Globalization and the politics of world music

The Cultural Study of Music: A Critical Introduction

Volumn , Issue , 2013, Pages 297-308

  Stokes, Martin ^a  

^a UNIVERSITY OF CHICAGO   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84920592167     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203821015     Document Type: Chapter

References (10)

1. Broughton, Simon, Mark Ellingham, and Richard Trillo, eds. 1999–2000. World music: The rough guide. Vol. 1. Africa, Europe and the Middle East. Vol. 2. Latin and North America, Caribbean, India, Asia and Pacific. London: The Rough Guides.
2. Burnett, Robert. 1996. The global jukebox: The international music industry. London: Routledge.
3. Erlmann, Veit. 1996. Aesthetics of the global imagination: Reflections on world music in the 1990s. Public Culture 8(3): 467–88.
4. Feld, Steven. 1994. From schizophonia to schismogenesis: On the discourses and commodification practices of “world music” and “world beat.” Pp. 257–89 in Music grooves. Edited by Charles Keil and Steven Feld. Chicago: Univ. of Chicago Press.
5. Frith, Simon, 2000. The discourse of world music. Pp. 305–22 in Western music and its others: Difference, representation and appropriation in music. Edited by Georgina Born and David Hesmondhalgh. Berkeley: Univ. of California Press.
6. Guilbault, Jocelyne, with Gage Averill, Édouard Benoit, and Gregory Rabess. 1993. Zouk: World music in the West Indies. Chicago: Univ. of Chicago Press.
7. Laing, Dave. 1986. The music industry and the “cultural imperialism” thesis. Media, Culture and Society 8: 331–41.
8. Lipsitz, George. 1994. Dangerous crossroads: Popular music, postmodernism and the poetics of place. London: Verso.
9. Slobin, Mark. 1993. Subcultural sounds: Micromusics of the West. Hanover, N.H.: Univ. Press of New England.
10. Taylor, Timothy. 1997. Global pop: World music, world markets. London: Routledge.