Ordinary television: Analyzing popular TV

Ordinary Television: Analyzing Popular TV

Volumn , Issue , 2003, Pages 1-229

  Bonner, Frances ^a  

^a UNIVERSITY OF QUEENSLAND   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84949806123     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4135/9781446221716     Document Type: Book

References (174)

1. Allen, Robert C. (1992) 'Audience-oriented criticism and television', in Robert C.Allen (ed.) Channels of Discourse, Reassembled: Television and contemporary criticism. London: Routledge. pp. 101-37.
2. Allen, Robert C. (ed.) (1992) Channels of Discourse, Reassembled: Television and contemporary criticism. London: Routledge.
3. Anderson, Benedict (1991) Imagined Communities: Reflections on the origin and spread of nationalism. London: Verso.
4. Appadurai, Arjun (1986) 'Introduction: commodities and the politics of value', in ArjunAppadurai (ed.) The Social Life of Things: Commodities in cultural perspective. Cambridge: Cambridge University Press. pp. 3-63.
5. Appadurai, Arjun (ed.) (1986) The Social Life of Things: Commodities in cultural perspective. Cambridge: Cambridge University Press.
6. Appadurai, Arjun (1996) Modernity at Large: Cultural dimensions of globalization. Minneapolis and London: University of Minnesota Press.
7. Bazalgette, Cary (1986) 'All in fun: Su Pollard on Disney Time', in LenMasterman (ed.) Television Mythologies: Stars, shows and signs. London: Comedia/MK Media Press. pp. 29-33.
8. Bell, Philip and Theo vanLeeuwen (1994) The Media Interview: Confession, contest, conversation. Sydney: University of NSW Press.
9. Bennett, Tony, SusanBoyd-Bowman, ColinMercer and JanetWoollacott (eds) (1981) Popular Television and Film. London: BFI.
10. Bennett, Tony, MikeEmmison and JohnFrow (1999) Accounting for Tastes: Australian everyday cultures. Melbourne: Cambridge University Press.
11. Bethell, Andrew (1999) 'A job, some stars and a big row', Sight and Sound, Media Watch 99 Supplement, 9(3): 14-15.
12. Billig, Michael (1995) Banal Nationalisms. London, and Thousand Oaks, CA and New Delhi: Sage.
13. Boddy, William (2001) 'Who Wants to be a Millionaire?', in G.Creeber (ed.) The Television Genre Book. London: BFI. p. 81.
14. Bonner, Frances (1992) 'Confession time: women and game shows', in FrancesBonner, LizbethGoodman, RichardAllen, LindaJanes and CatherineKing (eds) Imagining Women: Cultural representations and gender. Cambridge: Polity. pp. 237-46.
15. Bonner, Frances, LizbethGoodman, RichardAllen, LindaJames and CatherineKing (eds) (1992) Imagining Women: Cultural representations and gender. Cambridge: Polity.
16. Bonner, Frances (1994) 'Representations of the female cook', in K.Ferres (ed.) Coastscripts: Gender representations in the arts. Nathan, Qld.: Griffith University. pp. 63-72.
17. Bonner, Frances (2000) 'No choice but to choose: lifestyle programmes on Australian television', in GraemeTurner and StuartCunningham (eds) The Australian Television Book. Sydney: Allen & Unwin. pp. 103-16.
18. Bonner, Frances and Paul duGay (1992a) 'Representing the enterprising self: thirtysomething and contemporary consumer culture', Theory, Culture and Society, 9(2): 67-92. doi:10.1177/026327692009002004 http://dx.doi.org/10.1177/026327692009002004
19. Bonner, Frances and Paul duGay (1992b) 'thirtysomething and contemporary consumer culture: distinctiveness and distinction', in RogerBurrows and CatherineMarsh (eds) Consumption and Class: Divisions and change. London: Macmillan. pp. 166-83.
20. Boorstin, Daniel J. (1992) The Image: A guide to pseudo-events in America (25th anniversary edition). New York: Vintage Books.
