Performing Place: Staging Identity with the Kuranda Amphitheatre

Australian Journal of Anthropology

Volumn 10, Issue 3, 1999, Pages 337-356

  Henry, Rosita ^a  

^a JAMES COOK UNIVERSITY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84937324073     PISSN: 10358811     EISSN: 17576547     Source Type: Journal    
DOI: 10.1111/j.1835-9310.1999.tb00029.x     Document Type: Article

References (23)

1. Australian Bureau of Statistics, 1966, 1971, 1976, 1981, 1996. Census of Population and Housing: Queensland Canberra, ABS.
2. Bachelard, G. 1969. The Poetics of Space Boston: Beacon Press.
3. Casey, E.S. 1993. Getting Back into Place: Towards a Renewed Understanding of the Place-World Bloomington: Indiana University Press.
4. Chauduri, U. 1991. The future of the hyphen: interculturalism, textuality, and the difference within. In B. Marranca and G. Dasgupta (eds) Interculturalism and Performance. New York: PAJ Publications.
5. Cohen, A.P. 1985. The Symbolic Construction of Community Chichester, Sussex: Ellis Horwood.
6. Feld, S. 1996. Waterfalls of song: an acoustemology of place resounding in Bosavi, Papua New Guinea. In S. Feld and K. Basso (eds) Senses of Place. Santa Fe: SAR Press.
7. Gluckman, M. 1971 [1958]. Analysis of a Social Situation in Modern Zululand Manchester: Manchester University Press.
8. Heidegger, M. 1971. Poetry, Language, Thought New York: Harper and Row.
9. Henry, R. 1994. Kuranda at war: contested space and the politics of the marketplace. The Australian Journal of Anthropology 5 (3): 294–305.
10. Kapferer, B. 1986. Performance and the structuring of meaning and experience. In V. Turner and E. Bruner (eds) The Anthropology of Experience. Urbana: University of Illinois Press.
11. Kapferer, B. 1988. Legends of People, Myths of State: Violence, Intolerance, and Political Culture in Sri Lanka and Australia Washington: Smithsonian Institution Press.
12. Kapferer, B. 1996. Preface. Schism and Continuity in an African Society: A Study of Ndembu Village Life Oxford: Berg.
13. Kapferer, J. 1996. Being All Equal: Identity, Difference and Australian Cultural Practice Oxford: Berg.
14. Kuranda Amphitheatre, 1989. Artstarters Brisbane: Queensland Community Arts Network.
15. Lattas, A. 1990. Aborigines and contemporary Australian nationalism: primordiality and the cultural politics of otherness. Social Analysis 27: 50–69.
16. Natanson, M. 1970. The Journeying Self Menlo Park, California: Addison-Wesley.
17. Newton, J. 1988. Aborigines, tribes and the counterculture. Social Analysis 23: 53–71.
18. Schieffelin, E. 1985. Performance and the cultural construction of reality. American Anthropologist 12(4): 707–724.
19. Stafford, E. 1984. The multiplier effect in the arts: the Kuranda amphitheatre example. Community Arts Network News, April, 1984, pp. 4–5.
20. Stafford, E. 1994. Kuranda amphitheatre [keynote address]. In A. McArthur and D. Ellenby (eds) Report of the Kuranda Amphitheatre Future Search Workshop, Saturday 22 January 1994. Kuranda: Kuranda Amphitheatre.
21. Taussig, M. 1993. Nimesis and Alterity: A Particular History of the Senses New York: Routledge.
22. Turner, V. 1974. Dramas, Fields, and Metaphors: Symbolic Action in Human Society Ithaca: Cornel University Press.
23. Turner, V. 1996. Schism and Continuity in an African Society: A Study of Ndembu Village Life Oxford: Berg.