Making class through fragmenting culture

Problematizing Identity: Everyday Struggles in Language, Culture, and Education

Volumn , Issue , 2013, Pages 35-50

  Skeggs, Beverley ^a  

^a UNIVERSITY OF LONDON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84920692968     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203822548     Document Type: Chapter

References (67)

1. Back, L. (1996). New ethnicities and urban culture: Racism and multi-culture in young lives. London: UCL Press.
2. Back, L., & Quaade, V. (1993). Dream utopias, nightmare realities: Imagining race and culture within the world of Bennetton advertising. Third Text, 22, 65–80.
3. Baudrillard, J. (1983). Simulations. New York: Semiotext(e).
4. Berlant, L. (2000). The subject of true feeling: Pain, privacy, politics. In S. Ahmed, J. Kilby, C. Lury, M. McNeil, & B. Skeggs (Eds.), Transformations: Thinking through feminism (pp. 33–48). London: Routledge.
5. Bhabha, H. (1996). Rethinking authority: Interview with Homi Bhabha. Angelaki, 2(2), 59–65.
6. Bourdieu, P. (1986). Distinction: A social critique of the judgement of taste. London: Routledge.
7. Bourdieu, P. (1987). What makes a social class? On the theoretical and practical existence of groups. Berkeley Journal of Sociology, 1–17.
8. Bourdieu, P. (1989). Social space and symbolic power. Sociological Theory, 7, 14–25.
9. Bromley, R. (2000). The theme that dare not speak its name: Class and recent British film. In S. Munt (Ed.), Cultural studies and the working class: Subject to change (pp. 51–69). London: Cassells.
10. Brooks, D. (2001). Bobos in paradise: The new upper class and how they got there. New York: Shuster and Simon.
11. Brunsdon, C. (1997). Screen tastes: Soap opera to satellite dishes. London: Routledge.
12. Charlesworth, S. (2000). A phenomenology of working class experience. Cambridge: Cambridge University Press.
13. Coward, R., & Ellis, J. (1977). Language and materialism. London: RKP.
14. Daily Mirror (1997). What class are you? February 9, p. 7.
15. Davies, M. (1994). Feminist appropriations: Law property and personality. Social and Legal Studies, 3, 365–391.
16. Davis, M. (1990). City of quartz. London: Verso.
17. Deleuze, G., & Guattari, F. (1983). Anti-Oedipus: Capitalism and schizophrenia (Vol. 1). New York: The Viking Press.
18. Diawara, M. (1998, Winter). Homeboy cosmopolitan: Manthia Diawara interviewed by Silvia Kolbowski. October, 83, 51–70.
19. Erickson, B. (1991). What is good taste for? Canadian Review of Sociology and Anthropology, 28, 255–278.
20. Erickson, B. (1996). Culture, class and connections. American Journal of Sociology, 102, 217–251.
21. Fine, B. (2001). Social capital versus social theory: Political economy and social science at the turn of the millenium. London: Routledge.
22. Fine, B., & Lapavistas, C. (2000). Markets and money in social theory: What role for economics? Economy and Society, 29(3), 357–382.
23. Foucault, M. (1979). The history of sexuality: Volume one, an introduction. London: Penguin.
24. Franklin, S., Lury, C., & Stacey, J. (2000). Global nature, global culture. London: Sage.
25. Gramsci, A. (1971). Selections from prison notebooks of Antonio Gramsci. London: Lawrence and Wishart.
26. Gri n, P. (1999). Satellites. City Life. p. 6.
27. Hage, G. (1998). White nation. Melbourne and London: Pluto Press.
28. Hardt, M., & Negri, A. (2000). Empire. Cambridge, MA: Harvard University Press.
29. Inspector Morse. (1987–2000). Produced by McBain. ITV.
30. Legally Blonde 1. (2001). Directed by R. Luketic. MGM.
31. Lury, C. (1998). Prosthetic culture: Photography, memory and identity. London: Routledge.
32. Lury, C. (2000). The united colours of diversity: Essential and inessential culture. In S. Franklin, C. Lury, & J. Stacey (Eds.), Global nature, global culture. London: Sage.
