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Volumn , Issue , 2009, Pages 103-124

Acting and movement training as a pedagogy of the body

Author keywords

[No Author keywords available]

Indexed keywords


EID: 84952703699     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1057/9780230100862     Document Type: Chapter
Times cited : (2)

References (36)
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    • Stanislavky's system: Pathways for the actor
    • Alison Hodge (ed.). London: Routledge
    • Carnicke, Sharon Marie. 2000. Stanislavky's system: Pathways for the actor. In Alison Hodge (ed.), Twentieth century actor training. London: Routledge, 11-36.
    • (2000) Twentieth century actor training , pp. 11-36
    • Carnicke, S.M.1
  • 5
    • 84991758597 scopus 로고
    • The Alexander Technique as a basic approach to theatrical training
    • Lucille Rubin (ed.). New York: Drama Book Specialists
    • Crow, Aileen. 1980. The Alexander Technique as a basic approach to theatrical training. In Lucille Rubin (ed.), Movement for the actor. New York: Drama Book Specialists, 1-12.
    • (1980) Movement for the actor , pp. 1-12
    • Crow, A.1
  • 9
    • 0039681797 scopus 로고
    • An introduction to moving bodies: Choreographing history
    • Susan Leigh Foster (ed.). Bloomington: Indiana University
    • Foster, Susan Leigh. 1995. An introduction to moving bodies: Choreographing history. In Susan Leigh Foster (ed.), Choreographing history. Bloomington: Indiana University, 3-12.
    • (1995) Choreographing history , pp. 3-12
    • Foster, S.L.1
  • 12
    • 0040401970 scopus 로고
    • Conversational Dramatism and everyday life performance
    • Hopper, Robert. 1993. Conversational Dramatism and everyday life performance. Text and Performance Quarterly 13: 181-183.
    • (1993) Text and Performance Quarterly , vol.13 , pp. 181-183
    • Hopper, R.1
  • 16
    • 0141668614 scopus 로고    scopus 로고
    • American Playhouse: On politics and the art of acting
    • June
    • Miller, Arthur. 2001. American Playhouse: On politics and the art of acting. Harpers 302 no. 1813 (June): 33-43.
    • (2001) Harpers , vol.302 , Issue.1813 , pp. 33-43
    • Miller, A.1
  • 18
    • 84961546650 scopus 로고    scopus 로고
    • The Irish dance phenomenon: Celtic crossover
    • October
    • Parry, Jann. 1997. The Irish dance phenomenon: Celtic crossover. Dance Magazine 71, (October): 70-73.
    • (1997) Dance Magazine , vol.71 , pp. 70-73
    • Parry, J.1
  • 20
    • 84930890471 scopus 로고    scopus 로고
    • Cultural diversity and dance history research
    • Sondra Horton Fraleigh and Penelope Hanstein (eds). Pittsburgh: University of Pittsburgh Press.
    • Perpener, John O. 1999. Cultural diversity and dance history research. In Sondra Horton Fraleigh and Penelope Hanstein (eds), Researching dance: Evolving modes of inquiry. 334-351. Pittsburgh: University of Pittsburgh Press.
    • (1999) Researching dance: Evolving modes of inquiry , pp. 334-351
    • Perpener, J.O.1
  • 22
    • 84898093501 scopus 로고
    • The bodily expression of emotional experience
    • Lucille Rubin (ed.). New York: Drama Book Specialists
    • Relph, Patricia. 1980. The bodily expression of emotional experience. In Lucille Rubin (ed.), Movement for the actor. New York: Drama Book Specialists, 29-49.
    • (1980) Movement for the actor , pp. 29-49
    • Relph, P.1
  • 23
    • 84900937586 scopus 로고    scopus 로고
    • Theatre journals: Dance liberation
    • Roman, David. 2003. Theatre journals: Dance liberation. Theatre Journal 55: 395-588.
    • (2003) Theatre Journal , vol.55 , pp. 395-588
    • Roman, D.1
  • 24
    • 84991770045 scopus 로고    scopus 로고
    • Personal Webpage. October 15
    • Siamsa. Personal Webpage. October 15, 2000. .
    • (2000) Siamsa
  • 27
    • 0039217552 scopus 로고
    • Toward an aesthetics of natural performance
    • Stucky, Nathan. 1993. Toward an aesthetics of natural performance. Text and Performance Quarterly 13: 168-180.
    • (1993) Text and Performance Quarterly , vol.13 , pp. 168-180
    • Stucky, N.1
  • 28
    • 61049290241 scopus 로고    scopus 로고
    • The body present: Reporting everyday life performance
    • Phillip Glenn, Curtis LeBaron, and Jennifer Mandelbaum (eds), NJ: Lawrence Earlbaum
    • Stucky, Nathan P. and Suzanne M. Daughton. 2003. The body present: Reporting everyday life performance. In Phillip Glenn, Curtis LeBaron, and Jennifer Mandelbaum (eds), Studies in language and social interaction Mahwah, NJ: Lawrence Earlbaum. 479-491.
    • (2003) Studies in language and social interaction Mahwah , pp. 479-491
    • Stucky, N.P.1    Daughton, S.M.2
  • 33
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    • University of California at San Diego. April 7
    • UCSD graduate acting. University of California at San Diego. April 7, 2001. .
    • (2001) UCSD graduate acting
  • 36
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    • General introduction: Between theory and practice
    • Phillip B. Zarrilli (ed.). New York: Routledge
    • Zarrilli, Phillip B. 1995. General introduction: Between theory and practice. In Phillip B. Zarrilli (ed.), Acting (re)considered: Theories and practices. New York: Routledge. 1-4.
    • (1995) Acting (re)considered: Theories and practices , pp. 1-4
    • Zarrilli, P.B.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.