21. Bourdieu, Pierre (1989) Distinction: A social critique of the judgement of taste. London: Routledge.
22. Brown, Mary Ellen (ed.) (1990) Television and Women's Culture: The politics of the popular. Sydney: Currency Press.
23. Brunsdon, Charlotte and DavidMorley (1978) Everyday Television 'Nationwide'. London: British Film Institute.
24. Brunt, Rosalind (1986) 'What's My Line? in LenMasterman (ed.) Television Mythologies: Stars, shows and signs:London: Comedia/MK Media Press. pp. 21-8.
25. Budd, Mike, SteveCraig and ClaySteinman (1999) Consuming Environments: Television and commercial culture. New Brunswick, NJ and London: Rutgers University Press.
26. Buscombe, Edward (ed.) (2000) British Television: A reader. Oxford: Clarendon Press.
27. Buxton, Rodney A. (1991) 'The late-night talk show: humour in fringe television', in LeahR.VandeBerg and Lawrence A.Wenner (eds) Television Criticism: Approaches and applications. New York and London: Longmans.
28. Cavell, Stanley (1996) 'The ordinary as the uneventful', in StephenMulhall (ed.) The Cavell Reader. Cambridge, MA. and Oxford: Blackwells. pp. 253-9.
29. Certeau, Michel de (1984) The Practice of Everyday Life. Berkeley and Los Angeles: University of California Press.
30. Chao, Phebe (1998) 'Gendered cooking: TV cook shows', jump Cut, (42): 19-27.
31. Cohen, Stanley and LaurieTaylor (1978) Escape Attempts: The theory and practice of resistance to everyday life. Harmondsworth: Penguin.
32. Cooper-Chen, Anne (1994) Games in the Global Village: A 50-nation study of entertainment television. Bowling Green, OH: Bowling Green State University Popular Press.
33. Corner, John (1999) Critical Ideas in Television Studies. Oxford: Clarendon Press.
34. Corner, John (2000a) 'Documentary in a post-documentary culture? A note on forms and their function' Changing Media - Changing Europe, Programme Team One (Citizenship and Consumerism), Working Paper No. 1. European Science Foundation, http://www.lboro.ac.uklresearchlchanging.media/publications.htm.
35. Corner, John (2000b) 'What can we say about documentary?', Media Culture & Society22(5): 681-8. doi:10.1177/016344300022005009 http://dx.doi.org/10.1177/016344300022005009
36. Coward, Rosalind (1989) The Whole Truth. London: Faber and Faber.
37. Creeber, Glen (ed.) (2001) The Television Genres Book. London: BFI.
38. Cunningham, Stuart and ElizabethJacka (1996) Australian Television and International Mediascapes. Cambridge: Cambridge University Press.
39. Cunningham, Stuart and TobyMiller (1994) Contemporary Australian Television. Sydney: University of NSW Press.
40. Dahlgren, Peter (1995) Television and the Public Sphere: Citizenship, democracy and the media. London: Sage. doi:10.4135/9781446250617 http://dx.doi.org/10.4135/9781446250617
41. Dale, David (2001) 'What did you finish watching last night?', The Age, Melbourne, 28-April, p. 32.
42. Danielsen, Shane (2000) 'Backyard blitzkrieg', The Australian Media Supplement, 27 April-3 May: 5.
43. Davison, Graeme (1982) 'Sydney and the Bush: an urban context for the Australian legend', in JohnCarroll (ed.) Intruders in the Bush: The Australian quest for identity. Oxford: Oxford University Press. pp. 109-30.
44. Dayan, Daniel and ElihuKatz (1992) Media Events: The live broadcasting of history. Cambridge, MA: Harvard University Press.
