On-demand culture: Digital delivery and the future of movies

On-Demand Culture: Digital Delivery and the Future of Movies

Volumn , Issue , 2013, Pages 1-219

  Tryon, Chuck ^a  

^a FAYETTEVILLE STATE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84944548997     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (512)

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68. Shawn Shimpach, Television in Transition: The Life and Afterlife of the Narrative Action Hero (Malden, MA: Blackwell, 2010), 15.
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71. Andrew Wallenstein, “YouTube, Lionsgate in Ad Pact,” Ad Week, July 17, 2008, http://www.adweek.com/news/technology/youtube-lionsgate-ad-pact-96397.
72. David Carr, “The Evolving Mission of Google,” New York Times, March 20, 2011, http://www.nytimes.com/2011/03/21/business/media/21carr.html.
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81. Ryan Lawler, “As Netflix Goes after TV Fans, Hulu Chases Movie Buffs,” New Tee Vee, February 15, 2011, http://gigaom.com/video/hulu-criterioncollection/.
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92. Chuck Tryon, “Digital Distribution, Participatory Culture, and the Transmedia Documentary,” Jump Cut 53 (2011), http://www.ejumpcut.org/currentissue/TryonWebDoc/index.html.
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103. Michael Cieply, “‘Avatar' Director Cautions Against Early Video-on-Demand Release,” New York Times, April 8, 2011, http://www.nytimes.com.
104. Chuck Tryon, Reinventing Cinema: Movies in the Age of Media Convergence (New Brunswick: Rutgers University Press, 2009), 104-106.
105. Anthony Breznican, Josh Rottenberg, and Benjamin Svetkey, “10 Ways to Save Movies,” Entertainment Weekly, May 28, 2011, http://www.ew.com/ew/gallery/0,20484512,00.html.
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109. Mojo M., the budget for Just Go With It was $80 million, while Unknown cost $30 million. Of course, these estimates likely do not count prints and advertising costs.
110. Marc Graser, “WB, Sony, U and Fox Cue Premium VOD,” Variety, March 31, 2011, http://www.variety.com/article/VR1118034714.
111. Patrick Goldstein, “Universal's ‘Tower Heist' VOD Fiasco: What Went Wrong?” Los Angeles Times, October 12, 2011, http://latimesblogs.latimes.com/.
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124. David Poland, “Hulu Pays for High Loyalty Content That Mainstream-Chasing Netflix Can't Afford,” Movie City News, February 15, 2011, http://moviecitynews.com/.
125. Alisa Perren and Karen Petruska, “Big Hollywood, Small Screens,” in Moving Data: The iPhone and the Future of Media, ed. Pelle Snickars and Patrick Vonderau (New York: Columbia University Press, 2012), 117.
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128. Sandoval S., “Will Hollywood's ‘UltraVi0let' Plan Replace the DVD?”
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132. Dixon D., “How Long Will It Last?”
133. Jon Silver, Stuart Cunningham, and Mark David Ryan, “Mission Unreachable: How Jaman is Shaping the Future of On-line Distribution,” in Digital Disruption: Cinema Moves On-line, ed. Dina Iordinova and Stuart Cunningham (St. Andrews, Scotland: St. Andrews Film Studies, 2012), 133.
134. Patrick Frater, “Jaman Firms Up Indie Pacts,” Variety, September 28, 2007, http://www.variety.com/article/VRm7972978?refCatId=19.
135. Silver, Cunningham, and Ryan R., “Mission Unreachable,” 136-137.
136. Stuart Cunningham and Jon Silver, “On-line Film Distribution: Its History and Global Complexion,” in Iordinova and Cunningham, eds., Digital Disruption, 34.
137. Ben Fritz, “Netflix Expanding into Latin America,” Los Angeles Times, July 6, 2011, http://articles.latimes.com/2011/jul/06/business/la-fi-ct-netflix-expands-20110706.
138. Ryan Lawler, “Netflix Could Beat Cable TV in Latin America,” New Tee Vee, July 11, 2011, http://gigaom.com/video/netflix-cable-latin-america/.
139. Janko Roettgers, “Can Netflix Beat Latin America's Pirates?” New Tee Vee, September 6, http://gigaom.com/video/netflix-brazil-mexico-piracy/.
