Cross-Modal Parametric Composition

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 2004, Pages

  Gerhard, David ^a   Hepting, Daryl H ^a  

^a UNIVERSITY OF REGINA   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER MUSIC; MUSIC;

AESTHETIC JUDGMENTS; ALGORITHMIC COMPOSITIONS; AUDIO REPRESENTATION; COMPLEX PARAMETER; COMPOSITION TECHNIQUE; COMPUTER-AIDED; CROSS-MODAL; INTEGRAL PART; INTERACTIVE COMPOSITION; PARAMETER SPACES;

ITERATIVE METHODS;

EID: 84923566512     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (15)

1. Bertin, J. (1983). Semiology of graphics: diagrams, networks, maps. University of Wisconsin Press. translated by W. J. Berg.
2. Boden, M. A. (1996). Creativity. In M. A. Boden (Ed.), Artificial Intelligence: Handbook of Perception and Cognition (2nd ed.). Academic Press.
3. Dahlstedt, P. (2001, August). A mutasynth in parameter space: Interactive composition through evolution. Organized Sound 6(2), 121–124.
4. Eno, B. and P. Schmidt (1975). http://www.rtqe.net/obliquestrategies/.
5. Foley, J. and W. Ribarsky (1994). Next-generation data visualization tools. In L. R. et al. (Ed.), Scientific Visualization. Academic Press.
6. Hepting, D. H. (2003). Interactive evolution for systematic exploration of a parameter space. In C. H. Dagli (Ed.), Proceedings of ANNIE 2003, pp. 125–131. American Society of Mechanical Engineers.
7. Hepting, D. H., F. D. Fracchia, J. C. Dill, and R. D. Russell (1996). Cogito: a system for computer-aided visualization. Technical Report CMPT TR 96-02, Simon Fraser University. Unpublished technical sketch presented at SIGGRAPH 96.
8. Ioannidis, Y. E., M. Livny, S. Gupta, and N. Ponnekanti (1996). Zoo: A desktop experiment management environment. In Proceedings of the 22nd International VLDB Conference, pp. 274–285.
9. Larkin, J. H. and H. Simon (1987). Why a diagram is (sometimes) worth ten thousand words. Cognitive Science 11, 65–99.
10. Marks, J. et al. (1997). Design Galleries: A general approach to setting parameters for computer graphics and animation. In Computer Graphics: SIGGRAPH’97 Conference Proceedings.
11. Perkins, D. N. (1995). Insight in minds and genes. In R. J. Stern-berg and J. E. Davidson (Eds.), The Nature of Insight, pp. 495–533. Cambridge, MA: MIT Press.
12. Roads, C. (1996). The Computer Music Tutorial. Cambridge: MIT Press.
13. Schroeder, M. (1991). Fractals, Chaos, Power Laws: Minutes from an infinite paradise. New York: WH Freeman & company.
14. Stockhausen, K. (1989). Towards a Cosmic Music. Element Books.
15. Ware, C. (1993). The foundations of experimental semiotics: a theory of sensory and conventional representation. Journal of Visual Languages and Computing 4, 91–100.