45. Dodd, Andrew (2001) 'Wounded by surprise sting', The Australian Media Supplement, 20 August-5 September: 8.
46. Dovey, John (2000) Freakshow: First person media and factual television. London: Pluto Press.
47. Drotner, Kristen (1994) 'Ethnographic enigmas: "the everyday" in recent media studies', Cultural Studies, 8(2): 341-57. doi:10.1080/09502389400490491 http://dx.doi.org/10.1080/09502389400490491
48. Dummett, Matt (1997/98) 'Coming up next … see if you can make a difference', Arena Magazine, 32: 39-40.
49. Dyer, Richard (1973) Light Entertainment. London: British Film Institute.
50. Ellicot, John (2001) 'Scratchie winners to go wild for bonanza', The Australian, 22 February: 4.
51. Ellis, John (1992) Visible Fictions: Cinema, television, video. London: Routledge.
52. Ellis, John (1999) 'Television as working-through', in JosteinGripsrud (ed.) Television and Common Knowledge. London and New York: Routledge (Comedia). pp. 55-70.
53. Ellis, John (2000) Seeing Things: Television in the age of uncertainty. London and New York: I. B. Tauris.
54. Fairclough, Norman (1995) Media Discourse. London: Edward Arnold.
55. Featherstone, Mike (1991) Consumer Culture and Postmodernism. London: Sage. doi:10.4135/9781446212424 http://dx.doi.org/10.4135/9781446212424
56. Ferguson, Marjorie (1992) 'The mythology about globalization', European Journal of Communication, 7: 69-93. doi:10.1177/0267323192007001004 http://dx.doi.org/10.1177/0267323192007001004
57. Ferres, Kay (ed.) (1994) Coastscripts: Gender representations in the arts. Nathan, Qld.: Griffith University.
58. Fiske, John (1987) Television Culture. London and New York: Methuen.
59. Fiske, John (1990) 'Women and quiz shows: consumerism, patriarchy and resisting pleasures', in Mary EllenBrown (ed.) Television and Women's Culture: The politics of the popular. Sydney: Currency Press. pp. 134-43.
60. Fiske, John and JohnHartley (1978) Reading Television. London: Methuen. doi:10.4324/9780203356623 http://dx.doi.org/10.4324/9780203356623
61. Fleming, Dan (ed.) (2000) Formations: A 21st century media studies textbook. Manchester: Manchester University Press.
62. Foucault, Michel (1980) The History of Sexuality. New York: Vintage Books.
63. Frow, John (1995) Cultural Studies and Cultural Value. Oxford: Clarendon Press.
64. Gardner, Carl and RobertYoung (1981) 'Science on TV: a critique', in SusanBoyd-Bowman, TonyBennett, ColinMercer and JanetWoollacott (eds), Popular Television and Film. London: BFI. pp. 171-93.
65. Geraghty, Christine and DavidLusted (eds) (1998) The Television Studies Book. London: Arnold.
66. Giddens, Anthony (1991) Modernity and Self-Identity: Self and society in the late modern age. Stanford, CA: Stanford University Press.
67. Goodwin, Andrew and GarryWhannel (eds) (1990). Understanding Television. London and New York: Routledge.
68. Graetz, Brian and I.McAllister (1994) Dimensions of Australian Society. Melbourne: Macmillan.
69. Grindstaff, Laura (1997) 'Producing trash, class, and the money shot: a behind-the-scenes account of daytime TV talk shows', in JamesLull and StephenHinerman (eds) Media Scandals: Morality and desire in the popular culture marketplace. Cambridge: Polity. pp. 164-202.
70. Gripsrud, Jostein (1998) 'Television, broadcasting, flow: key metaphors in TV theory', in Geraghty, Christine and DavidLusted (eds), The Television Studies Book. London, Arnold. pp. 17-32.
71. Gripsrud, Jostein (ed.) (1999) Television and Common Knowledge. London and New York: Routledge (Comedia).
72. Grodin, Debra and Thomas R.Lindlof (1996) Constructing the Self in a Mediated World. Thousand Oaks, CA London and New Delhi: Sage.
73. Gutch, Robin (1986) 'That's life', in LenMasterman (ed.) Television Mythologies: Stars, shows and signs. London: Comedia/MK Media Press. pp. 10-15.
74. Hall, Stuart (1997a) 'The local and the global: globalization and ethnicity', in Anthony D.King (ed.) Culture, Globalization and the World-system: Contemporary conditions for the representation of identity. Minneapolis: University of Minnesota Press. pp. 19-39.