140. Rochelle King, “Netflix Launches in Latin America,” Netflix Blog, September 5, 2011, http: //blog.netflix.com/2011/09/netflix-launch es-in-latin-america.html.
141. Janko Roettgers, “Jason Kilar: Hulu Plus Is Becoming Major Money Maker,” New Tee Vee, October 5, 2011, http://gigaom.com/.
142. Janko Roetggers, “Why Hulu Is Doubling Down on Its Latino Audience,” New Tee Vee, December 13, 2011, http://gigaom.com/.
143. Andrew Wallenstein and Diana Lodderhose, “Netflix Preps Euro Launch in 2012,” Variety, July 15, 2011, http://wwwvariety.com/article/VR1118039987.
144. Associated Press, “US Online Streaming Site Hulu Expands to Japan,” MSNBC.com, September 1, 2011, http://www.msnbc.msn.com/.
145. Joe Karaganis, “Introduction,” in Media Piracy in Emerging Economies, ed. Joe Karaganis (New York: Social Science Research Council, 2011), 1.
146. Christopher Dodd, “MPAA's Chris Dodd: Piracy Is ‘Single Biggest Threat We Face as an Industry,'” Hollywood Reporter, March 29, 2011, http://www.hollywoodreporter.com/news/mpaas-chris-dodd-piracy-is-172346.
147. David Rosen, “The New Hollywood,” Filmmaker Magazine, May 10, 2012, http://www.filmmakermagazine.com/.
148. Steven Zeitchik and Jonathan Landreth, “Hollywood Gripped by Pressure System from China,” Los Angeles Times, June 12, 2012, http://www.latimes.com/entertainment/news/movies/laetchinacensorship20120612,0,6399621, full.story.
149. Adrian Johns, Piracy: The Intellectual Property Wars from Gutenberg to Gates(Chicago: University of Chicago Press, 2009), 454.
150. John Thornton Caldwell, Production Culture: Industrial Reflexivity and Critical Practice in Film and Television (Durham: Duke University Press, 2008), 79.
151. J. D. Lasica, Darknet: Hollywood’s War against the Digital Generation (Hoboken, NJ: John Wiley & Sons, 2005), 41
152. Frederick Wasser, Veni, Vidi, Video: The Hollywood Empire and the VCR (Austin: University of Texas Press, 2001), 102.
153. Daniel Frankel, “Federal Judge Slaps Injunctionon VOD Service Zediva,” The Wrap, August 1, 2011, http://www.thewrap.c0m/.
154. Tom Kulik, “Zediva: Streaming Through a Copyright Loophole in the Digital Domain,” Legal Intangibles, April 12, 2011, http://legalintangibles.com/2011/04/zediva-streaming-through-a -copyright-loophole-in-the-digital-domain/.
155. Timothy B. Lee, “Judge Orders Shutd0wn of DVD-Streaming Service Zediva,” Ars Tech- nica, August 2, 2011, http://arstechnica.c0m/.
156. Ryan Singel, “Is Zediva's New-Release Movie Streaming Service Legal?” Wired.com, March 23, 2011, http://www.wired.com/threatlevel/2011/03/zediva-copyright.
157. Ryan Singel, “Federal Judge Orders Shutdown of Innovative DVD-Streaming Service Zediva,” Wired.com, August 2, 2011, http://www.wired.com/epicenter/2011/08/zediva -preliminary-injunction.
158. Larkin L., Signal and Noise, 220.
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160. Mike Masnick, “Dark Knight… Both Most Pirated and Highest Earning Movie,” Tech Dirt, November 21, 2008, http://www.techdirt.com/articles/20081118/0400182867.shtml.
161. Daniel Frankel, “Nielsen: 1.5M U.S. Households Cut the Cord in 2011,” Paid Content, May 2, 2012, http://paidc0ntent.0rg/.
162. Ryan Lawler, “Cord Cutters n0t Replacing Cable TV with Online Video,” New Tee Vee, July 23, 2011, http://gigaom.com/broadband/cord-cuttersnotreplacing-cable/.
163. Henry Blodget, “Don't Mean to Be Alarmist, But the TV Business May Be Starting t0 Collapse,” Business Insider, June 2, 2012, http://www.businessinsider.com/tv-business -collapse-2012-6.
