Performing the contemporary, or: Towards an even newer architecture

Performalism: Form and Performance in Digital Architecture

Volumn , Issue , 2013, Pages 21-26

  Lavin, Sylvia ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84920452971     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203720981     Document Type: Chapter

References (7)

1. On the Fun Palace see Cedric Price: Works II (Architectural Association, 1984) republished as Cedric Price: The Square Book (London: Wiley-Academy, 2003); Cedric Price: Opera, ed. Samantha Hardingham (London: Wiley-Academy, 2003).
2. Peter Cook, Experimental Architecture (New York, 1970), p. 84 and p. 141.
3. From Tommasso Trini’s review of two Piper Clubs designed by Pietro Derossi with Giorgio Ceretti, one in Turin, the other, L’Altro Mondo, in Rimini, Domus 458 (1968).
4. “Projection: The New Turned-on Décor” House Beautiful (September, 1967). “Instant Interiors,” Progressive Architecture 48, no. 6 (1967), pp. 176-181
5. C. Ray Smith, Supermannerism: New Attitudes in Post-Modern Architecture (New York, 1977).
6. Reyner Banham, “The Style: ‘Flimsey … Effeminate?,” in A Tonic To The Nation: The Festival of Britain 1951, Mary Banham and Bevis Hillier (eds.) (London, 1976).
7. Philip Johnson, “ The Seven Crutches of Modern Architecture “ [1954] in Philip Johnson: Writings (New York, 1979), pp. 136-140.