Wagner and the romantic hero

Wagner and the Romantic Hero

Volumn , Issue , 2004, Pages 1-193

  Williams, Simon ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84929743688     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1017/CBO9780511481741     Document Type: Book

References (144)

1. Abbate, Carolyn, in Search of Opera, Princeton: Princeton University Press, 2001.
2. Abbate, Carolyn “The Parisian ‘Venus’ and the ‘Paris’ Tannhäuser,” Journal of the American Musicological Society 36 (1983), 73-123.
3. Abbate, Carolyn Unsung Voices: Opera and Musical Narrative in the Nineteenth Century, Princeton: Princeton University Press, 1991.
4. Adorno, Theodor, in Search of Wagner, tr. Rodney Livingstone, Trowbridge: NLB, 1981.
5. Appia, Adolphe, Music and the Art of the Theatre, tr. Robert W. Corrigan and Mary Douglas Dirks, Coral Gables: University of Miami Press, 1962.
6. Arblaster, Anthony, Viva la Liberta! Politics in Opera, London: Verso, 1992.
7. Barth, Herbert (ed.), Bayreuther Dramaturgie: Der Ring des Nibelungen, Stuttgart and Zurich: Belser, 1980.
8. Barth, Herbert Richard Wagner: Life, Work, Festspielhaus, Bayreuth: Festspielleitung, 1952.
9. Baudelaire, Charles, “Richard Wagner and Tannhäuser in Paris,” in The Painter of Modern Life and Other Essays, tr. and ed. Jonathan Mayne, London: Phaidon, 1964, pp. 111-46.
10. Bauer, Hans-Joachim, Richard Wagner Lexikon, Bergisch Gladbach: Lübbe, 1988.
11. Bauer, Oswald George, Richard Wagner: The Stage Designs and Productions from the Premieres to the Present, New York: Rizzoli, 1983.
12. Bauer, Oswald George Richard Wagner Goes to the Theatre: Impressions, Experience and Reflections on the Road to Bayreuth, tr. Stewart Spencer, Bayreuth Festival, n.d.
13. Beckett, Lucy, Richard Wagner: Parsifal, Cambridge: Cambridge University Press, 1981.
14. Bekker, Paul, Richard Wagner: His Life in His Work, tr. M. M. Bozman, Freeport: Books for Libraries, 1931.
15. Bentley, Eric, The Cult of the Superman: A Study of the Idea of Heroism in Carlyle and Nietzsche, London: Hale, 1947.
16. Bless, Marion, Richard Wagners Oper Tannhäuser im Speigel seiner gesitigen Entwicklung, Eisenach: Dieter, 1997.
17. Borchmeyer, Dieter, Richard Wagner: Theory and Theatre, tr. Stewart Spencer, Oxford: Clarendon, 1991.
18. Borchmeyer, Dieter Das Theater Richard Wagners: Idee - Dichtung - Wirkung, Stuttgart: Reclam, 1982.
19. Bowra, Maurice, Heroic Poetry, London: Macmillan, 1952.
20. Bredvold, Louis, The Natural History of Sensibility, Detroit: Wayne State University Press, 1962.
21. Buller, Jeffrey L., Classically Romantic: Classical Form and Meaning in Wagner’s Ring, Xlibris, 2001.
22. Campbell, Joseph, The Hero with a Thousand Faces, Cleveland: World Publishing Co., 1956.
23. Carlyle, Thomas, On Heroes, Hero-Worship and the Heroic in History, rep. Lincoln: University of Nebraska Press, 1966.
24. Cicora, Mary A., Modern Myths and Wagnerian Deconstructions: Hermeneutic Approaches to Wagner’s Music-Dramas, Westport, CT: Greenwood, 2000.
25. Cooke, Deryck, I Saw the World End, London: Oxford University Press, 1979.
26. Cooke, Deryck Correspondence of Wagner and Liszt, tr. Francis Hueffer, 2nd rev. ed., 2 vols., New York: Vienna House, 1973.
27. Corse, Sandra, Wagner and the New Consciousness: Language and Love in the Ring, Cranbury, NJ: Associated University Presses, 1990.
