Focalization

The Cambridge Companion to Narrative

Volumn , Issue , 2007, Pages 94-108

  Jahn, Manfred ^a  

^a NONE

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EID: 84929287688     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1017/CCOL0521856965.007     Document Type: Chapter

References (23)

1. Monika Fludernik, “The Diachronization of Narratology.” Narrative 11:3 (2003), pp. 331-48.
2. William James, The Principles of Psychology, Vol. 1 (New York: Dover, 1950), pp. 286-7.
3. Virginia Woolf, “Modern Fiction.” In Andrew McNeillie (ed.) The Essays of Virginia Woolf, Vol. 4 (London: Hogarth, 1994), pp. 160-1.
4. Gérard Genette, Narrative Discourse. Translated by Jane E. Lewin (Oxford: Blackwell, 1980), p. 186.
5. James A. Michener, Hawaii (New York: Bantam, 1970), p. 9.
6. Ernest Hemingway, For Whom the Bell Tolls (New York: Scribner's, 1943), p. 1.
7. Ernest Hemingway, “The Killers.” The Complete Short Stories of Ernest Hemingway (New York: Scribner's, 1987), p. 215.
8. David Herman, Story Logic: Problems and Possibilities of Narrative (Lincoln: University of Nebraska Press, 2002), chapter 8.
9. William Nelles, Frameworks: Narrative Levels and Embedded Narrative (Frankfurt: Lang, 1997), chapter 3.
10. Manfred Jahn, “Windows of Focalization: Deconstructing and Reconstructing a Narratological Concept.” Style 30:2 (1996), pp. 241-67.
11. Charles Dickens, David Copperfield (London: Penguin, 1982), p. 64.
12. Mieke Bal, Narratology. Translated by Christine van Boheemen Toronto: Toronto University Press, 1985
13. Mieke Bal, “Narration and Focalization.” On Story-Telling (Sonoma, CA: Polebridge, 1991), pp. 75-108.
14. Gérard Genette, Narrative Discourse Revisited. Translated by Jane E. Lewin (Ithaca: Cornell University Press, 1988), p. 64.
15. Shlomith Rimmon-Kenan, Narrative Fiction: Contemporary Poetics (London: Methuen, 1983).
16. Vera Nünning and Ansgar Nünning (eds.) Multiperspektivisches Erzählen: Zur Perspektivenstruktur im englischen Roman des 18. Bis 20. Jahrhunderts (Trier: Wissenschaftlicher Verlag, 2000).
17. Judith F. Duchan, Gail A. Bruder, and Lynne E. Hewitt (eds.) Deixis in Narrative: A Cognitive Science Perspective (Hillsdale N.J.: Erlbaum, 1995).
18. On the notions of “transportation” and “immersion” see Richard J. Gerrig, Experiencing NarrativeWorlds:Onthe Psychological Activities of Reading (New Haven: Yale University Press, 1993).
19. Patrick White, The Solid Mandala (London: Penguin, 1988), p. 14.
20. Marisa Bortolussi and Peter Dixon, Psychonarratology: Foundations for the Empirical Study of Literary Response (Cambridge: Cambridge University Press, 2003), chapter 6. The authors define psycho-narratology as the empirical study of narrative reading effects.
21. On cognitive reversal effects see Manfred Jahn, “‘Speak, friend, and enter’: Garden Paths, Artificial Intelligence, and Cognitive Narratology.” In David Herman (ed.) Narratologies: New Perspectives on Narrative Analysis (Ohio: Ohio State University Press, 1999), pp. 167-94.
22. Gordon Collier, The Rocks and Sticks of Words: Style, Discourse and Narrative Structure in the Fiction of Patrick White (Amsterdam: Rodopi, 1992).
23. For an account of techniques for representing “mind styles,” or character-based apperceptions Geoffrey N. Leech and Michael Short, Style in Fiction (London: Longman, 1981)