Schemas, not syntax: A reply to Patel

Language and Music as Cognitive Systems

Volumn , Issue , 2012, Pages

  London, Justin ^a  

^a CARLETON COLLEGE   (United States)

Author keywords

Language; Music; Resource sharing; Syntactic

Indexed keywords

EID: 84920895307     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1093/acprof:oso/9780199553426.003.0025     Document Type: Note

References (16)

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11. Meyer, L. B. (1956). Emotion and Meaning in Music. Chicago, IL: University of Chicago Press.
12. Narmour, E. (1990). The Analysis and Cognition of Basic Melodic Structures. Chicago, IL: University of Chicago Press.
13. Narmour, E. (1992). The Analysis and Cognition of Melodic Complexity: The Implication-Realization Model. Chicago, IL: University of Chicago Press.
14. Patel, A.D., Gibson, E., Ratner, J., Besson, M., & Holcomb, P. (1998). Processing syntactic relations in language and music: An event-related potential study. Journal of Cognitive Neuroscience, 10, 717-33.
15. Titon, J. T. (1994). Early Downhome Blues. Chapell Hill, NC: University of North Carolina Press.
16. Von Hippel, P., & Huron, D. (2000). Why do skips precede reversals? The effect of tessitura on melodic structure. Music Perception, 18, 59-85.