, Bach-Jahrbuch (Berlin:Evangelische Verlagsanstalt, 1916), 24.
-
(1916)
Bach-Jahrbuch
, pp. 24
-
-
Schünemann, G.1
-
27
-
-
84884802865
-
Zur Textierung Beethovenscher Instrumentalwerke
-
ed. Helmut Loos, Bonn: Beethovenhaus
-
Helmut Loos, "Zur Textierung Beethovenscher Instrumentalwerke," in Beethoven und die Nachwelt, ed. Helmut Loos (Bonn: Beethovenhaus, 1986).
-
(1986)
Beethoven und die Nachwelt
-
-
Loos, H.1
-
30
-
-
84954137860
-
Lettre III-À M. Adolphe Pictet
-
Paris: Le Castor astral
-
"Lettre III-À M. Adolphe Pictet," in Lettres d'un bachelier ès musique (Paris: Le Castor astral, 1991).
-
(1991)
Lettres d'un bachelier ès musique
-
-
-
31
-
-
0013044759
-
The Task of the Translator" (see " 'Conclusions': Walter Benjamin's 'The Task of the Translator,'
-
Minneapolis: University of Minnesota Press
-
Walter Benjamin, "The Task of the Translator" (see " 'Conclusions': Walter Benjamin's 'The Task of the Translator,'" in The Resistance to Theory, [Minneapolis: University of Minnesota Press, 1986], 80).
-
(1986)
The Resistance to Theory
, pp. 80
-
-
Benjamin, W.1
-
32
-
-
0038247457
-
The Task of the Translator
-
ed. Hannah Arendt, trans. Harry Zohn, New York: Schocken Books
-
Walter Benjamin, "The Task of the Translator," in Illuminations, ed. Hannah Arendt, trans. Harry Zohn (New York: Schocken Books, 1969), 81.
-
(1969)
Illuminations
, pp. 81
-
-
Benjamin, W.1
-
33
-
-
85055359638
-
'Conclusions,'
-
De Man, "'Conclusions,'" 82.
-
-
-
Man, D.1
-
34
-
-
84954188904
-
Où le piano devient orchestre. Les arrangements et paraphrases de Liszt
-
Paris: Buchet/Chastel
-
Brendel, "Où le piano devient orchestre. Les arrangements et paraphrases de Liszt," in Réflexions faites (Paris: Buchet/Chastel, 1979), 152-53.
-
(1979)
Réflexions faites
, pp. 152-153
-
-
Brendel1
-
36
-
-
84954090460
-
H. Berlioz, 'Symphonie fantastique' (Op. 14)
-
trans. Henry de Curzon, Paris: Stock
-
Schumann, "H. Berlioz, 'Symphonie fantastique' (Op. 14)," in Sur les musiciens, trans. Henry de Curzon (Paris: Stock, 1979).
-
(1979)
Sur les musiciens
-
-
Schumann1
-
38
-
-
79953443452
-
-
trans. William Ashton Ellis, Lincoln: University of Nebraska Press
-
Richard Wagner, The Art-Work of the Future and Other Works, trans. William Ashton Ellis (Lincoln: University of Nebraska Press, 1993).
-
(1993)
The Art-Work of the Future and Other Works
-
-
Wagner, R.1
-
44
-
-
84954180297
-
Zur Problem der Reproduktion
-
Frankfurt: Suhrkamp, 1984
-
Adorno, "Zur Problem der Reproduktion" (1925), in Musikalische Schriften VI (Frankfurt: Suhrkamp, 1984), 442-43.
-
(1925)
Musikalische Schriften VI
, pp. 442-443
-
-
Adorno1
-
45
-
-
84954165800
-
-
Paris: Bourgois
-
Berg, É crits (Paris: Bourgois, 1985), 24ff.
-
(1985)
É crits
, pp. 24ff
-
-
Berg1
-
46
-
-
84954175414
-
Re-Schoenberg
-
Paris: Théâtre musical du Châtelet
-
Reich, "Re-Schoenberg," in Arnold Schoenberg (Paris: Théâtre musical du Châtelet, 1995).
-
(1995)
Arnold Schoenberg
-
-
Reich1
-
47
-
-
84954173957
-
Programmes de l'improbable, court-circuits de l'inouı
-
Paris: Ircam-Bourgois
-
Bernard Stiegler, "Programmes de l'improbable, court-circuits de l'inouı," in InHarmoniques 1 (Paris: Ircam-Bourgois, 1986), 126.
