Performing symptoms

Text and Performance Quarterly

Volumn 19, Issue 2, 1999, Pages 159-171

  Sadono, Regina Fletcher ^a,b  

^a UCLA s Department of Theatre   (United States)

^b NONE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84949763968     PISSN: 10462937     EISSN: 14795760     Source Type: Journal    
DOI: 10.1080/10462939909366257     Document Type: Review

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3. Balanchine, George, and Francis Mason. 101 Stories of the Great Ballets. New York: Anchor Books, Doubleday, 1975.
4. Blackmer, Joan Dexter. Acrobats of the Gods: Dance and Transformation. Toronto: Inner City Books, 1989.
5. Campbell, Gregor, and Gordon E. Slethaug. “Mirror Stage.” Encyclopedia of Contemporary Literary Theory: Approaches, Scholars, Terms. Ed. Irena R. Makaryk. Toronto: U of Toronto P, 1995.
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12. Nunez, Sigrid. A Feather on the Breath of God. New York: Harper Perennial, 1995.
13. Phelan, Peggy. “Immobile legs, stalled words: psychoanalysis and moving deaths.” Mourning Sex. New York: Routledge 45–69.
14. Reinelt, Janelle. “Psychoanalysis-Introduction.” Critical Theory and Performance. Ed. Janelle Reinelt and Joseph Roach. Ann Arbor: U of Michigan, 1992. 383–89.
15. Vincent, L. M. Competing with the Sylph: Dancers and the Pursuit of the Ideal Body Form. New York: Andrew and McNeel, Inc., 1979.
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17. Warren, Gretchen Ward. The Art of Teaching Ballet: Ten Twentieth Century Masters. Gainesville: UP of Florida, 1996.