The Cambridge companion to conducting

The Cambridge Companion to Conducting

Volumn , Issue , 2003, Pages 1-346

  Bowen, José Antonio ^a  

^a GEORGETOWN UNIVERSITY   (United States)

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[No Author keywords available]

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EID: 84932152789     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1017/CCOL9780521821087     Document Type: Book

References (432)

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25. Busch, Fritz, Der Dirigent (Zurich: Atlantis, 1961)
26. Cahn-Speyer, Rudolf, Handbuch des Dirigierens (Leipzig: Breitkopf and Härtel, 1909)
27. Carnett, Ellis, The Technique of Conducting (Nashville: Broadman, 1948)
28. Carse, Adam, Orchestral Conducting (London: Augener, 1935); (Westport, CT: Greenwood Press, 1971)
29. Carse, Adam, The Orchestra from Beethoven to Berlioz: A History of the Orchestra in the First Half of the 19th Century, and of the Development of Orchestra Baton-Conducting (Cambridge:W. Heffer and Sons Ltd., 1948)
30. Coward, Henry, Sir, Choral Technique and Interpretation (London: Novello, 1914)
31. Coward, Henry, Sir, "C.T.I." The Secret: "Les nuances bien indiquées" (London: Novello, 1938)
32. Cox-Ife, William, The Elements of Conducting (New York: J. Day, 1964)
33. Croger, Thomas Rudolfus, Notes on Conductors and Conducting (London: "Nonconformist Musical Journal" Office, [1899]); second rev. edn. (London: William Reeves, 1903); sixth edn. (1938); (reprint service, 1991)
34. Curtis, Larry, and Kuehn, David, A Guide to Successful Conducting (Dubuque, IA: Brown and Benchmark, 1992)
35. Dechant, Herman, Dirigieren (Vienna: Herder, 1985)
36. Deldevez, Edouard Marie Ernest, L'Art du chef d'orchestre (Paris: Firmin-Didôt, 1878)
37. Del Mar, Norman, Conducting Beethoven: Vol. I, The Symphonies (Oxford: Clarendon Press, 1992)
38. Del Mar, Norman, Conducting Beethoven: Vol. II, Overtures, Concertos, Missa Solemnis (Oxford: Clarendon Press, 1993)
39. Del Mar, Norman, Conducting Brahms (Oxford: Clarendon Press, 1993)
40. Del Mar, Norman, Conducting Berlioz (Oxford: Clarendon Press, 1997)
41. Del Mar, Norman, Conducting Elgar, completed and ed. Jonathan Del Mar (Oxford: Clarendon Press, 1998)
42. Del Mar, Norman, Conducting Favourite Concert Pieces, ed. Jonathan Del Mar (Oxford: Clarendon Press, 1998)
43. Demarer, Robert W. Jr, Moses, Don V., and Ohmes, Allan F., Face to Face with an Orchestra (Princeton, NJ: Prestige Publications, Inc., 1987)
44. Demarer, Robert W. Jr., and Moses, Don V., The Complete Conductor: A Comprehensive Resource for the Professional Conductor of the Twenty-First Century (Englewood Cliffs, NJ: Prentice-Hall, 1995)
45. Diestel, Hans, Ein Orchestermusiker uber das Dirigieron (Berlin: Edition Adler GmbH, 1931)
46. Dubois, Anthony, Étude sur la direction d'orchestre (Anvers: Lachisse, 1899)
47. Earhart, Will, The Eloquent Baton (New York:Witmark and Sons, 1931)
48. Farberman, Harold, The Art of Conducting: A New Perspective (Miami:Warner Brothers, 1997)
49. Fétis, Francois Joseph, Manuel des compositeurs, directeurs de musique, chefs d'orchestre et de musique militaire (Paris: Schlesinger, 1837); tr.Wellington Guernsey (London, 1870)
