(Mis-)Representing the Irish Urban Landscape

Cinema and the City: Film and Urban Societies in a Global Context

Volumn , Issue , 2008, Pages 217-228

  Rockett, Kevin ^a  

^a TRINITY COLLEGE DUBLIN   (Ireland)

Author keywords

Dublin; Ideological resonance; Ireland; Irish cultural nationalism; Urban america

Indexed keywords

EID: 84948957681     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1002/9780470712948.ch18     Document Type: Chapter

References (10)

1. Raymond Williams, The Country and the City (London: The Hogarth Press, 1985 (1973)).
2. Colm Lincoln, "City of Culture: Dublin and the Discovery of Urban Heritage," in Barbara O'Connor and Michael Cronin (eds.), Tourism in Ireland: A Critical Analysis (Cork: Cork University Press, 1993), p. 205.
3. Luke Gibbons, "Montage, Modernism and the City," in Transformations in Irish Culture (Cork: Cork University Press, 1996), p. 167.
4. Ben Singer, "Modernity, Hyperstimulus, and the Rise of Popular Sensationalism," in Leo Charney and Vanessa R. Schwartz (eds.), Cinema and the Invention of Modern Life (Berkeley: University of California Press), 1995, p. 75 ff.
5. Luke Gibbons, "Romanticism, Realism and Irish Cinema," in Kevin Rockett, Luke Gibbons, and John Hill, Cinema and Ireland (London: Croom Helm, 1987; 2nd ed. London: Routledge, 1988).
6. John Hill, "Images of Violence," in Rockett et al., Cinema and Ireland, p. 237.
7. Kevin Rockett, The Irish Filmography (Dublin: Red Mountain Media, 1996).
8. Perry Ogden, Pony Kids (London: Jonathan Cape, 1999).
9. Frank McDonald, Irish Times, 10 March 2000, p. 6.
10. Fredric Jameson, "Is National Cinema Possible? Remaking the Rules of the Game," conference keynote address to Projecting the Nation: National Cinema in an International Frame, Film Institute of Ireland, 15 November 1996.