164. David Goetzi, “ESPN Trumps All Cable Fees, CPMs,” Media Daily News, January 27, 2012, http://www.mediapost.com/publications/article/166754/espn-trumps-all-cable-fees-cpms.html.
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166. Claire Atkinson, “Gaming the System,” New York Post, April 28, 2012, http://www.nypost.com/p/news/business/gaming_the_system_L20Rd15dXullvE0AbLPeAJ.
167. Claire Atkinson, “TV in Real Dime: Hulu, Networks to Change Model of Free Streaming,” New York Post, April 30, 2012, http://www.nypost.com/p/news/business/tv_in_real_dime_phoGiKk7rC9agDUEkHae2I.
168. Ryan Lawler, “How Much W0uld the Average Person Pay for a Standalone HBO GO Subscription? About $12 a Month,” Tech Crunch, June 5, 2012, http://techcrunch.com/2012/06/05/hbo-go-without-hbo/.
169. Derek Kompare, “Publishing Flow: DVD Box Sets and the Reconception of Television,” Television and New Media 7.4 (November 2006): 335-360.
170. Sheila C. Murphy, How Television Invented New Media (New Brunswick: Rutgers University Press, 2012), 93-94.
171. Charles R. Acland, “Curtains, Carts, and the Mobile Screen,” Screen 50.1 (2009): 149.
172. Henry Jenkins, Convergence Culture: Where Old and New Media Collide (New York: New York University Press, 2006), 14-16.
173. Jonathan Sterne, “Formatted to Fit Your Screen,” FlowTV 15.5 (January 2012), http://flowtv.org/2012/01/formatted-to-fit-your- screen/.
174. Lynn Spigel, Make Room for TV: Television and the Family Ideal in Postwar America (Chicago: University of Chicago Press, 1992), 36.
175. Spigel S., Welcome to the Dreamhouse: Popular Media and Postwar Suburbs (Durham: Duke University Press, 2001), 52.
176. Spigel S., Welcome to the Dreamhouse, 62, 73-75.
177. Spigel S., Welcome to the Dreamhouse, 61.
178. Jeffrey Sconce, Haunted Media: Electronic Presence from Telegraphy to Television (Durham: Duke University Press, 2000).
179. Spigel S., Welcome to the Dreamhouse, 67.
180. Barbara Klinger, Beyond the Multiplex: Cinema, New Technologies, and the Home (Berkeley: University of California Press, 2006), 9, 24-25.
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196. Jeff Ulin, The Business of Media Distribution: Monetizing Film, TV, and Video Content (New York: Focal Press, 2010), 196.
197. Edward Jay Epstein, “Hollywood's Death Spiral: The Secret Numbers Tell the Story,” Slate, July 25, 2005, http://www.slate.com/id/2123286/.
198. Ulin U., Business of Media Distribution, 189.
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203. Mark Saltzman, “The Dark Knight: App Edition Fuses Movies with Social Media,” USA Today, February 24, 2011, http://content.usatoday.com/communities/technologylive/post/2011/02/dark-knight-warner-bros-app -ipad/1.
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207. Molly Wood, “UltraViolet: DRM by any other Name Still Stinks,” C-Net, March 16, 2012, http://news.cnet.com/.
208. Spigel S., Welcome to the Dreamhouse, 67.
209. Anne Balsamo, “I Phone, I Learn,” in Snickars and Vonderau, eds., Moving Data, 253.
210. Anne Balsamo, “I Phone, I, Learn,” 253.
211. William Boddy, “‘Is It TV Yet?' The Dislocated Screens of Television in a Mobile Digital Culture,” in Bennett and Strange, eds., Television as Digital Media, 96.
212. Shaun Moores, “Media Uses & Everyday Environmental Experiences: A Positive Critique of Phenomenological Geography,” Participations 3, no. 2 (November 2006), http://www.participations.org/volume%203/issue%202%20%20special/3_02_moores.htm.
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216. Bordwell B., Pandora’s Digital Box, 210.
217. Bordwell B., http://boxofficemojo.com/. For a discussion of the Beowulf adaptation.
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219. Lisa Kernan, Coming Attractions: Reading American Movie Trailers (Austin: University of Texas Press, 2004), 5-6.