28. Csampai, Attila, and Holland, Dietmar (eds.), Der fliegende Holländer, Reinbek bei Hamburg: Rowohlt, 1982.
29. Csampai, Attila, and Holland, Dietmar Lohengrin, Reinbek bei Hamburg: Rowohlt, 1989.
30. Csampai, Attila, and Holland, Dietmar Tannhäuser, Reinbek bei Hamburg: Rowohlt, 1986.
31. Dahlhaus, Carl, Nineteenth-Century Music, tr. J. Bradford Robinson, Berkeley: University of California Press, 1989.
32. Dahlhaus, Carl Richard Wagner’s Music Dramas, tr. Mary Whittall, Cambridge: Cambridge University Press, 1979.
33. Dahlhaus, Carl (ed.), Richard Wagner Werk und Wirkung, Regensburg: Bosse, 1971.
34. Dahlhaus, Carl, and Voss, Egon (eds.), Wagnerliteratur - Wagnerforschung, Mainz: Schott, 1985.
35. Deathridge, John, Wagner’s Rienzi, Oxford: Clarendon, 1977.
36. DeVries, Jan, Heroic Song and Heroic Legend, tr. B. J. Timmer, New York: Arno, 1963.
37. Döhring, Sieghart, and Henze-Döhring, Sabine, Oper und Musikdrama im 19. Jahrhundert, Handbuch der musikalischen Gattungen 13, Laaber: Laaber-Verlag, 1997.
38. Dreyfus, Laurence, “Hermann Levi’s Shame and Parsifal’s Guilt: A Critique of Essentialism in Biography and Criticism,” Cambridge Opera Journal 6/2 (July 1994), 125-45.
39. Eagleton, Terry, Sweet Violence: The Idea of the Tragic, Oxford: Blackwell, 2003.
40. Ewans, Michael, Wagner and Aeschylus, Cambridge: Cambridge University Press, 1983.
41. Fergusson, Francis, The Idea of a Theater, Princeton: Princeton University Press, 1949.
42. Fischer-Lichte, E. Kurze Geschichte des deutschen Theaters, Tübingen and Basle: Franke, 1993.
43. Fricke, Richard, Wagner in Rehearsal, 1875-1876: The Diaries of Richard Fricke, Franz Liszt Studies 7, tr. George R. Fricke, Stuyvesant, NY: Pendragon, 1998.
44. Friedlander, Saul, and Rüsen, Jörn (eds.), Richard Wagner im Dritten Reich, Munich: Beck, 2000.
45. Furst, Lilian R., Romanticism in Perspective: A Comparative Study of Aspects of the Romantic Movement in England, France and Germany, London: Macmillan, 1969.
46. Furst, Lilian R. The Contours of Romanticism, Lincoln: University of Nebraska Press, 1979.
47. Garber, Frederick, “Self, Society, Value, and the Romantic Hero,” Comparative Literature 19/4 (Fall 1967), 321-33.
48. Gerhard, Anselm, The Urbanization of Opera: Music Theater in Paris in the Nineteenth Century, tr. Mary Whittall, Chicago: University of Chicago Press, 1998.
49. Glass, Frank W., The Fertilizing Seed: Wagner’s Concept of the Poetic Intent, Ann Arbor: UMI Research Press, 1983.
50. Granville-Barker, Frank, The Flying Dutchman: A Guide to the Opera, London: Barrie & Jenkins, 1979.
51. Gregor-Dellin, Martin, Richard Wagner: His Life, His Work, His Century, tr. J. Maxwell Brownjohn, San Diego: Harcourt Brace Jovanovich, 1983.
52. Grene, David, Reality and the Heroic Pattern: Last Plays of Ibsen, Shakespeare and Sophocles, Chicago: University of Chicago Press, 1967.
53. Grey, Thomas, Richard Wagner: Der fliegende Holländer, Cambridge: Cambridge University Press, 2000.
54. Grimm, Reinhold, and Hermand, Jost (eds.), Re-Reading Wagner, Madison: University of Wisconsin Press, 1993.
55. Groos, Arthur, “Appropriation in Wagner’s Tristan Libretto,” in Reading Opera, ed. Arthur Groos and Roger Parker, Princeton: Princeton University Press, 1988.