75. Hall, Stuart (1997b) 'Old and new identities, old and new ethnicities', in Anthony D.King (ed.) Culture, Globalization and the World-system: Contemporary conditions for the representation of identity. Minneapolis: University of Minnesota Press. pp. 41-68.
76. Hardey, Michael (1998) The Social Context of Health. Buckingham and Philadelphia: Open University Press.
77. Hartley, John (1991) 'Showpiece: the personalisation of television', in DeniseCorrigan and DavidWatson (eds) TV Times: 35 Years of Watching Television in Australia. Sydney: Museum of Contemporary Art. pp. 28-34.
78. Hartley, John (1992) Tele-ology: Studies in television. London and New York: Routledge.
79. Hartley, John (1999) Uses of Television. London and New York: Routledge.
80. Hartley, John (2001) 'Daytime TV' in GlenCreeber (ed.) The Television Genres Book. London: BFI. pp. 92-3.
81. Haslam, Cheryl and AlanBryman (eds) (1994) Social Scientists Meet the Media. London and New York: Routledge. doi:10.4324/9780203418598 http://dx.doi.org/10.4324/9780203418598
82. Hawes, William (1991) Television Performing: News and information. Boston and London: Focal Press.
83. Heath, Stephen (1990) 'Representing television', in PatriciaMellencamp (ed.) Logics of Television: Essays in cultural criticism. London: BPI Publishing. pp. 267-302.
84. Hill, Annette (2000) 'Crime and crisis: British reality TV in action', in EdwardBuscombe (ed.) British Television: A reader. Oxford: Oxford University Press. pp. 218-34.
85. Hill, Annette (2001) 'Believe it or not: television audiences and factual entertainment', paper presented at the Consol(e)ing Passions Conference, Bristol 5-8 July.
86. Hoggart, Richard (1958) The uses of Literacy: Aspects of working-class life with special reference to publications and entertainment. Harmondsworth: Penguin.
87. Holland, Patricia (2000) The Television Handbook. London and New York: Routledge.
88. Idato, Michael (2000) 'Surviving down under', Sydney Morning Herald Guide, 9-15 October: 2.
89. Joyrich, Lynne (1993) 'Elvisophilia: knowledge, pleasure and the cult of Elvis', Differences, 5(1): 73-91.
90. Kaplan, Alice and KristinRoss (1987) 'Introduction', Yale French Studies, 73: 1-4. doi:10.2307/2930192 http://dx.doi.org/10.2307/2930192
91. Kaplan, E. Ann (ed.) (1983) Regarding Television: Critical approaches - an anthology. Frederick, MD: University Publishers of America Inc.
92. Kingston, Peter (1999) 'Prime time for reading', Guardian Education Supplement, 16 March: 13.
93. Kopytoff, Igor (1986) 'The cultural biography of things: commoditization as process', in ArjunAppadurai (ed.) The Social Life of Things: Commodities in cultural perspective. Cambridge: Cambridge University Press. pp. 64-91.
94. Kozloff, Sarah (1992) 'Narrative theory and television', in Robert C.Allen (ed.) Channels of Discourse, Reassembled: Television and contemporary criticism. London: Routledge. pp. 67-101.
95. Langer, John (1981) 'Television's personality system', Media, Culture & Society, 4: 351-65.
96. Langer, John (1996) 'A calculus of celebrity: where would news fit into the equation?', Metro Education, 8: 3-9.
97. Langer, John (1998) Tabloid Television: Popular journalism and the 'other news'. London and New York: Routledge.
98. Lefebvre, Henri (1987) 'The everyday and everydayness', Yale French Studies, 73: 7-11. doi:10.2307/2930193 http://dx.doi.org/10.2307/2930193
99. Levitas, Ruth (1990) The Concept of Utopia. Syracuse, NY: Syracuse University Press.
100. Lewis, Bill (1986) 'TV games: people as performers', in LenMasterman (ed.) Television Mythologies: Stars, shows and signs. London: Comedia/MK Media Press. pp. 42-5.