220. Jonathan Gray, Show Sold Separately: Promos, Spoilers, and Other Media Paratexts (New York: New York University Press, 2010), 47.
221. Gray G., Show Sold Separately, 48.
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224. Neil Miller, “Review: ‘Avatar' Delivers on Its Promise,” Film School Rejects, December 11, http://www.filmschoolrejects.com/reviews/review-avatar-neilm.php.
225. Jeffrey Sconce, “Avatard,” Ludic Despair, January 4, 2010, http://ludicdespair.blogspot.com/2010/01/avatard.html.
226. Geoff Boucher, “USC Professor Creates an Entire Alien Language for ‘Avatar,'” Los Angeles Times, November 20, 2009, http://latimesblogs.latimes.com/herocomplex/2009/11/usc-professor-creates-alien-language-for-avatar.html.
227. Joshua Davis, “James Cameron's New 3D Epic Could Change Film Forever,” Wired, November 17, 2009, http://www.wired.com/magazine/2009/n/ff_avatar_cameron/all/1.
228. Maria Wilhelm and Dirk Mathison, Avatar: A Confidential Report on the Biological and Social History of Pandora (New York: HarperCollins, 2009).
229. Gray G., Show Sold Separately, 113.
230. Anne Thompson, “Geeking Out with Cameron at the 3D Summit: Titanic, Avatar, Theme Parks,” IndieWire, September 23, 2011, http://blogs.indiewire.com/.
231. Bordwell B., Pandora’s Digital Box, 74-75. Avatar’s success was especially important overseas in that it helped to encourage China to build more theaters capable of digital projection.
232. Charles R. Acland, “You Haven't Seen Avatar Yet,” Flow TV 13, no. 8 (February 11, 2011), http://flowtv.org/2011/02/you-havent-seen-avatar/.
233. Richard Corliss, “Avatar on DVD Review: Pandora's Skimpy Box,” Time, April 24, 2010, http://www.time.com/time/arts/article/0,8599,1984304,00.html. Emphasis in the original.
234. Acland A., “You Haven't Seen Avatar Yet.”
235. Acland A., “Avatar as Technological Tentpole.”
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237. Jill Serjeant, “‘Avatar' Director Cameron in Bid to Bring 3D to TV,” Reuters, April 11, 2011, http://www.reuters.com/article/2011/04/12/us-3d-idUSTRE73A5NR20110412.
238. Mike Snider, “At Home Review: Watching the World Cup in 3D,” USA Today, June 17, http://content.usatoday.com/.
239. Brian Stelter and Brad Stone, “Television Begins a Push into the 3rd Dimension,” New York Times, January 5, 2010, http://www.nytimes.com/2010/01/06/business/media/06tele.html.
240. Edward C. Baig, “3D TV Sh0wing of World Cup Is Nifty, If Not Without Issues,” USA Today, June 17, 2010, http://www.usat0day.c0m/.
241. Edward C. Baig, “The Future of the DVD,” Home Media Magazine, March 2011, 6, http://www.homemediamagazine.com/research/physical-media-study.
242. Kristin Thompson, “Has 3D Already Failed? The Sequel, Part 2: Real Dsgusted,” Observations on Film Art, January 25, 2011, http://www.davidbordwell.net/blog/2011/01/25/has -3d-already-failed-the-sequel-part-2-realdsgusted/.
243. David Itzkoff, “Eye-Popping for Art's Sake: An Advocate for 3-D Films,” New York Times, October 19, 2010, http://movies.nytimes.com/2010/10/20/movies/20cameron.html.
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245. Mike Fleming, “OSCAR: Chris N0lan Q&A ab0ut ‘Incepti0n,'” Deadline Hollywood Daily, January 7, 2011, http://www.deadline.c0m/.
246. Steven Zeitchik, “With ‘Glee' 3-D C0ncert M0vie, Lea Michele Will Sing on the Big Screen,” Los Angeles Times, May 3, 2011, http://latimesblogs.latimes.com/.
247. Steven Zeitchik, “As It Seeks a Big-Event Feel, ‘Glee' 3-D Movie Adds Advance Screenings,” Los Angeles Times, July 11, 2011, http://latimesblogs.latimes.com/.