56. Groos, Arthur “Back to the Future: Hermeneutic Fantasies in Der fliegende Holländer,” 19th-Century Music 19/2 (1995), 191-211.
57. Großmann-Vendrey, Susanna, Bayreuth in der deutschen Presse: Beiträge zur Rezeptionsgeschichte Richard Wagners und seiner Festspiele, 3 vols., Regensburg: Bosse, 1977.
58. Gutman, Robert, Richard Wagner: The Man, His Mind, and His Music, Harmondsworth: Penguin, 1971.
59. Hartford, Robert (ed.), Bayreuth: The Early Years, Cambridge: Cambridge University Press, 1980.
60. Hatfield, Henry, Clashing Myths in German Literature, Cambridge, MA: Harvard University Press, 1974.
61. Heldt, Brigitte, Richard Wagner, Tristan und Isolde: Das Werk und seine Inszenierung, Laaber: Laaber-Verlag, 1994.
62. Holman, J. K., Wagner’s Ring: A Listener’s Companion and Concordance, Portland, OR: Amadeus, 1996.
63. Hutcheon, Linda and Michael, “Death Drive: Eros and Thanatos in Wagner’s Tristan und Isolde,” Cambridge Opera Journal, 11/3 (November 1999), 267-93.
64. Hutcheon, Linda Opera: Desire, Disease, Death, Lincoln: University of Nebraska Press, 1996.
65. Kämpfer, Frank (ed.), Musiktheater heute: Peter Konwitschny, Regisseur, Hamburg: Europäische Verlagsanstalt, 2001.
66. Kerman, Joseph, Opera and Drama, new and rev. edn., Berkeley: University of California Press, 1988.
67. Kirchmeyer, Helmut (ed.), Situationsgeschichte der Musikkritik und des musikalischen Pressewesens in Deutschland, Das zeitgenössische Wagner-Bild, 2, Regensburg: Bosse, 1967.
68. Knudsen, Hans, Deutsche Theatergeschichte, Stuttgart: Kröner, 1959.
69. Kohn, Hans, The Mind of Germany: The Education of a Nation, London: Macmillan, 1962.
70. Kunze, Stefan (ed.), Richard Wagner: Von der Oper zum Musikdrama, Bern and Munich: Franke, 1978.
71. Large, David C., and Weber, William (eds.), Wagnerism in European Culture and Politics, Ithaca: Cornell University Press, 1984.
72. Lash, John, The Hero: Manhood and Power, London: Thames & Hudson, 1995.
73. Lindenberger, Herbert, Opera: The Extravagant Art, Ithaca: Cornell University Press, 1984.
74. Liszt, Franz, Lohengrin und Tannhäuser von Richard Wagner. Sämtliche Schriften iv, ed. Detlev Altenberg, Wiesbaden: Breitkopf & Härtel, 1989.
75. Lloyd-Jones, Hugh, Blood for the Ghosts: Classical Influences in the Nineteenth and Twentieth Centuries, London: Duckworth, 1982.
76. Mack, Dietrich, Der Bayreuther Inszenierungsstil, Munich: Prestel, 1976.
77. Mann, Thomas, Pro and Contra Wagner, tr. Allan Blunden, London: Faber & Faber, 1985.
78. Mayer, Hans, Richard Wagner: Mitwelt und Nachwelt, Stuttgart and Zurich: Belser, 1978.
79. Magee, Bryan, Aspects of Wagner, rev. and enl. edn., London: Oxford University Press, 1988.
80. Magee, Bryan Wagner and Philosophy, London: Allen Lane, 2000.
81. Magee, Elizabeth, Richard Wagner and the Nibelungs, Oxford: Clarendon, 1990.
82. McCreless, Patrick, Wagner’s Siegfried: Its Drama, History, and Music, Ann Arbor: UMI Research Press, 1982.
83. Millington, Barry, “Nuremberg Trial: Is There Anti-Semitism in Die Meistersinger?” Cambridge Opera Journal 3/3 (November 1991), 247-60.