101. Liebes, Tamar (1998) 'Television's disaster marathons: a danger for democratic processes?', in TamarLiebes and JamesCurran (eds) Media, Ritual and Identity. London: Routledge. pp. 71-84.
102. Liebes, Tamar and JamesCurran (eds) (1998) Media, Ritual and Identity. London: Routledge.
103. Livingstone, Sonia and PeterLunt (1994) Talk on Television: Audience participation and public debate. London and New York: Routledge.
104. Lull, James and StephenHinerman (eds) (1997) Media Scandals: Morality and desire in the popular culture marketplace. Cambridge: Polity.
105. Lury, Karen (1995) 'Television performance: being, acting and "corpsing"', New Formations, 27: 114-27.
106. Lusted, David (1986) 'The glut of the personality', in LenMasterman (ed.) Television Mythologies: Stars, shows and signs. London: Comedia/MK Media Press. pp. 73-81.
107. Lusted, David (1998) 'The popular culture debate and light entertainment on television', in ChristineGeraghty and DavidLusted (eds), The Television Studies Book. London: Arnold. pp. 175-90.
108. McKee, Alan (1997) ' "The Aboriginal version of Ken Done … ": Banal Aboriginal identities in Australia', Cultural Studies, 11(2): 191-206. doi:10.1080/09502389700490111 http://dx.doi.org/10.1080/09502389700490111
109. McKee, Alan (2001) Australian Television: A genealogy of great moments. Melbourne: Oxford University Press.
110. Malor, Deborah (1991) 'From the sublime to the ridiculous: Edmund Burke's bucolia -Don Burke's backyard', Not My Department, 1: 57-70.
111. Masciarotte, Gloria-Jean (1991) 'C'mon girl: Oprah Winfrey and the discourse of feminine talk', Genders, 11: 81-110.
112. Masterman, Len (ed.) (1986) Television Mythologies: Stars, shows and signs. London: Comedia/MK Media Press.
113. Meade, Amanda (1999) 'Funny business', Weekend Australian, 22-3 May: 19.
114. Medhurst, Andy (1999) 'Day for night', Sight and Sound, 9(6): 26-7.
115. Medhurst, Andy (2000) 'Every wart and pustule: Gilbert Harding and television stardom', in EdwardBuscombe (ed.) British Television: A reader. Oxford: Clarendon Press. pp. 248-64.
116. Meinhof, Ulrike H. and JonathanSmith (eds) (2000) Intertextuality and the Media: From genre to everyday life. Manchester and New York: Manchester University Press.
117. Mellencamp, Patricia (ed.) (1990) Logics of Television: Essays in cultural criticism. London: BFI.
118. Mellencamp, Patricia (1992) High Anxiety: Catastrophe, scandal, age, and comedy. Bloomington and Indianapolis: Indiana University Press.
119. Mikos, Lothar and Hans J.Wulff (2000) 'Intertextuality and situative contexts in game shows: the case of Wheel of Fortune', in Ulrike H.Meinhof, and JonathanSmith (eds), Intertextuality and the Media: From genre to everyday life. Manchester and New York: Manchester University Press. pp. 98-114.
120. Miller, Toby (2001) 'The populist debate', in GlenCreeber (ed.) The Television Genres Book. London: BFI. pp. 76-9.
121. Moncrieff, Sean (1988) 'That's infotainment', Broadcast, 21 December: 18-19.
122. Moran, Albert (1998) Copycat TV: Globalisation, program formats and cultural identity. Luton: University of Luton Press.
123. Morley, David and KevinRobins (1995) Spaces of Identity: Global media, electronic landscapes and cultural boundaries. London and New York: Routledge. doi:10.4324/9780203422977 http://dx.doi.org/10.4324/9780203422977
124. Moseley, Rachel (2000) 'Makeover takeover on British television', Screen, 41(3): 299-314. doi:10.1093/screen/41.3.299 http://dx.doi.org/10.1093/screen/41.3.299
125. Mulhall, Stephen (ed.) (1996) The Cavell Reader. Cambridge, MA and Oxford: Blackwells.
126. Murdock, Graham (1994) 'Tales of expertise and experience: sociological reasoning and popular representation', in CherylHaslam and AlanBryman (eds), Social Scientists Meet the Media. London and New York: Routledge. pp. 108-22.
