Music, power, and practice

Ethnomusicology

Volumn 58, Issue 2, 2014, Pages 327-333

  Mahon, Maureen ^a  

^a NEW YORK UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84922150207     PISSN: 00141836     EISSN: None     Source Type: Journal    
DOI: 10.5406/ethnomusicology.58.2.0327     Document Type: Article

References (18)

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3. Bourdieu, Pierre. 1990. The Logic of Practice. Translated by Richard Nice. Stanford, CA: Stanford University Press.
4. Brooks, Daphne A. 2008. "The Write to Rock: Racial Mythologies, Feminist Theory and the Pleasures of Rock Music Criticism. Women and Music: A Journal of Gender and Culture 12:54-62.
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12. Mahon, Maureen. 2004. Right To Rock: 'The Black Rock Coalition and the Cultural Politics of Race. Durham, NC: Duke University Press.
13. -. 2011. "Listening For Willie Mae 'Big Mama' Thornton's Voice: The Sound of Race and Gender Transgressions in Rock and Roll." Women and Music: A Journal of Gender and Culture 15:1-17.
14. Miller, Karl Hagstrom. 2010. Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow. Durham, NC: Duke University Press.
15. Negus, Keith. 1999. Music Genres and Corporate Cultures. New York: Routledge.
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