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Volumn , Issue , 2013, Pages 75-86

The contradictions of the mainstream: Australian views of grunge and commercial success

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[No Author keywords available]

Indexed keywords


EID: 84920616337     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203127858     Document Type: Chapter
Times cited : (1)

References (26)
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    • Jones, S.1    Featherly, K.2
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    • London: Arnold
    • Maxwell, I. (2002) ‘The curse of fandom: insiders, outsiders and ethnography’, in D. Hesmondhalgh and K. Negus (eds), Popular Music Studies, London: Arnold.
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    • The racial politics of hybridity and “neo- eclecticism” in contemporary popular music
    • Middleton, J. and Beebe, R. (2002) ‘The racial politics of hybridity and “neo- eclecticism” in contemporary popular music’, Popular Music, 21 (2): 159–72.
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    • Nehring, N. (2007) ‘Everyone’s given up and just wants to go dancing: from punk to rave in the Thatcher era’, Popular Music and Society, 30 (1): 1–18.
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    • Mainstreaming, from hegemonic centre to global networks
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* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.