Music and mediation: Toward a new sociology of music

The Cultural Study of Music: A Critical Introduction

Volumn , Issue , 2013, Pages 80-91

  Hennion, Antoine ^a  

^a PSL RESEARCH UNIVERSITY   (France)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84920576113     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203821015     Document Type: Chapter

References (12)

1. Bennett, H. Stith. 1980. On becoming a rock musician. Amherst, Mass.: Univ. of Massachusetts Press.
2. Bennett, Tony, Simon Frith, Larry Grossberg, John Shepherd, and Graeme Turner, eds. 1993. Rock and popular music: Politics, policies, institutions. London: Routledge.
3. Cutler, Chris. 1985. File under popular. Theoretical and critical writings on music. London: November Books.
4. DeNora, Tia. 1999. Music as a technology of the self. Poetics 26: 1–26.
5. Durant, Alan. 1984. Conditions of music. London: Macmillan.
6. Gumplowicz, Philippe. [1987] 2001. Les travaux d’Orphée. Deux siècles de pratique musicale amateur en France; harmonies, chorales, fanfares. Paris: Aubier.
7. Hennion, Antoine, Sophie Maisonneuve, and Emilie Gomart. 2000. Figures de l’amateur. Forme, objets et pratiques de l’amour de la musique aujourd’hui. Paris: La Documentation Française.
8. Laborde, Denis. 1997. De Jean-Sébastien Bach à Glenn Gould. Magie des sons et spectacle de la passion. Paris: L’Harmattan.
9. Leppert, Richard, and Susan McClary, eds. 1987. Music and society: The politics of composition, performance and reception. Cambridge, U.K.: Cambridge Univ. Press.
10. Peacock, Alan, and Ronald Weir. 1975. The composer in the market place. London: Faber.
11. White, Avron Levine, ed. 1987. Lost in music: Culture, style and the musical event. London: Routledge and Kegan Paul.
12. Willis, Ellen. 1992. Beginning to see the light: Sex, hope, and rock-&-roll. Hanover, N.H.: Univ. Press of New England.