50. Fétis, Francois Joseph, Harmony and Instrumentation: A Manual for Composers, Musical Directors, Orchestral Leaders and Bandmasters, rev. S. Victor Balfour (London: J. R. Lafleur and Son, 1922)
51. Finn, William Joseph, The Conductor Raises His Baton (New York, London: Harper Brothers, 1944)
52. Fuchs, Peter Paul, The Psychology of Conducting (New York: MCA Music, 1969)
53. Furtwängler, Wilhelm, and Abendroth, Walter, Gesprache über Musik (Vienna and Zurich: Atlantis Verlag, 1948)
54. Furtwängler, Wilhelm, and Abendroth, Walter, Concerning Music, tr. L. J. Lawrence (London: Boosey and Hawkes, 1953)
55. Furtwängler, Wilhelm, and Abendroth, Walter, Notebooks 1924-1954, ed.Michael Tanner, tr. Shaun Whiteside (London: Quartet Books, 1989)
56. Furtwängler, Wilhelm, Furtwängler on Music: Essays and Addresses, tr. Ronald Taylor (Aldershot: Scolar Press, 1991)
57. Galkin, Elliott W., AHistory of Orchestral Conducting in Theory and Practice (New York: Pendragon Press, 1988)
58. Gehrkens, Karl W., Essentials in Conducting (Boston: Oliver Ditson, 1919)
59. Gehrkens, Karl W., Twenty Lessons in Conducting (Boston: Oliver Ditson, 1930)
60. Gielen, Michael and Paul Fiebig, Beethoven im Gesträch: Die Neun Sinfonien (Stuttgart: Metzler, 1995)
61. Goldbeck, Frederik, The Perfect Conductor: An Introduction to His Skill and Art (New York: Pellegrini and Cudahy, 1951); (London: Dobson, 1960)
62. Green, Elizabeth A[dine] H[erkimer], The Modern Conductor: A College Text on Conducting Based on the Technical Principles of Nicolai Malko as Set Forth in his The Conductor and his Baton [see below] (Englewood Cliffs, NJ: Prentice-Hall, 1961); (sixth edn., 1997)
63. Green, Elizabeth A[dine] H[erkimer], The Conductor and His Score (Englewood Cliffs, NJ: Prentice-Hall, 1975)
64. Green, Elizabeth A[dine] H[erkimer], The Dynamic Orchestra (Englewood Cliffs, NJ: Prentice-Hall, 1987)
65. Grosbayne, Benjamin, A Bibliography of Works and Articles on Conducting and Related Fields in Various Languages from the Sixteenth Century to the Present Time (New York: Brooklyn College mimeographed, 1934)
66. Grosbayne, Benjamin, Techniques of Modern Orchestral Conducting (Cambridge, MA: Harvard University Press, 1956); (second edn., 1973)
67. Haberlen, John, Mastering Conducting Techniques (Champaign, IL: Mark Foster Music, 1977)
68. Hillis, Margaret, At Rehearsals (Barrington, IL: American Choral Foundation, The Letter Shop, 1969)
69. Hoesen, Karl Duane van, Handbook of Conducting (New York: Appleton Century Crofts, 1950)
70. Holmes, Malcolm Haughton, Conducting an Amateur Orchestra (Cambridge, MA: Harvard University Press, 1951)
71. Hölzl, P., Die Technik des Dirigierens (Vienna, 1989)
72. Hubbard, Thomas, A Baton for the Conductor (Boston: Houghton Mifflin, 1958)
73. Hunsberger, Donald, and Ernst, Roy, The Art of Conducting (New York: Knopf, 1983); second edn. (New York: McGraw-Hill, 1992)
74. Inghelbrecht, Désiré-Emile, Le Chef d'orchestre et son équipe (Paris: René Juilliard, 1949)
75. Inghelbrecht, Désiré-Emile, The Conductor's World, tr.G. Prerauer and S. Malcolm Kirk (London and New York: Peter Nevill, 1953); (New York: Library Publishers, 1954); (Encore Music Editions, 1979)
76. Inghelbrecht, Désiré-Emile, Le Chef d'orchestre parle au public (Paris, 1957)
