Employers as Authors: Copyrights in Works Made for Hire

Intellectual Property and Information Wealth: Issues and Practices in the Digital Age: Volume 1: Copyright and Related Rights

Volumn 1, Issue , 2006, Pages 71-91

  Tussey, Deborah ^a  

^a OKLAHOMA CITY UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84953302040     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (9)

1. Peter Jaszi & Martha Woodmansee, Introduction to The Construction of Authorship: Textual Appropriation in Law and Literature 2-8 (Peter Jaszi & Martha Woodmansee eds., 1994)
2. Jessica D. Litman, Copyright, Compromise, and Legislative History, 72 Cornell L. Rev. 857, 890, 901 (1987).
3. Leonard D. DuBoff, An Academic’s Copyright: Publish and Perish, 32 J. Copyright Soc’y U.S.A. 17 (1984);
4. Todd F. Simon, Faculty Writings: Are They ‘Works Made for Hire’ Under the 1976 Copyright Act?, 9 J. Coll. & Univ. L. 485 (1982-83).
5. Laura G. Lape, Ownership of Copyrightable Works of University Professors: The Interplay between the Copyright Act and University Copyright Policies, 37 Vill. L. Rev. 223 (1992).
6. Bill Holland, Work-for-Hire Repeal Near? Steps Taken Toward Reversal of New Law, Billboard, July 29, 2000.
7. Corey Field, TheirMaster’s Voice? Recording Artists, Bright Lines, and Bowie Bonds: The Debate over Sound Recordings as Works Made for Hire, 48 J. Copyright Soc’y U.S.A. 145, 146 (2000).
8. Catherine Fisk, Authors at Work: The Origins of the Work-for-Hire Doctrine, 15 Yale J.L. & Human. 1, 11-32 (2003).
9. Deborah S. Tussey, Owning the Law:Intellectual Property Rights in Primary Law, 9 Fordham Intell. Prop., Media & Ent. L. J. 173, 228 (1998).