84. Millington, Barry Wagner, Princeton: Princeton University Press, 1992.
85. Millington, Barry (ed.), The Wagner Compendium: A Guide to Wagner’s Life and Music, New York: Schirmer, 1992.
86. Millington, Barry, and Spencer, Stewart (eds.), Selected Letters of Richard Wagner, London: Dent, 1987.
87. Millington, Barry, and Spencer, Stewart Wagner in Performance, New Haven: Yale University Press, 1992.
88. Müller, Ulrich and Peter Wapnewski (eds.), Wagner Handbook, ed. Eng. trans. John Deathridge, Cambridge, MA: Harvard University Press, 1992.
89. Nattiez, Jean-Jacques, Wagner Androgyne, tr. Stewart Spencer, Princeton: Princeton University Press, 1993.
90. Nemoianu, Virgil, The Taming of Romanticism, Cambridge, MA.: Harvard University Press, 1984.
91. Newman, Ernest, The Wagner Operas, New York: Knopf, 1949.
92. Nietzsche, Friedrich, Nietzsche contra Wagner, vol. viii, The Complete Works of Friedrich Nietzsche, tr. J. M. Kennedy, New York: Russell & Russell, 1964.
93. Nietzsche, Friedrich On the Genealogy of Morals and Ecce Homo, ed. and tr. Walter Kaufmann, New York: Vintage, 1989.
94. Nietzsche, Friedrich Untimely Meditations, tr. R. J. Hollingdale, Cambridge: Cambridge University Press, 1983.
95. Nipperdey, Thomas, Germany from Napoleon to Bismarck, 1800-1866, tr. Daniel Nolan, Princeton: Princeton University Press, 1996.
96. Nordau, Max, Degeneration, New York: Appleton, 1897.
97. Peckham, Morse, Beyond the Tragic Vision: The Quest for Identity in the Nineteenth Century, New York: Brazillier, 1962.
98. Petzet, Detta and Michael, Die Richard Wagner-Bühne König Ludwigs II, München, Bayreuth, Munich: Prestel, 1970.
99. Pfitzner, Heinrich (ed.), “Vorwort” to Der Vampyr, Berlin: Fürstner, 1925.
100. Porges, Heinrich, Wagner Rehearsing the Ring, tr. Robert L. Jacobs, Cambridge: Cambridge University Press, 1983.
101. Praz, Mario, The Romantic Agony, 2nd edn., tr. Angus Davidson, London: Oxford University Press, 1970.
102. Raglan, Lord, The Hero, New York: Oxford University Press, 1937.
103. Raphael, Robert, Richard Wagner, New York: Twayne, 1969.
104. Rather, L. J., The Dream of Self-Destruction: Wagner’s Ring and the Modern World, Baton Rouge: Louisiana State University Press, 1979.
105. Reed, Walter L., Meditations on the Hero: A Study of the Romantic Hero in Nineteenth Century Fiction, New Haven: Yale University Press, 1974.
106. Robinson, Paul, Opera and Ideas: From Mozart to Strauss, New York: Harper & Row, 1985.
107. Rose, Paul Lawrence, Wagner, Race and Revolution, New Haven: Yale University Press, 1992.
108. Salmu, Hannu, Imagined Germany: Richard Wagner’s National Utopia, New York: Peter Lang, 1999.
109. Schaefer, A. T., Der Stuttgarter Ring: Staatsoper Stuttgart 1999/2000, Mönchengladbach: Kühlen, n.d.
110. Shaw, George Bernard, The Perfect Wagnerite: A Commentary on the Nibelung’s Ring, 4th edn., London: Constable, 1923.
111. Sheehan, James J., German History: 1770-1866, Oxford: Clarendon, 1989.
112. Skelton, Geoffrey, Wieland Wagner: The Positive Sceptic, London: Gollancz, 1971.
113. Spencer, Stewart, and Millington, Barry, Wagner’s Ring of the Nibelung: A Companion, London: Thames & Hudson, 1993.
114. Spotts, Frederic, Bayreuth: A History of the Wagner Festival, New Haven: Yale University Press, 1994.
115. Steiner, George, The Death of Tragedy, New York: Knopf, 1968.
116. Strohm, Reinhart, “Dramatic Time and Operatic Form in Tannhäuser,” Proceedings of the Royal Musical Association 104 (1977-78), 1-10.