248. Rick Porter, “More ‘Lost' Finale Events: Theater Simulcast, Comedy Shows,” Zap 2 It, April 20, 2010, http://blog.zap2it.com/.
249. Steve Pond, “Alternative Content Rides Digital Delivery into Theaters,” The Wrap, April 5, http://www.thewrap.com/movies/column -post/alternative-content -rides-digital -delivery-theaters-26174.
250. Charles R. Acland, Screen Traffic: Movies, Multiplexes, and Global Cultures (Durham: Duke University Press, 2003), 222.
251. Andrew Barker, “The Lion of Judah,” Variety, June 2, 2011, http://www.variety.com/review/VE1117945372/.
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253. Kirk Honeycutt, ‘Not an Afterthought,'” Thompson on Hollywood, May 19, 2011, http://blogs.indiewire.com/thompsononhollywood/.
254. Anne Friedberg, Window Shopping: Cinema and the Postmodern (Berkeley: University of California Press, 1994), 175-176.
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258. Jason Sperb, “A Few Thoughts on Trons Blu-Ray Release,” Jamais Vu: Thoughts on Cinema and Media, April 8, 2011, http://lightpalimpsest.blogspot.com/2011/04/few-thoughts-on-trons -blu-ray-release.html.
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261. Steven Zeitchik, “‘Star Wars' and ‘Titanic' 3D: How Much Is Too Much?” Los Angeles Times, October 1,2010, http://latimesblogs.latimes.com/movies/2010/10/star-wars-3d-george-lucas-titanic -james-cameron.html.
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263. Will Brooker, Using the Force: Creativity, Community, and Star Wars Fans (New York: Continuum, 2002), 90.
264. Chuck Tryon, “Fan Films, Adaptations, and Media Literacy,” in Science Fiction Film, Television, and Adaptation: Across the Screens, ed. J. P. Telotte and Gerald Duchovnay (New York: Routledge, 2012), 181.
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276. Bordwell B., Pandora’s Digital Box, 208.
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302. Barbara Klinger, Beyond the Multiplex: Cinema, New Technologies, and the Home (Berkeley: University of California Press, 2006), 73.
303. Catherine Grant, “Auteur Machines? Auteurism and the DVD,” in Bennett and Brown, eds., Film and Television after DVD, 101-115.
304. Ellen Seiter, Sold Separately: Children and Parents in Consumer Culture (New Brunswick: Rutgers University Press, 1993), 26.
305. Ulin U., Business of Media Distribution, 171-174.
306. Epstein E., Hollywood Economist, 174
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312. Janet Wasko, How Hollywood Works (London: Sage, 2003), 131.
313. Janet Wasko, “Movie Gallery to Close All U.S. Stores: Report,” Reuters, May 2, 2010, http://www.reuters.com/article/idUSTRE6412SR20100502.
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316. Carla Diorio, “$1 DVD Rentals Costing Biz $1 Bil: Study,” Hollywood Reporter, December 7, 2009, http://www.hollywoodreporter.com/.
317. Chris Tribbey, “Six Questions: Redbox's Mitch Lowe,” Home Media Magazine, July 31, 2009, http://www.homemediamagazine.com/.
318. Ben Fritz, “‘Just Go with It' Tops 2011 Redbox Rentals,” Los Angeles Times, December 29, 2011, http://latimesblogs.latimes.com/entertainmentnewsbuzz/2011/12/just-go-with-it-tops-2011-redbox-rentals.html.
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328. Sherwin Loh, “DVD Rentals at Y0ur Fingertips,” Straits Times (Singapore), September 10, 2004.
329. Jessica Lim, “DVD Kiosk Concept Stalls,” Straits Times (Singapore), June 7, 2011.
330. Blake Williams, “Movie Magic Brings Redbox-Like DVD Rentals to Toronto,” BlogTO, May 1, 2011, http://www.bl0gto.com/.
331. Blake Williams,“Best Buy Bringing Online Video Service to Canada,” CBC News, June 16, 2011, http://www.cbc.ca/fp/story/2011/06/16/4956666.html.
332. Adam Dawtrey, “Odeon Ends Alice in W0nderland Boycott,” The Guardian, February 25, http://www.guardian.co.uk/film/2010/feb/25/odeon-alice-in-wonderland-boycott.
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