Masculinity, morality and action: Michael Mann and the heist movie

Criminal Visions Media Representations of Crime and Justice

Volumn , Issue , 2012, Pages 73-89

  Rayner, Jonathan ^a  

^a UNIVERSITY OF SHEFFIELD   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84925767815     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9781843924401     Document Type: Chapter

References (10)

1. Anon (1996) ‘Bob and Al in the Coffee Shop: Michael Mann’s Notes for the Coffee Shop Scene’, Sight and Sound, 6(3), 14–19.
2. Bruzzi, S. (1997) Undressing Cinema: Clothing and Identity in the Movies, London: Routledge.
3. Davies, J. and Smith, C.R. (1997) Gender, Ethnicity and Sexuality in Contemporary American Film, Edinburgh: Keele University Press.
4. Letkemann, P. (1973) Crime as Work, Englewood Cliffs: Prentice-Hall.
5. Lindstrom, J.A. (2000) ‘Heat: Work and Genre’, Jump Cut, 43, 21–30.
6. Maltby, R. (1996) ‘Censorship and Self-Regulation’, in G. Nowell-Smith (ed.) The Oxford History of World Cinema, Oxford: Oxford University Press, 235–48.
7. Neale, S (1993) ‘Masculinity as Spectacle: Reflections on Men and Mainstream Cinema’, in S. Cohan and I.R. Hark (eds) Screening the Male: Exploring Masculinities in Hollywood Cinema, London: Routledge, 9–20.
8. Rubin, M. (1999), Thrillers, Cambridge: Cambridge University Press.
9. Yalom, I.D. (1980) Existential Psychotherapy, New York: Basic Books.
10. Yalom, I.D. (1991) Love’s Executioner and Other Tales of Psychotherapy, Harmondsworth: Penguin.