Locating the people music and the popular

The Cultural Study of Music: A Critical Introduction

Volumn , Issue , 2013, Pages 251-262

  Middleton, Richard ^a  

^a NEWCASTLE UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84920627812     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203821015     Document Type: Chapter

References (10)

1. Adorno, Theodor W. 1991. The culture industry. London: Routledge.
2. Bennett, Tony. 1986. The politics of the “popular” and popular culture. Pp. 6–21 in Popular culture and social relations. Edited by Tony Bennett, Colin Mercer, and Janet Woollacott. Milton Keynes, U.K.: Open Univ. Press.
3. Born, Georgina, and David Hesmondhalgh, eds. 2000. Western music and its others: Difference, representation and appropriation in music. Berkeley: Univ. of California Press.
4. Bourdieu, Pierre. 1984. Distinction: A social critique of the judgement of taste. Translated by Richard Nice. London: Routledge.
5. Gilroy, Paul. 1993. The black Atlantic: Modernity and double consciousness. London: Verso.
6. Levine, Lawrence. 1988. Highbrow/lowbrow: The emergence of cultural hierarchy in America. New Haven, Conn.: Yale Univ. Press.
7. Middleton, Richard. 1995. The “problem” of popular music. Pp. 27–38 in The twentieth century, The Blackwell history of music in Britain. Vol. six. Edited by Stephen Banfield. Oxford: Blackwell.
8. Middleton, Richard. 2001. Who may speak? From a politics of popular music to a popular politics of music. Repercussions 7(8): 77–103.
9. Stallybrass, Peter, and Allon White. 1986. The politics and poetics of transgression. London: Methuen.
10. Williams, Raymond. 1983. Keywords: A vocabulary of culture and society. Rev. ed. London: Fontana.