Emigrating to New York in 3-D: Stereoscopic Vision in IMAX's Cinematic City

Cinema and the City: Film and Urban Societies in a Global Context

Volumn , Issue , 2008, Pages 109-121

  Neumann, Mark ^a  

^a UNIVERSITY OF SOUTH FLORIDA   (United States)

Author keywords

3 d:stereoscopic vision; Across the sea of time; Imax screen; New York; Personal sound environment

Indexed keywords

EID: 84948980142     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1002/9780470712948.ch9     Document Type: Chapter

References (8)

1. Rob Shields, "Fancy footwork: Walter Benjamin's notes on flânerie," in Keith Tester (ed.), The Flâneur (New York: Routledge, 1994), pp. 64-5.
2. Mark Neumann, "Wandering Through the Museum: Experience and Identity in a Spectator Culture," Border/Lines 12 (Summer 1988): 27.
3. Tony Bennett, "The Exhibitionary Complex," New Formations 4 (Spring 1988):73-6.
4. Jonathan Crary, Techniques of the Observer: On Vision and Modernity in the Nineteenth Century (Cambridge, MA: MIT, 1990), p. 150.
5. Crary, Techniques of the Observer, p. 128.
6. Kathy Peiss, Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York (Philadelphia: Temple University Press, 1986), p. 146.
7. David Nasaw, Going Out: The Rise and Fall of Public Amusements (New York: Basic Books, 1993), pp. 205-6.
8. James Donald, "The City, The Cinema: Modern Spaces," in Chris Jenks (ed.), Visual Culture (New York: Routledge, 1995), p. 92.