77. Jacobson, Bernard, Conductors on Conducting [Levine, Davis, Haitink, Boult, Harnoncourt, Mackerras, Serebrier, Giulini] (Frenchtown, NJ: Columbia Publishing, 1979)
78. Jakobi, Theodor, Die Kunst des Partiturspielens (Berlin: Hesse, 1956)
79. Jungheinrich, Hans-Klaus, Der Musikdarsteller: Zur Kunst des Dirigenten (Frankfurt am Main: S. Fischer, 1986)
80. Junker, Karl Ludwig, Einige der Vornehmsten Pflichten eines Kapellmeisters oder Musikdirektors (Winterthur: Steiner, 1782)
81. Kahn, Emil, Conducting (New York: Free Press, 1965)
82. Kahn, Emil, Workbook for Conducting (New York: The Free Press, 1965)
83. Kahn, Emil, Conducting Guide to Selected Scores (New York: Schirmer, London: Collier Macmillan, 1976)
84. Kinyon, John Leroy, The Teacher on the Podium (New York: Alfred Publishing, 1975)
85. Klemperer, Otto, Klemperer on Music: Shavings from a Musician's Workbench, ed. Martin Anderson (London: Toccata Press, 1986)
86. Kling, Henri, Der Vollkommene Musik-dirigent (Hanover: Oertel, 1890)
87. Kohut, Daniel, and Grant, Joseph, Learning to Conduct and Rehearse (Englewood Cliffs, NJ: Prentice-Hall, 1990)
88. Kolisch, Rudolph, Rudolph Kolisch, Zur Theorie der Aufführung (Munich: Text + Kritik, 1983)
89. Kondrashin, Kyril, Die Kunst des Dirigierens (Munich, 1989)
90. Koury, Daniel, Orchestral Performance Practices in the 19th Century (Ann Arbor: UMI Research Press, 1986)
91. Krips, Josef, Ohne Liebe kann man keine Musik machen. Erinnerungen (Vienna: Boehlau Verlag, 1994)
92. Krone, Max Thomas, Expressive Conducting (Chicago: Neil A. Kjos, 1945)
93. Krueger, Karl, The Way of the Conductor: His Origins, Purposes, and Procedures (New York: Scribner's, 1958)
94. Kufferath, Maurice, L'Art de diriger l'orchestre (Paris: Fischbacher, 1891); third edn. (Paris, 1909)
95. Labuta, Joseph A., Basic Conducting Techniques (Englewood Cliffs, NJ: Prentice-Hall, 1982)
96. Lara, Francisco Navarro, Nueva Técnica de Dirrección de Orquesta, Coro y Banda [NB: At Nov. 2002, this book existed on the web only, and may be downloaded at www.ari.es/franav/navarrolara.zip]
97. Leinsdorf, Erich, Lesen Sie Musik oder "aimez-vous Beethoven?" (Frankfurt: Litolffs Verlag, 1976)
98. Leinsdorf, Erich, The Composer's Advocate, A Radical Orthodoxy for Musicians (New Haven: Yale University Press, 1981)
99. Leinsdorf, Erich, Erich Leinsdorf on Music (Portland: Amadeus Press, 1997)
100. Liebert, Georges, ed., L'Art du chef d'orchestre (Paris: Hachette Pluriel, 1988)
101. Liebert, Georges, ed., Ni empereur, ni roi, chef d'orchestre, Découvertes. Musique 87 (Paris: Gallimard, 1990)
102. Lindenberg, Edouard, Comment lire une partition d'orchestre (Paris: Heugel, 1952)
103. Linton, Stanley, Conducting Fundamentals (New York: Prentice-Hall, 1982)
104. Liszt, Franz, "Letter on Conducting" to Richard Pohl in Dresden, from Weimar, Nov. 5, 1853. Original written in French to Pohl: Franz Liszt, Briefe, ed. La Mara [Marie Lipsius] (Leipzig: Breitkopf & Härtel, 1893), vol. I, pp. 142-5, letter no. 104; it first appeared in Pohl's German translation in his pamphlet Das Karlsruher Musikfest im Oktober 1853 unter Liszts Leitung (Leipzig: Bruno Hinze, 1853), published under the pseudonym "Hoplit."
