Literary theory and digital games

Understanding Digital Games

Volumn , Issue , 2006, Pages 95-111

  Kücklich, Julian ^a  

^a UNIVERSITY OF ULSTER   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84952667924     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4135/9781446211397.n6     Document Type: Chapter

References (20)

1. Aarseth, E. (1997) Cybertext - Perspectives on Ergodic Literature, Baltimore, MD and London: The Johns Hopkins University Press.
2. Aarseth, E. (1999) ‘Aporia and epiphany in doom and the speaking clock: the temporality of ergodic art’, in M.-L. Ryan (ed.), Cyberspace Textuality. Bloomington and Indianapolis, IN: Indianapolis University Press.
3. Aristotle (1967) Poetics. Trans. G.F. Else. Ann Arbor: University of Michigan Press.
4. Atkins, B. (2003) More Than A Game. The Computer Game as Fictional Form. Manchester and New York: Manchester University Press.
5. Barthes, R. (1975) The Pleasure of the Text, trans. R. Miller. New York: Hill and Wang. (Original work published 1965.)
6. Coleridge, S.T. (1817) Biographia Literaria; or Biographical Sketches of my Literary Life and Opinions. Vol II, Ch. 14. Retrieved from: http://www.english.upenn.edu/~mgamer/Etexts/biographia.html. Last accessed 14 February 2004.
7. Crawford, C. (1982) The Art of Computer Game Design. Retrieved from: http://www.vancouver.wsu.edu/fac/peabody/game-book/Coverpage. Last accessed 14 February 2004.
8. Culler, J. (1997) Literary Theory: A Very Short Introduction. Oxford and New York: Oxford University Press.
9. Fish, S. (1980) Is There a Text in This Class? The Authority of Interpretive Communities. Cambridge, MA: Harvard University Press.
10. Fowles, J. (1969) The French Lieutenant’s Woman. London: Jonathan Cape.
11. Friedman, T. (1995) ‘Making sense of software: computer games and interactive textuality’, in S.G. Jones (ed.), Cybersociety. Computer Mediated Communication and Community. Thousand Oaks, CA: Sage, pp. 73-89.
12. Fuller, M. and Jenkins, H. (1995) ‘Nintendo(r) and new world travel writing: a dialogue’, in S.G. Jones (ed.), Cybersociety. Computer Mediated Communication and Community. Thousand Oaks, CA: Sage. pp. 57-72.
13. Joyce, J. (1922) Ulysses. Paris: Shakespeare & Company.
14. Iser, W. (1978) The Act of Reading: A Theory of Aesthetic Response. Baltimore, MD: The Johns Hopkins University Press.
15. Montfort, N. (2003) Twisty Little Passages. An Approach to Interactive Fiction. Cambridge, MA and London: MIT Press.
16. Murray, J. (1997) Hamlet on the Holodeck: The Future of Narrative in Cyberspace. New York: The Free Press.
17. Propp, V. (1968) The Morphology of the Folk Tale, 2nd English edn. Austin, TX: University of Texas Press.
18. Robbins, T. (1994) Half Asleep in Frog Pyjamas. New York: Bantam.
19. Twain, M. (1884) The Adventures of Huckleberry Finn. London: Chatto & Windus.
20. Wolf, M.J.P. (2001) ‘Genre and the video game’, in M.J.P. Wolf (ed.), The Medium of the Video Game. Austin, TX: University of Texas Press. pp. 113-34.