-
(1986)
InHarmoniques
, vol.1
, pp. 126
-
-
Stiegler, B.1
-
48
-
-
0002720643
-
The Work of Art in the Age of Mechanical Reproduction
-
ed. Hannah Arendt, trans. Harry Zohn, New York: Schocken Books
-
Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction," in Illuminations, ed. Hannah Arendt, trans. Harry Zohn (New York: Schocken Books, 1969), 221.
-
(1969)
Illuminations
, pp. 221
-
-
Benjamin, W.1
-
49
-
-
84954143226
-
Mechanical Music
-
Béla Bartók, "Mechanical Music" (1937).
-
(1937)
-
-
Bartók, B.1
-
51
-
-
84954097174
-
Du fétichisme en musique et de la regression de l'audition
-
trans. Marc Jimenez, Paris: Ircam-Bourgois
-
Adorno, "Du fétichisme en musique et de la regression de l'audition," trans. Marc Jimenez, InHarmoniques 3 (Paris: Ircam-Bourgois, 1988).
-
(1988)
InHarmoniques
, vol.3
-
-
Adorno1
-
55
-
-
2442686197
-
-
trans. Susan H. Gillespie, Berkeley and Los Angeles: University of California Press
-
Adorno, Essays on Music, trans. Susan H. Gillespie (Berkeley and Los Angeles: University of California Press, 2002), 277.
-
(2002)
Essays on Music
, pp. 277
-
-
Adorno1
-
57
-
-
84954176661
-
-
New York: Knopf
-
Igor Stravinsky, Correspondence, vol. 2 (New York: Knopf, 1984), 219.
-
(1984)
Correspondence
, vol.2
, pp. 219
-
-
Stravinsky, I.1
-
58
-
-
84954164261
-
-
Berkeley and Los Angeles: University of California Press
-
Eric Walter White, Stravinsky (Berkeley and Los Angeles: University of California Press, 1966), 154.
-
(1966)
Stravinsky
, pp. 154
-
-
White, E.W.1
-
60
-
-
84954135137
-
Igor Stravinsky, le restaurateur
-
Paris: Buchet/Chastel
-
Schoenberg, "Igor Stravinsky, le restaurateur," in Le style et l'idée (Paris: Buchet/Chastel, 1977).
-
(1977)
Le style et l'idée
-
-
Schoenberg1
-
62
-
-
61149228816
-
-
Frankfurt: Fischer
-
Schoenberg, Stil und Gedanke (Frankfurt: Fischer, 1976), 390-91.
-
(1976)
Stil und Gedanke
, pp. 390-391
-
-
Schoenberg1
-
63
-
-
84954107521
-
-
ed. Leonard Stein, trans. Leo Black, London: Faber & Faber
-
Schoenberg, Style and Idea, ed. Leonard Stein, trans. Leo Black (London: Faber & Faber, 1975), 371ff.
-
(1975)
Style and Idea
, pp. 371ff
-
-
Schoenberg1
-
65
-
-
0040874164
-
-
Paris: Librairie générale de droit et de jurisprudence
-
Marie-Claude Dock, É tude sur le droit d'auteur (Paris: Librairie générale de droit et de jurisprudence, 1963), 168.
-
(1963)
É tude sur le droit d'auteur
, pp. 168
-
-
Dock, M.-C.1
-
67
-
-
61149412303
-
Music and Copyright in the U.S.A.
-
ed. Simon Frith, Edinburgh:Edinburgh University Press
-
Steve Jones, "Music and Copyright in the U.S.A.," in Music and Copyright, ed. Simon Frith (Edinburgh:Edinburgh University Press, 1993), 73.
-
(1993)
Music and Copyright
, pp. 73
-
-
Jones, S.1
-
68
-
-
0005322804
-
The Trademark Registrability of the Harley-Davidson Roar
-
from Intellectual Property and Technology Forum, Boston College Law School
-
Michael B. Sapherstein, "The Trademark Registrability of the Harley-Davidson Roar" (1998), from Intellectual Property and Technology Forum, Boston College Law School, http://www.bc.edu/ bc_org/avp/law/st_org/iptf/articles/index.html.
