The ‘great articulation of the inarticulate’: Reading the jazz body in Australian and American popular culture in the 1960s

Journal of Australian Studies

Volumn 22, Issue 58, 1998, Pages 18-28

  Card, Amanda ^a  

^a UNIVERSITY OF SYDNEY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84933475577     PISSN: 14443058     EISSN: 18356419     Source Type: Journal    
DOI: 10.1080/14443059809387398     Document Type: Note

References (40)

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5. 1990. Bob Fosse United States
6. Whiteoak, John. 1998. Playing Ad Lib: Improvisatory Music in Australia, 1836-1970 Sydney
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19. 1958. VC/Her Majesty's Theatre London
20. Smuin, Micheal. 1960. ‘Jazz and the Dance’. Dance Digest, February
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22. 1961. The Sun, 10 February
23. Folley, Griffin. 1961. ‘Show-going’. Daily Telegraph, 2 February
24. 1961. ‘US “Musical” is Dynamic New Venture’. Daily Telegraph, 10 February
25. Cox, Harry. 1961. ‘A rock version of Romeo and Juliet’. Pix, 18 February: 30
26. Hutton, Geoffrey W., 1960. ‘The boldest experiment of all..’. Music & Dance, November: 23–4.
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28. Dunn, Mamie. 1969. ‘Groovy Sydney’. Sydney Morning Herald, 20 November: 12
29. 1961. ‘Jazz-dance Packs a Punch‘. Sydney Morning Herald, 13 April: 3
30. Hutton, Geoffrey W. 1960. ‘The boldest experiment of all..’. Music & Dance, November: 23
31. Hill, Constance Valis. 1996. “ ‘Jazz Modernism’ ”. In Moving Words: Re-Writing Dance Edited by: Morris, Gay. 227–42. London
32. Banes, Sally. 1994. “ ‘Balanchine and Black Dance’ ”. In Writing Dance in an Age of Postmodernism 53–69. Hanover
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34. Bland, Alexander. 1959. ‘Two-way Stretch’. London Observer, September
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37. Sorrell, Walter. 1966. The Dance Has Many Faces New York
38. 1994. Class Act of Tap—Honi Coles United States (television special)
39. Gates, Henry Louis, Jnr. 1988. The Signifying Monkey: a Theory of African-American Literary Criticism xxvii
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