메뉴 건너뛰기




Volumn , Issue , 2013, Pages 1-30

Introduction: The postborder condition: Art and urbanism in bajalta california

Author keywords

[No Author keywords available]

Indexed keywords


EID: 84925760888     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9781315810935     Document Type: Editorial
Times cited : (9)

References (49)
  • 4
    • 84925804231 scopus 로고    scopus 로고
    • quoted in Barbara Isenberg, New York: Morrow
    • Robert Irwin, quoted in Barbara Isenberg, State of the Arts (New York: Morrow, 2000), 349–50.
    • (2000) State of the Arts , pp. 349-350
    • Irwin, R.1
  • 13
    • 0042359599 scopus 로고    scopus 로고
    • How to create a culture capital: Reflections on urban markets and places
    • I. Blazwick (ed.), London: Tate Gallery
    • S. Zukin, “How to Create a Culture Capital: Reflections on Urban Markets and Places,” in I. Blazwick (ed.), Century City: Art and Culture in the Modern Metropolis (London: Tate Gallery, 2001), 260.
    • (2001) Century City: Art and Culture in the Modern Metropolis , pp. 260
    • Zukin, S.1
  • 15
    • 0002825063 scopus 로고    scopus 로고
    • L.A. as design product: How art works in a regional economy
    • A.J. Scott and E.W. Soja (eds.), Berkeley: University of California Press
    • Harvey Molotch, “L.A. as Design Product: How Art Works in a Regional Economy,” in A.J. Scott and E.W. Soja (eds.), The City: Los Angeles and Urban Theory or the End of the Twentieth Century (Berkeley: University of California Press, 1996), 225-275.
    • (1996) The City: Los Angeles and Urban Theory Or the End of the Twentieth Century , pp. 225-275
    • Molotch, H.1
  • 16
    • 0004222093 scopus 로고
    • New York: Dutton
    • Jonathan Raban, Soft City (New York: Dutton, 1974), 11.
    • (1974) Soft City , pp. 11
    • Raban, J.1
  • 18
    • 84900269878 scopus 로고    scopus 로고
    • Mexicos cultural diplomacy aims to win hearts in us,”
    • August 1
    • Stephen Kinzer, “Mexico’s Cultural Diplomacy Aims to Win Hearts in US,” New York Times, August 1, 2002, p. B1.
    • (2002) New York Times
    • Kinzer, S.1
  • 19
    • 0001853930 scopus 로고    scopus 로고
    • Actually existing cosmopolitanism
    • P. Cheah and B. Robbins (eds.), Minneapolis: University of Minnesota Press
    • B. Robbins, “Actually Existing Cosmopolitanism,” in P. Cheah and B. Robbins (eds.), Cosmopolitics (Minneapolis: University of Minnesota Press, 1998), 1.
    • (1998) Cosmopolitics , pp. 1
    • Robbins, B.1
  • 22
    • 0006750696 scopus 로고    scopus 로고
    • Mexican migration and the space of postmodernism
    • quoted by R. Rouse, in David G. Gutierrez (ed.), Wilmington: Jaguar Books
    • Guillermo Gomez-Peña, quoted by R. Rouse, “Mexican Migration and the Space of Postmodernism,” in David G. Gutierrez (ed.), Between Two Worlds: Mexican Migrants in the United States (Wilmington: Jaguar Books, 1996), 248.
    • (1996) Between Two Worlds: Mexican Migrants in the United States , pp. 248
    • Gomez-Peña, G.1
  • 23
    • 0002590183 scopus 로고
    • Postmodernism, or the cultural logic of late capitalism
    • Fredric Jameson, “Postmodernism, or The Cultural Logic of Late Capitalism,” New Left Review, 1985, 151, 83-4.
    • (1985) New Left Review , vol.151 , pp. 83-84
    • Jameson, F.1
  • 27
    • 84900060260 scopus 로고    scopus 로고
    • El movimiento: The chicano cultural project since the 1960s