33. Marx, K. (1967). Capital (S. Moore & E. Aveling, Trans. Vol. 1). New York: International Publishers.
34. Moran, L., Skeggs, B., Corteen. K., & Tyrer, P. (2004). Sexuality and the politics of violence and safety. London: Routledge.
35. My Fair Lady Musical. (1956–2007). Lyrics by A. J. Lerner.
36. Nead, L. (1988). Myths of sexuality: Representations of women in Victorian Britain. Oxford: Blackwell.
37. Ortner, S. (1991). Reading America: Preliminary notes on class and culture. In G. R. Fox (Ed.), Recapturing anthropology: Working in the present (pp. 163–191). Santa Fe, NM: School of American Research Press.
38. Pretty Woman. (1990). Directed by G. Marshall. Touchstone Pictures.
39. Pulp Fiction. (1994). Directed by Q. Tarantino. Miramax Films.
40. Pygmalion. (1938). Directed by A. Asquith & L. Howard. Gabriel Pascal Productions.
41. Reay, D., & Lucey, H. (2000). I don’t really like it here but I don’t want to live anywhere else: Life on large estates. Antipode, 32(4), 4410–4428.
42. Ricardo, D. (1817). Principles of a political economy and taxation. London, Macmillan.
43. Rouse, R. (1995). Thinking through transnationalism: Notes on the cultural politics of class relations in the contemporary United States. Public Culture, 7(2), 353–402.
44. Rowe, K. (1995). The unruly woman: Gender and the genres of laughter. Austin: University of Texas Press.
45. Savage, M. (2000). Class analysis and social transformation. Buckingham: Open University Press.
46. Savage, M., Bagnall, G., & Longhurst, B. (1999). The ambiguity of class identities in contemporary Britain. Paper presented at the British Sociological Association Conference, Edinburgh.
47. Savage, M., Bagnall, G., & Longhurst, R. (2001). Ordinary, ambivalent and defensive: Class identities in the northwest of England. Sociology, 35(4), 875–892.
48. Savage, M., Barlow, J., Dickens, P., & Feilding, T. (1992). Property, bureaucracy and culture: Middle-class formation in contemporary Britain. London: Routledge.
49. Sayer, A. (2002). What are you worth? Why class is an embarrassing subject. Sociological Research Online, 7(3).
50. Sennett, R., & Cobb, J. (1977). The hidden injuries of class. Cambridge: Cambridge University Press.
51. Sex in the City. (1999–). Produced by J. Rabb, A. Ellis, J. Rottenberg & E. Zuritsky. HBO.
52. Shrek. (2001). Directed by A. Adamson & V. Jenson. DreamWorks.
53. Skeggs, B. (1994). Refusing to be civilized: “Race,” sexuality and power. In H. Afshar & M. Maynard (Eds.), The dynamics of race and gender (pp. 106–127). London: Taylor & Francis.
54. Skeggs, B. (1997). Formations of class and gender: Becoming respectable. London: Sage.
55. Skeggs, B. (2004). Class, self, culture. London: Routledge.
56. Skeggs, B. (2005). Exchange value and affect: Bourdieu and the self. In L. Adkins & B. Skeggs (Eds.), Bourdieu, feminism and after (pp. 75–97). Oxford: Blackwell.
57. Smith, A. (1776). Wealth of nations. Harmondsworth: Penguin.
58. Tasker, Y. (1998). Working girls: Gender and sexuality in popular culture. London: Routledge.
59. The Sopranos. (1999–2007). Written and directed by D. Chase. HBO.
60. The Talented Mr. Ripley. (1999). Directed by A. Minghella. Paramount Pictures.
61. Thoburn, N. (2001). Autonomous production? On Negri’s “New Synthesis.” Theory, Culture and Society, 18(5), 75–96.
62. UpClose and Personal. (1996). Directed by J. Avnet. Touchstone Pictures.
63. Vicinus, M. (1974). The industrial muse: A study of nineteenth century British working class literature. London: Croom Helm.
64. Waters, M. (1995). Globalisation. London: Routledge.
65. Working Girl. (1988). Directed by M. Nichols. Twentieth-Century Fox.
66. Yudice, G. (2004). The expediency of culture. Durham, NC: Duke University Press.
67. Zizek, S. (1997). Multiculturalism, or the cultural logic of multinational capitalism. New Left Review, 225, 28–52.