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Volumn , Issue , 2004, Pages 260-285

Rewriting the past: Classicisms of the inter-war period

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EID: 84928061109     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1017/CHOL9780521662567.012     Document Type: Chapter
Times cited : (9)

References (58)
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    • Brown, H.M.1
  • 7
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    • The Uses of Existing Music: Musical Borrowing as a Field
    • Burkholder, J. Peter. ‘The Uses of Existing Music: Musical Borrowing as a Field’, Notes 50 (1994), pp. 851–70
    • (1994) Notes , vol.50 , pp. 851-870
    • Burkholder, J.P.1
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  • 11
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    • Chalupt, R.1
  • 17
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    • Danuser, Hermann. ‘Primordial and Present: The Appropriation of Myth in Music’, in Gottfried Boehm, Ulrich Mosch and Katharina Schmidt (eds.), Canto d’Amore: Classicism in Modern Art and Music 1914–1935 [Catalogue of the Public Art Collection/Gallery of the Paul Sacher Stiftung, Basel, in the Basel Kunstmuseum, 27 April to 11 August 1996], Bern, 1996, pp. 298–314
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  • 18
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    • Urheber und Mehrer: Aspekte der Autorschaft beiWeber/Mahlers komischer Oper Die drei Pintos
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    • Danuser, Hermann. ‘Urheber und Mehrer: Aspekte der Autorschaft beiWeber/Mahlers komischer Oper Die drei Pintos’, in Weber – Jenseits des ‘Freischütz’: Referate des Eutiner Symposions 1986, ed. Friedhelm Krummacher and HeinrichW. Schwab, Kassel, 1989, pp. 41–58
    • (1989) Weber – Jenseits des ‘Freischütz’: Referate des Eutiner Symposions 1986 , pp. 41-58
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    • Wege des Verstehens: Die Deutung von Autorschaft
    • no. 239, October
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* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.