105. Long, Gerry, The Conductor's Workshop: A Workbook for Instrumental Conducting (Dubuque, IA:W. C. Brown, second edn., 1977)
106. Lualdi, Adriano, L'arte di dirigere l'orchestra (Milan: Hoepli, 1940); second edn., (1949); third edn. (1957)
107. Lumley, J[ohn] S[tuart] P[enton], and Nigel Springthorpe, The Art of Conducting: A Guide to Essential Skills (London: Rhinegold, 1989)
108. McElheran, Brock, Conducting Technique for Beginners and Professionals (New York: Oxford University Press, 1966); rev. edn. (1989)
109. McKelvy, James, Music for Conducting Class (Champaign, IL: Mark Foster Music, 1988)
110. Malko, Nicolai, The Conductor and His Baton (Copenhagen:Wilhelm Hansen, 1950)
111. Green, Elizabeth, Mason, William, Touch and Technic; or, The Technic of Artistic Touch (Philadelphia: T. Presser, 1897)
112. May, Robin, Behind the Baton (London: Muller, 1981)
113. Meek, Charles J., Conducting Made Easy for Directors of Amateur Musical Organizations (Metuchen, NJ: Scarecrow Press, 1988)
114. Melichar, Alois, Der Vollkommene Dirigent (Munich: Langen-Müller, 1981)
115. Mengelberg, Willem, De Taak en de Studie der Reproductieve Toonkunst (Amsterdam: Munster, 1934)
116. Mikorey, Franz, Grundzüge einer Dirigierlehre: Betrachtungen über Technik und Poesie des modernen Orchester-Dirigierens, 2 vols. (Leipzig: Kahnt, 1917)
117. Moe, Daniel, Problems in Conducting (Minneapolis: Augsburg, rev. 1973)
118. Morales, Olallo, Handbok i Dirigering (Stockholm: Nordiska Musikförlaget, 1946)
119. Norlind, Tobias, Dirigeringskonstens Historia (Stockholm: Nordiska Musikförlaget, 1944)
120. Noyes, Frank, Fundamentals of Conducting (Dubuque, IA:W. C. Brown, 1954)
121. Otterstein, Adolph William, The Baton in Motion (New York, Boston: C. Fischer, 1942)
122. Pappoutsakis, Ippocrates, Diagrams of Basic Movements in Conducting (Boston: Birchard, 1943)
123. Pembaur, Josef, Uber das Dirigieren (Leipzig: Leuckart, 1892)
124. Pisa, Agostino, Breve Dichiarazione della battuta musicale. Fl. 1611. rept. (Bologna: Forni, 1969)
125. Prausnitz, Frederik, Score and Podium: A Complete Guide to Conducting (New York: Norton, 1983)
126. Previtale, F. Guida allo Studio della Direzone d'Orchestra (Rome: De Santis, 1951)
127. Ross, Allan A., Techniques for Beginning Conductors (Belmont, CA: Wadsworth, 1976)
128. Rozhdestvensky, Gennady, Dirizherskaya Applikatura [Conductor's Lessons] (Leningrad, 1974)
129. Rudolph, Max. The Grammar of Conducting (New York: Schirmer, 1949); second edn. (1980); third edn. (Maxwell MacMillan, 1994)
130. Sacchi, Filippo, The Magic Baton (London: Putnam, 1957)
131. Saminsky, Lazare, Essentials of Conducting (London: Dobson, 1958)
132. Scaglia, C., Guida allo studio della direzione d'orchestra (Milan, 1929)
