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I note Stone’s concern that it may be equally valid to approach such sites, ‘multifaceted, complex in design and purpose, and diverse in nature’, in terms of a spectrum as opposed to a clearly delineated taxonomy of locations
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I note Stone’s concern that it may be equally valid to approach such sites, ‘multifaceted, complex in design and purpose, and diverse in nature’, in terms of a spectrum as opposed to a clearly delineated taxonomy of locations.
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The Taubira law of 2001 was a piece of French legislation which, although falling short of any initially intended commitment to reparations, recognized formally and for the first time the French duty of memory in relation to enslavement and the Atlantic slave trade. The law was named after the Socialist Party Member of Parliament for French Guiana, Christiane Taubira, and acknowledged that the Atlantic slave trade and slavery were crimes against humanity
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The Taubira law of 2001 was a piece of French legislation which, although falling short of any initially intended commitment to reparations, recognized formally and for the first time the French duty of memory in relation to enslavement and the Atlantic slave trade. The law was named after the Socialist Party Member of Parliament for French Guiana, Christiane Taubira, and acknowledged that the Atlantic slave trade and slavery were crimes against humanity.
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Gorée is the starting point of Rachid Bouchareb’s third feature film, Little Senegal (2001), an exploration of its protagonist’s own transatlantic journey from Senegal to North America. After many years as a tourist guide in the House of Slaves in Senegal, Alloune decides to travel to the USA, in search of traces of his enslaved ancestors transported to the New World two centuries earlier. Travelling from Charleston to Little Senegal, New York, he engages in inverse roots tourism, but also seeks an ideal vision of an African family, only to discover strong tensions between the African and African-American communities
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Gorée is the starting point of Rachid Bouchareb’s third feature film, Little Senegal (2001), an exploration of its protagonist’s own transatlantic journey from Senegal to North America. After many years as a tourist guide in the House of Slaves in Senegal, Alloune decides to travel to the USA, in search of traces of his enslaved ancestors transported to the New World two centuries earlier. Travelling from Charleston to Little Senegal, New York, he engages in inverse roots tourism, but also seeks an ideal vision of an African family, only to discover strong tensions between the African and African-American communities.
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There is a need to situate these initiatives in their wider national contexts, in relation to the histories of the representation of the minority groups they include, as well as in the light of ideological approaches to cultural and social diversity. The International Slavery Museum in Liverpool was established, for instance, in the context of the 2007 bicentenary of the abolition of the slave trade, whereas the development of the galleries in Bordeaux and Nantes is situated firmly in the post-Taubira era
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There is a need to situate these initiatives in their wider national contexts, in relation to the histories of the representation of the minority groups they include, as well as in the light of ideological approaches to cultural and social diversity. The International Slavery Museum in Liverpool was established, for instance, in the context of the 2007 bicentenary of the abolition of the slave trade, whereas the development of the galleries in Bordeaux and Nantes is situated firmly in the post-Taubira era.
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Walking Memory: Berlin’s “Holocaust Trail
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Maria Pia Di Bella, ‘Walking Memory: Berlin’s “Holocaust Trail”’, Journeys 13(2), 2012, pp 55-70.
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A number of others are in preparation, including the Mémorial ACTe in Guadeloupe
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Hinks, ‘Mémorial de l’Abolition de l’Esclavage’, p 154. A number of others are in preparation, including the Mémorial ACTe in Guadeloupe.
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Mémorial De l’Abolition De l’Esclavage
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Hinks1
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86
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Epilogue: Reflections
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James Oliver Horton and Lois E Horton (eds), Chapel Hill: University of North Carolina Press
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Edward T Linenthal, ‘Epilogue: Reflections’, in James Oliver Horton and Lois E Horton (eds), Slavery and Public History: The Tough Stuff of American Memory, Chapel Hill: University of North Carolina Press, 2006, pp 213-224+224
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(2006)
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