Such a transformation!: Translation, imitation, and intertextuality in Jane Austen on screen

Jane Austen on Screen

Volumn , Issue , 2003, Pages 44-68

  Harris, Jocelyn ^a  

^a UNIVERSITY OF OTAGO   (New Zealand)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84920519996     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1017/CBO9781139164702.004     Document Type: Chapter

References (19)

1. Jonathan Culler, Structuralist Poetics: Structuralism, Linguistics, and the Study of Literature (London: Routledge and Kegan Paul, 1975): 140.
2. David Constantine, “Finding the Words: Translation and the Survival of the Human,” The Times Literary Supplement (May 21, 1999): 15.
3. Gayatri Chakravorty Spivak, “Translator's Preface” to Jacques Derrida's Of Grammatology (Baltimore, MD: Johns Hopkins University Press, 1974): Lxxv.
4. John Dryden, An Essay of Dramatick Poesie, 1668, ed. James T. Boulton (London: Oxford University Press, 1964): 90.
5. Roland Barthes, Image-Music-Text (New York: Hill and Wang, 1977): 142-148.
6. Donna Haraway, Simians, Cyborgs, and Women: The Reinvention of Nature (London: Free Association Books, 1991): 124.
7. Graham Hough, “Narrative and Dialogue in Jane Austen,” Critical Quarterly 12 (1970): 201-230.
8. Judith Mayne, Cinema and Spectatorship (London: Routledge, 1993): 36, who cites Barthes, Image-Music-Text: 148.
9. Emma Thompson, The “Sense and Sensibility” Screenplay and Diaries: Bringing Jane Austen's Novels to Film (London: Bloomsbury, 1995).
10. Mikhail Bakhtin, Problems of Dostoevsky's Poetics, trans. R. W. Rotsel (Ann Arbor, MI: Ardis, 1973).
11. Udo Hebel's comprehensive introductory survey in Intertextuality, Allusion, and Quotation (Westport, CT: Greenwood, 1989): 14-17.
12. Howard Weinbrot, The Formal Strain: Studies in Augustan Imitation and Satire (Chicago: University of Chicago Press, 1969)
13. William Kinsley, ““Allusion’ in the Eighteenth Century: The Disinherited Critic,” Man and Nature; L'homme et la nature 3 (1984): 22-45.
14. Robert Folkenflick, ““Homo Alludens’ in the Eighteenth Century,” Criticism 24 (1982): 218-231.
15. Harold Bloom, The Anxiety of Influence: A Theory of Poetry (New York: Oxford University Press, 1953; repr. 1970).
16. Samuel Richardson, Sir Charles Grandison, ed. Jocelyn Harris (London: Oxford University Press, 1972): Vol. II, 388.
17. Claire Tomalin, Jane Austen: A Life (London: Viking, 1997): 180-182.
18. Felicity Nussbaum and Laura Brown (eds.), The New Eighteenth Century: Theory, Politics, English Literature (New York and London: Methuen, 1987).
19. David Lodge (ed.), Modern Criticism and Theory (London and New York: Longman, 1988): 445.