Importance of inharmonicity in the acoustic guitar

International Computer Music Conference, ICMC 2005

Volumn , Issue , 2005, Pages

  Järveläinen, Hanna ^a   Karjalainen, Matti ^a  

^a AALTO UNIVERSITY   (Finland)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER MUSIC; MUSICAL INSTRUMENTS;

ACOUSTIC GUITAR; ARMA MODEL; DETECTION THRESHOLD; DIGITAL SOUND SYNTHESIS;

HARMONIC ANALYSIS;

EID: 84923902139     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (7)

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2. Jarvelainen, H., Valimaki, V. and Karjalainen, M.: 2001, Audibility of the timbral effects of inharmonicity in stringed instrument tones. Acoustics Research Letters Online 2(3), 79-84. http://ojps.aip.org/arlo/.
3. Karjalainen, M., Esquef, P., Antsalo, P. and Valimaki, V.: 2002, aFrequency-zooming ARMA modeling of resonant and reverberant systems, J. Audio Eng. Soc. 50(12), 1012-1029.
4. Levitt, H.: 1971, Transformed up-down methods in psychoacoustics, J. Acoust. Soc, Am. 49(2), 467-477.
5. Makhoul, J.: 1975, Linear prediction: A tutorial review, Proc, IEEE 63, 561-580.
6. Rocchesso, D. and Scalcon, F.: 1999, Bandwidth of perceived inharmonicity for musical modeling of dispersive strings, IEEE Trans. Speech and Audio Proc, 7, 597-601.
7. Schneider, A.: 2000, Inharmonic sounds: Implications as to "Pitch", "Timbre" and "Consonance", Journal of New Music Research 29(4), 275-301.