133. Scaramelli, Giuseppe, Saggio sopra i doveri di un primo violino directtore d'orchestra (Trieste, 1811)
134. Schenker, Heinrich, "Konzertdirigenten" (1894), "Bülow-Weingartner"" (1896), "Die Jungen Dirigenten" (1896) Heinrich Schenker als Essayist und Kritiker, ed. Hellmut Federhofer (Hildesheim: Olms, 1990)
135. Scherchen, Hermann, Lehrbuch des dirigierens: Mit zahlreichen notenbeispielen (Leipzig: J. J.Weber, 1929); (Mainz: B. Schott's Sohne, 1956)
136. Scherchen, Hermann, Handbook of Conducting, tr. M[ichael] D[imitri] Calvocoressi (London: Oxford University Press, 1933); repr. edns. (1946, 1989): Manuale del direttore d'orchestra (Milan: Curci, 1966)
137. Scherchen, Hermann, Vom Wesen der Musik (Zürich: Mondial Verlag, 1946)
138. Scherchen, Hermann, Musik für Jederman (Winterthur: Mondial Verlag, 1950)
139. Schmid, Adolf, The Language of the Baton (New York: Schirmer, 1937)
140. Schröder, Karl, Katechismus des Dirigierens und Taktierens: Der Kapellmeister und sein Wirkungskreis, 2 vols. (Berlin, 1889); rev. edn. (Leipzig: Max Hesse's Verlag, 1900); Handbook of Conducting, tr. J. Mathews (London: Augener, 1889)
141. Schubert, Franz Ludwig, Der Praktische Musik-Direktor oder Wegweiser für Musik-Dirigenten (Leipzig: Merseberger, 1873)
142. Schuller, Gunther, The Compleat Conductor (London: Oxford University Press, 1994)
143. Schünemann, Georg, Zur Geschichte des Dirigirens (Leipzig: Breitkopf and Härtel, 1913); (Hildesheim: Olms, 1965)
144. Seidl, Anton, Moderne Dirigenten (Berlin, 1902)
145. Seidl, Anton, On Conducting (New York, 1899)
146. Sellers, Ernest, Elements of Musical Notation and Conducting (Nashville: Broadman, 1938)
147. Sendrey, Alfred, Dirigierkunde (Leipzig: Breitkopf and Härtel, 1932)
148. Shore, Bernard, The Orchestra Speaks (London: Longmans, Green, 1946)
149. Stoessel, Albert, The Technique of the Baton (New York: Fischer, 1920)
150. Swarowsky, Hans, Wahrung der Gestalt (Vienna: Universal Edition, 1979)
151. Swift, Frederick Fay, Fundamentals of Conducting (Rockville Centre, NY: Belwin, 1961)
152. Szendrei [also Sendrey], Alfred, Dirigierkunde (Leipzig: Breitkopf and Härtel, 1932)
153. Thienemann, Alfred Bernhard, Die Kunst des Dirigierens (Potsdam: Bonness and Hachfeld)
154. Thomas, Kurt, Lehrbuch der Chorleitung, vol. I (Leipzig: Breitkopf and Härtel, 1935); twentieth rev. edn. (1982); rev. A.Wagner (1991); vol. II (Leipzig: Breitkopf and Härtel, 1937); fifteenth rev. edn. (1982); vol. III (Leipzig: Breitkopf and Härtel, 1948); eleventh rev. edn. 1983; abridged as The Choral Conductor: The Technique of Choral Conducting in Theory and Practice, ed. and tr. Alfred Mann and William H. Reese (New York: Associated Music Publishers, 1971)
