Movement’s contagion: The kinesthetic impact of performance

The Cambridge Companion to: Performance Studies

Volumn , Issue , 2008, Pages 46-59

  Foster, Susan Leigh ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84928371284     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1017/CCOL9780521874014.004     Document Type: Chapter

References (21)

1. Vittorio Gallese, “The Shared Manifold Hypothesis,” Journal of Consciousness Studies 8 (2001), 38–9.
2. E. B. Abbé de Condillac, Treatise on the Sensations (1754), trans. G. Carr (London: Favil Press, 1930), 75.
3. E. G. Edwards, “The Development of the “Muscular Sense’ Concept during the Nineteenth Century and the Work of H. Charlton Bastian,” Journal of the History of Medicine and Allied Sciences 27 (July 1972), 299.
4. E. G. Boring, Sensation and Perception in the History of Experimental Psychology (New York: D. Appleton-Century, 1942), 523–35.
5. C. S. Sherrington in his 1906 publication The Integrative Action of the Nervous System (New York: Scribner, 1906).
6. J. C. Whorton, Crusaders for Fitness: The History of American Health Reformers (Princeton: Princeton University Press, 1982), 287.
7. J. Ross, Moving Lessons: Margaret H’Doubler and the Beginning of Dance in American Education (Madison: University of Wisconsin Press, 2000), 58.
8. J. Martin, Introduction to the Dance (New York: W. W. Norton, 1939), 47.
9. J. Martin, The Dance (New York: Tudor Publishing Company, 1946), 105.
10. M. H’Doubler, The Dance (New York: Harcourt, Brace and Company, 1925), 60.
11. C. Novack, Sharing the Dance: Contact Improvisation and American Culture (Madison: University of Wisconsin Press, 1990).
12. J. Cage, “In This Day,” Dance Observer (January 1957), 10.
13. A. Berthoz, The Brain’s Sense of Movement, trans. G. Weiss (Cambridge, MA: Harvard University Press, 2000), 58.
14. J. J. Gibson, The Ecological Approach to Visual Perception (Boston: Houghton Mifflin, 1979), 43.
15. G. Rizzolatti, L. Fadiga, L. Fogassi, and V. Gallese, “From Mirror Neurons to Imitation: Facts and Speculations,” in A. N. Meltzoff and W. Prinz, eds., The Imitative Mind (Cambridge: Cambridge University Press, 2002), 253.
16. W. Prinz, “Experimental Approaches to Imitation,” in Meltzoff and Prinz, eds., The Imitative Mind, 155–7.
17. B. Calvo-Merino, D. E. Glaser, J. Grèzes, R. E. Passingham, and P. Haggard, “Action Observation and Acquired Motor Skills: An f MRI Study with Expert Dancers,” Cerebral Cortex 15 (August 2005), 1243–9.
18. A. N. Meltzoff, “Elements of a Development Theory of Imitation,” in Meltzoff and Prinz, eds., The Imitative Mind, 19–42.
19. Judith Butler, Gender Trouble: Feminism and the Subversion of Identity (New York: Routledge, 1990).
20. Ivar Hagendoorn, “Some Speculative Hypothesis about the Nature and Perception of Dance and Choreography,” Journal of Consciousness Studies 11 (2004), 79–110.
21. Robert Cribb, ed., The Indonesian Killings 1965–66: Studies from Java and Bali (Clayton, Victoria: Centre of Southeast Asian Studies, Monash University, 1990), 256.