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Volumn 1317, Issue , 1997, Pages 441-450

Perceptual analysis of the musical expressive intention in a clarinet performance

Author keywords

[No Author keywords available]

Indexed keywords

ARTIFICIAL INTELLIGENCE; COMPUTER SCIENCE; COMPUTERS;

EID: 84948987065     PISSN: 03029743     EISSN: 16113349     Source Type: Book Series    
DOI: 10.1007/bfb0034132     Document Type: Conference Paper
Times cited : (13)

References (12)
  • 2
    • 0026173986 scopus 로고
    • Performance rules for computer-controlled contemporary keybord music
    • Friberg, A., Fryden, L., Bodin, L., & Sundberg, J. (1991). Performance rules for computer-controlled contemporary keybord music. Computer Music Journal, 15, 49-55.
    • (1991) Computer Music Journal , vol.15 , pp. 49-55
    • Friberg, A.1    Fryden, L.2    Bodin, L.3    Sundberg, J.4
  • 3
    • 0015838898 scopus 로고
    • Similarity ratings and dimensional analysis of auditory rhythm patterns
    • Gabrielsson, A. (1973). Similarity ratings and dimensional analysis of auditory rhythm patterns. Scandinavian Journal of Psychology, 14, 138-160.
    • (1973) Scandinavian Journal of Psychology , vol.14 , pp. 138-160
    • Gabrielsson, A.1
  • 5
    • 0002764121 scopus 로고
    • Expressive intention and performance
    • In R. Steinberg (Ed.), Berlin, Heidelberg: Springer-Verlag
    • Gabrielsson, A. (1995). Expressive intention and performance. In R. Steinberg (Ed.), Music and mind machine (pp. 37-47). Berlin, Heidelberg: Springer-Verlag.
    • (1995) Music and Mind Machine , pp. 37-47
    • Gabrielsson, A.1
  • 6
    • 0023353310 scopus 로고
    • The communication of dynamics between musicians and listeners through musical performance
    • Nakamura, T. (1987). The communication of dynamics between musicians and listeners through musical performance. Perception and Psy-chophysics, 41, 525-533.
    • (1987) Perception and Psy-Chophysics , vol.41 , pp. 525-533
    • Nakamura, T.1
  • 7
    • 84968301336 scopus 로고
    • Assessment of musical performance by using the method of continous judgment by selected description
    • Namba, S., Kuwano, S., Hatoh, T., k Kato, M. (1991). Assessment of musical performance by using the method of continous judgment by selected description. Music Perception, 8, 251-276.
    • (1991) Music Perception , vol.8 , pp. 251-276
    • Namba, S.1    Kuwano, S.2    Hatoh, T.3    K Kato, M.4
  • 8
    • 0025126563 scopus 로고
    • Patterns of expressive timing in performances of a Beethoven minuet by nineteen famous pianists
    • Repp, B. (1990). Patterns of expressive timing in performances of a Beethoven minuet by nineteen famous pianists. The Journal of the Acoustical Society of America, 93, 622-641.
    • (1990) The Journal of the Acoustical Society of America , vol.93 , pp. 622-641
    • Repp, B.1
  • 9
    • 84949810667 scopus 로고
    • Quantitative effects of global tempo on expressive timing in music performance: Some perceptual evidence
    • Repp, B. (1995). Quantitative effects of global tempo on expressive timing in music performance: Some perceptual evidence. Music Perception, 13, 39-57.
    • (1995) Music Perception , vol.13 , pp. 39-57
    • Repp, B.1
  • 11
    • 84968210820 scopus 로고
    • How are the player’s ideas conveyed to the audience?
    • Senju, M., & Ohgushi, K. (1987). How are the player’s ideas conveyed to the audience? Music Perception, 4, 311-324.
    • (1987) Music Perception , vol.4 , pp. 311-324
    • Senju, M.1    Ohgushi, K.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.