117. Tanner, Michael, “The Total Work of Art,” in The Wagner Companion, ed. Peter Burbridge and Richard Sutton, Cambridge: Cambridge University Press, 1979.
118. Tanner, Michael Wagner, London: HarperCollins, 1996.
119. Thorslev, Peter L., Jr., The Byronic Hero: Types and Prototypes, Minneapolis: University of Minnesota Press, 1962.
120. Viereck, Peter, Metapolitics: The Roots of the Nazi Mind, New York: Capricorn, 1961.
121. Wagner, Cosima, Cosima Wagner’s Diaries, 2 vols., tr. Geoffrey Skelton, New York: Harcourt Brace Jovanovich, 1977 and 1980.
122. Wagner, Nike, The Wagners: The Dramas of a Musical Dynasty, tr. Ewald Osers and Michael Downes, Princeton: Princeton University Press, 1998.
123. Wagner, Richard, Correspondence of Wagner and Liszt, tr. Francis Hueffer, new rev. edn. by W. Ashton Ellis, New York: Haskell House, 1969.
124. Wagner, Richard Gesammelte Schriften, ed. Julius Kapp, 14 vols., Leipzig: Hesse, 1914.
125. Wagner, Richard Letters to August Roeckel, tr. Eleanor C. Sellar, Bristol: Arrowsmith, 1897.
126. Wagner, Richard The Mastersingers of Nuremberg, tr. Peter Branscombe, Decca Records, 1997.
127. Wagner, Richard My Life, tr. Andrew Gray, Cambridge: Cambridge University Press, 1983.
128. Wagner, Richard Parsifal, Philips Classics, 1962.
129. Wagner, Richard Prose Works, 8 vols., tr. William Ashton Ellis, London: Paul, Trench, Trübner, 1893.
130. Wagner, Richard Richard Wagner to Mathilde Wesendonck, ed. and tr. William Ashton Ellis, New York: Vienna House, 1905.
131. Wagner, Richard Tannhäuser, ed. Nicholas Jahn, tr. Rodney Blumer, London: Calder, 1988.
132. Wagner, Richard Tristan and Isolde, tr. William Mann, London: Friends of Covent Garden: Dutton, 1968.
133. Wapnewski, Peter, Der traurige Gott: Richard Wagner in seinen Helden, Munich: Beck, 1978.
134. Wapnewski, Peter Tristan der Held Richard Wagners, Berlin: Severin and Siedler, 1981.
135. Warrack, John, German Opera: From the Beginnings to Wagner, Cambridge: Cambridge University Press, 2001.
136. Warrack, John Richard Wagner: Die Meistersinger von Nürnberg, Cambridge: Cambridge University Press, 1994.
137. Weiner, Marc A., Richard Wagner and the Anti-Semitic Imagination, Lincoln: University of Nebraska Press, 1997.
138. Wessling, Berndt W., Wieland Wagner: Der Enkel, Köln-Rodenkirchen: Tonger, 1997.
139. Williams, Simon, “The Well-Made Play,” in European Writers: The Romantic Century, vol. vii;, ed. Jacques Barzun and George Stade, New York: Scribners, 1985.
140. Williams, Simon Richard Wagner and Festival Theatre, Westport: Praeger, 1994.
141. Wilson, James D., The Romantic Heroic Ideal, Baton Rouge: Louisiana State University Press, 1982.
142. Winterbourne, Anthony, Speaking to Our Condition: Moral Frameworks in Wagner’s Ring of the Nibelung, Cranbury, NJ: Associated University Presses, 2000.
143. Žižek, Slavoj, and Dolar, Mladen, Opera’s Second Death, New York: Routledge, 2002.
144. Zuckerman, Elliott, The First Hundred Years of Wagner’s Tristan, Columbia: Columbia University Press, 1964.