Editor’s introduction

Text and Performance Quarterly

Volumn 20, Issue 1, 2000, Pages vii-x

  Gingrich Philbrook, Craig ^a  

^a SOUTHERN ILLINOIS UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84949815611     PISSN: 10462937     EISSN: 14795760     Source Type: Journal    
DOI: 10.1080/10462930009366279     Document Type: Editorial

References (11)

1. Fiske, John. “Popular Culture.” Critical Terms for Literary Study. 2nd ed. Ed. Frank Lentricchia and Thomas McLauglin. Chicago: U of Chicago P, 1995.321–35.
2. Fuoss, Kirk. Striking Performances/Performing Strikes. Jackson: UP of Mississippi, 1997
3. Gentile, John S. A Cast of One: One-Person Shows from the Chautauqua Platform to the Broadway Stage. Urbana: U of Illinois P, 1989.
4. Gingrich-Philbrook, Craig. “Autobiographical Performance and Carnivorous Knowledge: Rae C. Wright’s Animal Instincts” Text and Performance Quarterly 18 (1998): 63–79.
5. Hamera, Judith. “Loner on Wheels as Gaia: Identity, Rhetoric, and History in the Angry Art of Rachel Rosenthal.” Text and Performance Quarterly 11 (1991): 35–45.
6. Hantzis, Darlene M. “Reflections on ‘A Dialogue with Friends: “Performing” the “Other’VSelf’ [sic] OJA 1995.’” The Future of Performance Studies: Visions and Revisions. Ed. Sheron J. Dailey. Annandale: National Communication Association, 1998. 203–06.
7. Hughes, Holly, and David Roman, eds. O Solo Homo; the New Queer Performance. New York: Grove, 1998.
8. Langellier, Kristin. “Voiceless Bodies, Bodiless Voices: The Future of Personal Narrative Performance.” The Future of Performance Studies: Visions and Revisions. Ed. Sheron J. Dailey. Annandale: National Communication Association, 1998. 207–13.
9. Miller, Lynn C. “‘Polymorphous Perversity’ in Women’s Performance Art: The Case of Holly Hughes.” Text and Performance Quarterly 15 (1995): 44–58.
10. Miller, Lynn C., and Jacqueline Taylor. “Performance Autobiography: Editors’ Introduction.” Text and Performance Quarterly 17 (1997): v-vi.
11. Nudd, Donna Marie. “The Postmodern Heroine(s) of Lardo Weeping.” Text and Performance Quarterly 15 (1995): 24–43.