Romancing Rādhā: Nāgarīdās’ Royal Appropriations of Bhakti Themes

South Asia Research

Volumn 25, Issue 1, 2005, Pages 55-78

  Pauwels, Heidi R M ^a  

^a UNIVERSITY OF WASHINGTON   (United States)

Author keywords

18th century North India; bhakti; Kishangarh; N gar d s; R dh Krishna; r ti; S vant Si h

Indexed keywords

EID: 84922398483     PISSN: 02627280     EISSN: None     Source Type: Journal    
DOI: 10.1177/0262728005051607     Document Type: Article

References (19)

1. Acharya, K.A. (1978) Maratha-Rajput Relations from 1720 to 1795 AD. Akola: Sitabai Arts College.
2. Bangha, Imre (2003) ‘Court and Ashram as Centres of Literary Activity in Eighteenth Century India: Ānandghan’s Contacts with the Princely Court of Kishangarh-Rupnagar and with the Ashram of the Nimbārka Sampradāy in Salemabad’. Unpublished paper.
3. Dickinson, Eric (1950) ‘The Way of Pleasure: The Kishangarh Paintings’, Mārg, 3(4): 28–35.
4. Dickinson, Eric and Khandalavala, Karl (1959) Kishangarh Paintings. New Delhi: Lalit Kalā Academy.
5. Entwistle, Alan W. (1987) Braj: Centre of Krishna Pilgrimage. Groningen Oriental Studies, 3. Groningen: Egbert Forsten.
6. Entwistle, Alan W. (1991) ‘The Cult of Krishna-Gopāl as a Version of Pastoral’. In Diana L. Eck and F. Mallison (eds), Devotion Divine: Bhakti Traditions from the Regions of India (pp. 73–90). Groningen: Egbert Forsten.
7. Gupta, Kiśorīlāl (1965) Nāgarīdās. 2 vols. Ākar Granthmālā 8. Benares: Nāgarī Pracāriṇī Sabhā.
8. Haidar, Navina Najat (2000) ‘Satire and Humour in Kishangarh Painting’. In Andrew Topsfield (ed.), Court Painting in Rajasthan (pp. 78–91). Mumbai: Marg Publications.
9. Khān, Faiyāz Alī (1974) Nāgarīdās Granthāvalī. New Delhi: Kendrīya Hindī Nideśālay.
10. Khān, Faiyāz Alī (1975) ‘Kishangarh Painting and Bani Thani’, Roopa Lekha, 40(1–2): 83–8.
11. Khān, Faiyāz Alī (1979–1980) ‘The Painters of Kishangarh’, Roopa Lekha, 51(1–2): 61–9.
12. Mathur, Vijay Kumar (2000) Marvels of Kishangarh Paintings from the Collection of the National Museum, New Delhi. Delhi: Bharatiya Kala Prakashan.
13. McGregor, Ronald S. (1984) Hindi Literature from its Beginnings to the Nineteenth Century, A History of Indian Literature 8.7. Wiesbaden: Otto Harrassowitz.
14. Pant, Sumitrānand (1977) Pallav. New Delhi: Rājkamal Prakāsan.
15. Pauwels, Heidi (forthcoming) ‘Hagiography and Reception History: The Case of Mira’s Padas in Nagridas’ Pada-prasanga-mala’. In Monika Horstmann (ed.), Proceedings of the Bhakti Conference in Heidelberg, 2003. Delhi: Manohar.
16. Randhawa, Mohinder Siṃh and Schreiner Randhawa, Doris (1980) Kishangarh Painting. Bombay: Vakils Feffer & Simons.
17. Snell, Rupert (1998) ‘The Nikuñja as Sacred Space in Poetry of the Rādhāvallabhī Tradition’, Journal of Vaiṣṇava Studies, 7(1) (Fall 1998): 63–84.
18. Varmā, Dhīrendra, Brajeśvar Varmā, Dharmvīr Bhāratī, Rāmsvarūp Caturdevī and Raghuvaṃś (1985) Hindī Sāhitya Koś. Vol. 1. Vārāṇasī: Jñānmaṇḍal.
19. Vrajvallabhśaraṇ (1966) Śrī Nāgarīdāsjī kī Vā[UNKNOWN]ī: Nāgarīdāsjī ke Jīvanvá¹›tta evaṃ Vāṇiyoṃ kā Sanśodhit Sanskaraṇ. Vrindāvan: Śrī śarveśvar Press.