Mimetic development of intonation

Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)

Volumn 2445, Issue , 2002, Pages 107-118

  Miranda, Eduardo Reck ^a  

^a SONY COMPUTER SCIENCE LABORATORY   (France)

Author keywords

[No Author keywords available]

Indexed keywords

ARTIFICIAL INTELLIGENCE; AUDITION;

MOTOR CONTROL; SYNTHESIS CONTROL; VIRTUAL SOCIETIES;

AUTONOMOUS AGENTS;

EID: 84937679950     PISSN: 03029743     EISSN: 16113349     Source Type: Book Series    
DOI: 10.1007/3-540-45722-4_11     Document Type: Conference Paper

References (13)

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3. Dahlstedt, P. and Nordhal, M. G. (2001). Living Melodies: Coevolution of Sonic Communication. Leonardo, 34:3, 243-248.
4. Miranda, E. R. (Ed.) (2000). Readings in Music and Artificial Intelligence. Amsterdam, The Netherlands: Harwood Academic Publishers.
5. Miranda, E. R. (2001). Synthesising Prosody with Variable Resolution. AES Convention Paper 5332. New York, NY: Audio Engineering Society, Inc.
6. Miranda, E. R. (2002). Computer Sound Design: Synthesis Techniques and Programming. Oxford, UK: Focal Press. (2nd edition) Mitchell, T. M., Machine Learning. New York, NY: McGraw Hill.
7. Nadel, J. and Butterworth, G. (Eds.) (1999). Imitation in Infancy. Cambridge, UK: Cambridge University Press.
8. Steels, L. (1997). The Synthetic Modelling of Language Origins. Evolution of Communication Journal, 1:1, 1-34.
9. Thomas, D. A. (1995). Music and the origins of language. Cambridge, UK: Cambridge University Press.
10. Todd, P. M. (2000). Simulating the evolution of musical behavior. In N. Wallin, B. Merker and S. Brown (Eds.), The origins of music. Cambridge, MA: MIT Press.
11. Todd, P. M. and Werner, G. M. (1999). Frankensteinian Methods for Evolutionary Music Composition. In N. Griffith and P. M. Todd (Eds.), Musical networks: Parallel distributed perception and performance (pp. 313-339). Cambridge, MA: The MIT Press/Bradford Books.
12. Trevarthen, C., Kokkinaki, T. and Fiamenghi Jr., G., A. (1999). What infants' imitations communicate: with mothers, with fathers and with peers. In J. Nadel and G. Butterworth (Eds.), Imitation in Infancy (pp. 127-174). Cambridge, UK: Cambridge University Press.
13. Wallin, N. J., Merker, B. and Brown, S. (Eds.) (2000). The Origins of Music. Cambridge, MA: The MIT Press.