127. Murrell, Rachel Kerys (1987) 'Telling it like it isn't: representations of science in tomorrow's world', Theory, Culture and Society, 4(1): 89-106. doi:10.1177/026327687004001005 http://dx.doi.org/10.1177/026327687004001005
128. Neale, Steve (1990) 'Questions of genre', Screen, 31(1): 45-66.
129. Neale, Steve (2001) 'Genre and television', in GlenCreeber (ed.) The Television Genres Book. London: BFI, pp. 3-4.
130. Nichols, Bill (1991) Representing Reality: Issues and concepts in documentary. Bloomington and Indianapolis: Indiana University Press.
131. Nicholson, Catherine (1991) 'Good evening and welcome to Graham Kennedy's Funniest Home Video Show where you might see your next door neighbour, you might see a workmate, you might even see yourself … ', Continuum, 4(2): 36-41. doi:10.1080/10304319109388198 http://dx.doi.org/10.1080/10304319109388198
132. Nixon, Sherrill (2001) 'TV's helping hand in do-it-yourself accidents', Sydney Morning Herald, 9 January: 1.
133. Priest, Patrica J. (1996) '"Gilt by association": talk show participants' televisually enhanced status and self-esteem', in DebraGrodin and Thomas R.Lindhof (eds) Constructing the Self in a Mediated World. Thousand Oaks, CA, London and New Delhi: Sage. pp. 68-83.
134. Riley, Chris (1992) 'Facts of life', Broadcast, 31 January: 18.
135. Robertson, Roland (1995) 'Glocalization: time-space and homogeneity-heterogeneity', in MikeFeatherstone, ScottLash and RolandRobertson (eds) Global Modernities. London: Sage. doi:10.4135/9781446250563 http://dx.doi.org/10.4135/9781446250563
136. Rose, Brian G. (ed.) (1985) TVGenres: A handbook and reference guide. Westport, CT and London: Greenwood Press.
137. Rose, Nikolas (1999) Powers of Freedom: Reframing political thought. Cambridge: Cambridge University Press. doi:10.1017/CBO9780511488856 http://dx.doi.org/10.1017/CBO9780511488856
138. Safire, William (1981) 'On language: see you later allegator', New York Times, section 6, 13 September: 16.
139. Scannell, Paddy (ed.) (1991) Broadcast Talk. London: Sage.
140. Scannell, Paddy (1996) Radio, Television and Modern Life. Oxford: Blackwell.
141. Shattuc, Jane M. (1997) The Talking Cure: TV talk shows and women. New York and London: Routledge.
142. Silverstone, Roger (1985) Framing Science: The making of a television documentary. London: BFI.
143. Silverstone, Roger (1994) Television and Everyday Life. London and New York: Routledge.
144. Simpson, Philip (1986) 'One man and his dog show', in LenMasterman (ed.) Television Mythologies: Stars, shows and signs. London: Comedia/MK Media Press. pp. 16-20.
145. Star, Robert (1983) 'Television news and its spectators', in E. AnnKaplan (ed.) Regarding Television: Critical approaches - an anthology. Frederick, MD: University Publishers of America Inc. pp. 23-43.
146. Stapledon, Ross (1993) 'The mouth from the south'. The Australian Magazine July 24-25 pp. 28-34.
147. Strange, Niki (1998) 'Perform, educate, entertain: ingredients of the cooking programme genre', in ChristineGeraghty and DavidLusted (eds) The Television Studies Book. London: Arnold. pp. 301-12.
148. Strinati, Dominic and StephenWagg (eds) (1992) Come on Down?: Popular media culture in post-war Britain. London and New York: Routledge. doi:10.4324/9780203414811 http://dx.doi.org/10.4324/9780203414811
149. Tolson, Andrew (1985) 'Anecdotal television', Screen, 26(2): 18-27.
150. Tolson, Andrew (1991) 'Televised chat and the synthetic personality', in PaddyScannell (ed.) Broadcast Talk. London: Sage. pp. 178-200.