    • conversation with Michael Dear, in Gustavo Leclerc, Raúl Villa, and Michael Dear (eds.), Thousand Oaks: Sage Publications
    • Tomás Ybarra-Frausto (in conversation with Michael Dear), “El movimiento: The Chicano Cultural Project since the 1960s,” in Gustavo Leclerc, Raúl Villa, and Michael Dear (eds.), Urban Latino Cultures: la vida latina en L.A. (Thousand Oaks: Sage Publications, 1999).
    • (1999) Urban Latino Cultures: La Vida Latina En L.A
    • Ybarra-Frausto, T.1
  • 31
    • 84925737164 scopus 로고    scopus 로고
    • From beats to borders: An alternative history of chicano art in california
    • Stephanie Barron, Sheri Berstein, and Ilene Susan Fort (eds.), Berkeley: University of California Press, and Los Angeles County Museum of Art
    • Chon Noriega, “From Beats to Borders: An Alternative History of Chicano Art in California,” in Stephanie Barron, Sheri Berstein, and Ilene Susan Fort (eds.), Reading California: Art, Image, Identity 1900–2000 (Berkeley: University of California Press, and Los Angeles County Museum of Art, 2000), 367–8.
    • (2000) Reading California: Art, Image, Identity 1900–2000 , pp. 367-368
    • Noriega, C.1
  • 32
    • 84925772241 scopus 로고    scopus 로고
    • Many californias, 1980–2000
    • Barron, Bernstein, and Fort
    • Howard N. Fox “Many Californias, 1980–2000,” in Barron, Bernstein, and Fort, Made in California, 270.
    • Made in California , pp. 270
    • Fox, H.N.1
  • 37
    • 84925713583 scopus 로고    scopus 로고
    • Inventing tradition, negotiating modernism: Chicano/a art and the pre-columbian past
    • Fields and Zamudio-Taylor
    • Victor Zamudio-Taylor, “Inventing Tradition, Negotiating Modernism: Chicano/a Art and the Pre-Columbian Past,” in Fields and Zamudio-Taylor, The Road to Aztlan, 354.
    • The Road to Aztlan , pp. 354
    • Zamudio-Taylor, V.1
  • 38
    • 84925811686 scopus 로고    scopus 로고
    • New York: The Studio Museum in Harlem
    • The Studio Museum in Harlem, Freestyle (New York: The Studio Museum in Harlem, 2001), 26.
    • (2001) The Studio Museum in Harlem, Freestyle , pp. 26
  • 39
    • 0004223144 scopus 로고
    • New York: Bantam Books
    • Neal Stephenson, Snow Crash (New York: Bantam Books, 1993), 24–6.
    • (1993) Snow Crash , pp. 24-26
    • Stephenson, N.1
  • 43
    • 84925737163 scopus 로고    scopus 로고
    • Spiritual geographies
    • Fields and Zamudio-Taylor
    • Amalia Mesa-Bains, “Spiritual Geographies,” in Fields and Zamudio-Taylor, The Road to Aztlan, 336.
    • The Road to Aztlan , pp. 336
    • Mesa-Bains, A.1
  • 47
    • 84925710654 scopus 로고    scopus 로고
    • Making the case for the “post-black school of art,”
    • September 29
    • Suzanne Muchnic, “Making the Case for the “Post-black” School of Art,” in The Los Angeles Times, September 29, 2001, F1 passim.
    • (2001) The Los Angeles Times , pp. 1
    • Muchnic, S.1
  • 48
    • 84925755359 scopus 로고    scopus 로고
    • Cultural evolution in ‘freestyle
    • October 2
    • Christopher Knight Cultural Evolution in ‘Freestyle’, The Los Angeles Times, October 2, 2001, F1
    • (2001) The Los Angeles Times
    • Knight, C.1
  • 49
    • 84925807329 scopus 로고    scopus 로고
    • Beyond multiculturalism, a way to a new freedom in art?
    • July 29, 2–1 passim
    • Holland Cotter, “Beyond Multiculturalism, a Way to a New Freedom in Art?” The New York Times, July 29, 2001, 2–1 passim.
    • (2001) The New York Times
    • Cotter, H.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.