155. Vermeil, Jean, Conversations de Pierre Boulez sur la direction d'orchestre (Paris: Editions Plume, 1989); Conversations with Boulez: Thoughts on Conducting, tr. Camille Naish (Portland: Amadeus Press, 1996)
156. Wagar, Jeannine, ed., Conductors in Conversation Fifteen Contemporary Conductors Discuss Their Lives and Profession [Blomstedt, Comet, Davies, von Dohnanyi, Dutoit, Herbig, Hillis, Kiesler, Masur, Mata, Norrington, Previn, Skrowaczewski, Slatkin, deWaart] (Boston: G. K. Hall, 1991)
157. Wagner, Richard. Über das Dirigieren (Leipzig: Breitkopf and Härtel, 1869)
158. Wagner, Richard, "About Conducting, " Richard Wagner Prose Works, tr. William Ashton Ellis, second edn., 8 vols. (London: Kegan Paul, Trench, Trübner and Co. Ltd., 1895), vol. IV, p. 314
159. Wagner, Richard, "On Conducting, " Three Wagner Essays, tr. Robert L. Jacobs (London: Ernst Eulenburg Ltd., 1979)
160. Wagner, Richard, On Conducting (Ueber das Dirigiren): A Treatise on Style in the Execution of Classical Music, tr. Edward Dannreuther (London:William Reeves, 1887), rept. Wagner on Conducting (New York: Dover Publications, 1989)
161. Waldorf, Jerzy, Diably i anioly (Warsaw:Wiedza Powszechna, 1994)
162. Walter, Bruno, Von der Musik und vom Musizieren (Leipzig: S. Fischer Verlag, 1957)
163. Walter, Bruno, of Music and Music-Making, tr. Paul Hamburger (New York:W.W. Norton, 1961)
164. Waltershausen, Hermann, Die Kunst des Dirigierens (Berlin, 1942)
165. Waters, Fred Elbert, The Music Conductor's Manual (Elkhart, IN, 1929)
166. Waters, Fred Elbert, Practical Baton Technique for Student Conductors (Chicago: Gamble Hinged Music, 1939)
167. Weingartner, Felix, "Über das Dirigieren, " Neue Deutsche Rundschau (Berlin); first book edn. (Berlin: 1895); second edn. (1869); third edn. [with substantial revision] (1905)
168. Weingartner, Felix, On Conducting, tr. Ernest Newman; rev. (Leipzig and Berlin: Breitkopf and Härtel, 1925); (New York: Edwin Kalmus, 1934); (New York: Dover, 1969)
169. Weingartner, Felix, Ratschläge für Aufführungen der Symphonien Beethovens (Leipzig, 1906); third rev. edn., Ratschläge für Aufführungen klassischer Symphonien, i On the Performance of Beethoven's Symphonies, tr. Jessie Crosland (1907)
170. Weingartner, Felix, On The Performance of Beethoven Symphonies (New York: Kalmus, 1934); rpt. edn.
171. Weingartner, Felix, Weingartner on Music and Conducting (New York: Dover Publications, 1969)
172. Weingartner, Felix, Ratschläge für Aufführungen klassischer Symphonien, iii: Mozart (Leipzig, 1923); trans.
173. Theodore Albrecht, "On the Performance of the Symphonies of Mozart, " Journal of the Conductor's Guild 6/3 (Summer 1985), pp. 66-78.