-
(1998)
-
-
Sapherstein, M.B.1
-
70
-
-
84954178609
-
Le honte me monte à la gorge..." ["Shame Wells Up in Me...
-
September 12-13
-
Cartier-Bresson, "Le honte me monte à la gorge..." ["Shame Wells Up in Me..."], Le Monde, September 12-13, 1999.
-
(1999)
Le Monde
-
-
Cartier-Bresson1
-
71
-
-
84938502599
-
The Man Who Stole Michael Jackson's Face
-
February
-
David Gans, "The Man Who Stole Michael Jackson's Face," Wired, February 1995.
-
(1995)
Wired
-
-
Gans, D.1
-
73
-
-
0004295608
-
-
Berkeley and Los Angeles: University of California Press
-
James H. Johnson, Listening in Paris: A Cultural History (Berkeley and Los Angeles: University of California Press, 1995), 71ff.
-
(1995)
Listening in Paris: A Cultural History
, pp. 71ff
-
-
Johnson, J.H.1
-
75
-
-
61449173881
-
Wagner, Deafness, and the Reception of Beethoven's Late Style
-
K. M. Knittel, "Wagner, Deafness, and the Reception of Beethoven's Late Style," Journal of the American Musicological Society 51, no. 1 (1998): 53.
-
(1998)
Journal of the American Musicological Society
, vol.51
, Issue.1
, pp. 53
-
-
Knittel, K.M.1
-
76
-
-
84954174397
-
-
trans. Albert R. Parsons, New York: G. Schirmer
-
Richard Wagner, Beethoven, trans. Albert R. Parsons (New York: G. Schirmer, 1883), 63ff.
-
(1883)
Beethoven
, pp. 63ff
-
-
Wagner, R.1
-
77
-
-
79955294120
-
-
trans. Robert L. Jacobs, London: Eulenburg Books
-
Three Wagner Essays, trans. Robert L. Jacobs (London: Eulenburg Books, 1979).
-
(1979)
Three Wagner Essays
-
-
-
80
-
-
84954163191
-
Thesen über Programmusik
-
Laaber, Germany: Laaber-Verlag
-
Carl Dahlhaus, "Thesen über Programmusik," in Klassische und romantische Musikästhetik (Laaber, Germany: Laaber-Verlag, 1988), 365ff.
-
(1988)
Klassische und romantische Musikästhetik
, pp. 365ff
-
-
Dahlhaus, C.1
-
81
-
-
3042657239
-
Musica Practica
-
trans. Stephen Heath, New York: Hill and Wang
-
Roland Barthes, "Musica Practica," in Image-Music-Text, trans. Stephen Heath (New York: Hill and Wang, 1977), 153.
-
(1977)
Image-Music-Text
, pp. 153
-
-
Barthes, R.1
-
82
-
-
79955283612
-
The Form of the Phonograph Record
-
Adorno, "The Form of the Phonograph Record," in Essays on Music, 277.
-
Essays on Music
, pp. 277
-
-
Adorno1
-
83
-
-
84954166433
-
Worte ohne Lieder
-
Frankfurt:Suhrkamp
-
Adorno, "Worte ohne Lieder," Vermischte Schriften II (Frankfurt:Suhrkamp, 1984).
-
(1984)
Vermischte Schriften II
-
-
Adorno1
-
84
-
-
0001992087
-
-
trans. Roger Lustig, Chicago: University of Chicago Press
-
Carl Dahlhaus, The Idea of Absolute Music, trans. Roger Lustig (Chicago: University of Chicago Press, 1989), 63.
-
(1989)
The Idea of Absolute Music
, pp. 63
-
-
Dahlhaus, C.1
-
86
-
-
84954164609
-
Ludwig van
-
Paris: Bourgois
-
Kagel, "Ludwig van," in Tam-tam (Paris: Bourgois, 1983).
-
(1983)
Tam-tam
-
-
Kagel1
-
87
-
-
84954119288
-
-
ed. Michel Sanouillet, Paris: Flammarion, 1914 and 1948
-
Duchamp du signe: Ecrits, ed. Michel Sanouillet (Paris: Flammarion, 1975), 37, 276 (1914 and 1948).
-
(1975)
Duchamp du signe: Ecrits
, vol.37
, pp. 276
-
-
|