151. Tulloch, John (1976) 'Gradgrind's heirs: the quiz and the presentation of knowledge by British television', Screen Education, 19: 3-12.
152. Tulloch, John and GraemeTurner (eds) (1989) Australian Television: Programs, pleasures and politics. Sydney: Allen & Unwin.
153. Tunstall, Jeremy (1993) Television Producers. London and New York: Routledge.
154. Turnbull, Sue (1993) 'The great Australian theme park', Melbourne Report, 8(6): 17-19.
155. Turner, Graeme (1989) 'Transgressive TV: from In Melbourne Tonight to Perfect Match', in Tulloch, John and GraemeTurner (eds) Australian Television: Programs, pleasures and politics. Sydney: Allen & Unwin. pp. 25-38.
156. Turner, Graeme (1993) National Fictions. St Leonards, NSW: Allen and Unwin.
157. Turner, Graeme (1994) Making It National: Nationalism and Australian popular culture. Sydney: Allen & Unwin.
158. Turner, Graeme (1999) 'Tabloidization, journalism and the possibility of critique', International Journal of Cultural Studies, 2(1): 59-76. doi:10.1177/136787799900200104 http://dx.doi.org/10.1177/136787799900200104
159. Turner, Graeme (2001a) 'The uses and limitations of genre', in GlenCreeber (ed.) The Television Genres Book. London: BFI. pp. 4-5.
160. Turner, Graeme (2001b) 'Genres, format and "live" television', in GlenCreeber (ed.) The Television Genres Book. London: BFI. pp. 6-7.
161. Turner, Graeme, FrancesBonner and P. DavidMarshall (2000) Fame Games: The production of celebrity in Australia. Cambridge: Cambridge University Press.
162. Turner, Graeme and StuartCunningham (eds) (2000) The Australian Television Book. Sydney: Allen & Unwin.
163. VandeBerg, LeahR. and Lawrence A.Wenner (eds) (1991) Television Criticism: Approaches and applications. New York and London: Longmans.
164. Wagg, Stephen (1992) '"One I made earlier": media, popular culture and the politics of childhood', in DominicStrinati and StephenWagg (eds) Come on Down? Popular media culture in post-war Britain. London and New York: Routledge. pp. 150-78. doi:10.4324/9780203414811 http://dx.doi.org/10.4324/9780203414811
165. Wark, Mckenzie (1999) Celebrities, Culture and Cyberspace: The light on the hill in a postmodern world. Annandale, NSW: Pluto Press.
166. Wayne, Mike (2000) 'Who wants to be a millionaire? Contextual analysis and the endgame of public service television', in DanFleming (ed.) Formations: A 21st century media studies textbook. Manchester: Manchester University Press. pp. 196-216.
167. Weaver, Amanda (1990) 'Fearless frontman in the backyard', The Bulletin, 18 December, 112: 90-3.
168. Wernick, Andrew (1991) Promotional Culture: Advertising, ideology and symbolic expressions. London: Sage.
169. Whannel, Garry (1990) 'Winner takes all: competition', in Andrew Goodwin and Garry Whannel, Understanding Television. London and New York: Routledge. pp. 103-14.
170. Williams, Anna (1993) 'Domesticity and the aetiology of crime inAmerica's Most Wanted', Camera Obscura, 31: 97-120.
171. Williams, Raymond (1974) Television: Technology and cultural form. London: Fontana/Collins. doi:10.4324/9780203426647 http://dx.doi.org/10.4324/9780203426647
172. Williams, Raymond (1989) Raymond Williams on Television: Selected writings (ed. AlanO'Connor). London: Routledge.
173. Wilson, Elizabeth (1986) 'All in the family: Russell Grant on breakfast television', in LenMasterman (ed.) Television Mythologies: Stars, shows and signs. London: Co media/MK Media Press. pp. 7-9.
174. Woolf, Marie (1999) 'Blair picks Vorderman to head maths campaign', The Independent on Sunday, 14 March: 5.