174. Weisberg, Arthur, Performing Twentieth-Century Music (New Haven: Yale University Press, 1993)
175. Wilson, Robert B., The Technique of Orchestral Conducting (London: The Macmillan Company, 1937)
176. Wood, Sir Henry, About Conducting (London: Sylvan Press, 1945); (St. Clair Shores, MI: Scholarly Press, 1972)
177. Wooldridge, David. A Conductor's World (London: Barrie and Rockliff, 1970)
178. Zopff, Hermann, Der Eingehende Dirigent (Leipzig: Merseberger, 1881)
179. Zurletti, Michelangelo, La direzione d'orchestra (Rome: Ricordi, 1985)
180. Ammer, Christine, Unsung: A History of Women in American Music, rev. edn. (Portland: Amadeus, 2001)
181. Ansermet, Anne, Ernest Ansermet, mon père (Lausanne: Payot, 1983)
182. Antek, Samuel, and Hupka, Robert, This Was Toscanini (New York: Vanguard, 1963)
183. Appert, Donald L., Berlioz the Conductor (DMA dissertation, University of Kansas, 1985)
184. Ardoin, John, The Furtwängler Record (Portland, OR: Amadeus Press, 1994)
185. Assenbaum, Elisabeth, Dirigentinnen Heute. Versuch einer musiksoziologischen Aufarbeitung (Düsseldorf: Tokkata-Verlag, 1991)
186. Atkins, Harold, and Cotes, Peter, The Barbirollis: A Musical Marriage (London: Robson, 1983)
187. Atkins, Harold, and Newman, Archie, Beecham Stories (London:Robson Books, 1978)
188. Bachmann, Robert, Karajan, Anmerkungen zu einer Karriere (Düsseldorf: Econ Verlag, 1983)
189. Bachmann, Robert, Karajan: Notes On A Career, tr. Shaun Whiteside (London: Quartet, 1990)
190. Barenboim, Daniel, A Life in Music (London:Weidenfeld and Nicolson, 1991)
191. Batagova, Tatiana, Veronika Dudarova (Moscow: Muzyka, 2001)
192. Batiz, Enriqué, Enriqué Batiz (Mexico City: Universidad Autonoma Metropolitana-Azcapotzalco, 1984)
193. Batley, Thomas, ed., Sir Charles Hallé's Concerts in Manchester, 1858-1895 (Manchester: Sever, 1896)
194. Bebbington, Warren A., The Orchestral Conducting Practice of Richard Wagner, Ph.D. dissertation, State University of New York, 1984
195. Beecham, Thomas, AMingled Chime: Leaves from an Autobiography (London: Hutchinson, 1944); (London: Columbus Books, 1987)
196. Beecham, Thomas, Beecham Stories: Anecdotes, Sayings and Impressions of Sir Thomas Beecham, compiled and ed. Harold Atkins and Archie Newman (London: Robson, 1978); (New York: St. Martin's Press, 1979); (London: Future Publications, 1979); (London:Warner, 1993) second rev. edn. (London: Robson, 2001)
197. Berlioz, Hector, Les Soirées dans l'orchestre (Paris: Michel Lévy Frères, 1852)
198. Berlioz, Hector, Evenings in the Orchestra, tr. and ed. Jacques Barzun (New York: Alfred A. Knopf, 1956); rpt. edn. (Chicago: University of Chicago Press, 1973)
199. Berlioz, Hector, Mémoires (Paris: 1870)
200. Berlioz, Hector, Autobiography, tr. Rachel and Eleanor Holmes, 2 vols. (London: Macmillan)
201. Berlioz, Hector, Memoirs of Hector Berlioz, 1803-1865, tr. and rev. Ernest Newman (New York: Alfred A. Knopf, 1932); rpt. (Dover, 1966)
202. Berlioz, Hector, Memoirs, tr. David Cairns (New York:W.W. Norton, 1975)
203. Bertenssen, Sergei, and Leyda, Jay, Sergei Rachmaninoff: A Lifetime in Music (London: Allen and Unwin, 1965)
204. Biancolli, Louis, and Peyser, Herbert, Masters of the Orchestra (New York: Putnam's, 1954)
205. Bing, Rudolph, 5000 Nights at the Opera (New York: Doubleday, 1972)
206. Blackman, Charles, Behind the Baton (New York: Charos Enterprises, 1964)
207. Blackwood, Alan, Sir Thomas Beecham: The Man and His Music (London: Barrie and Jenkins, 1994)
208. Blaukopf, Kurt, Grosse Dirigenten (Teuffen: Verlag Arthur Niggli, 1957); (London: Arco, 1955)
209. Blyth, Alan, Colin Davis (London: Shepperton, 1969); (London: Ian Allen, 1972)
210. Bogdanov-Berezovsky, V., The Soviet Conductor Mravinsky (Leningrad, 1956)
211. Böhm, Karl, Ich erinnere mich ganz genau (Zürich: Diogenes Verlag, 1968)
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