JND: An artistic experiment in bodily experience as research

Bodily Expression In Electronic Music: Perspectives on Reclaiming Performativity

Volumn , Issue , 2012, Pages 181-199

  Salter, Chris ^a  

^a Gina Cody School of Engineering and Computer Science   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84920365366     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203145098     Document Type: Chapter

References (13)

1. Lawrence Weschler, Seeing Is Forgetting the Name of the Thing One Sees: Over Thirty Years of Conversations with Robert Irwin (Berkeley: University of California Press, 2009).
2. Eugene Gendlin, Experience and the Creation of Meaning: A Philosophical and Psychological Approach to the Subjective (New York: Macmillan, 1962), 1.
3. Arnold van Gennep, Rites of Passage (rev. edn, London: Routledge, 2004 [1977]), 11.
4. Christopher Salter, ‘The Question of Thresholds: Immersion, Absorption and Dissolution in the Environments of Audio-Vision’, in See This Sound: Audiovisuology: Volume II (Cologne: Walter Konig, 2010).
5. Maurice Tuchman, A Report on the Art and Technology Program of the Los Angeles County Museum of Art, 1967-1971 (Los Angeles: Los Angeles County Museum of Art, 1971), 4.
6. Francisco Varela, Evan Thompson and Eleanor Rosch, The Embodied Mind: Cognitive Science and Human Experience (Cambridge, MA: MIT Press, 2001).
7. J. Kevin O’Regan and Alva Noe, ‘A Sensorimotor Account of Vision and Visual Consciousness’, Behavioral and Brain Sciences 24 (2001), 939-1031.
8. Gustav Fechner, Elements of Psychophysics, trans. H. E. Adler (New York: Holt Rinehart, 1966).
9. Yon Visell, Alvin Law and Jeremy R. Cooperstock, ‘Touch is Everywhere: Floor Surfaces as Ambient Haptic Interfaces’, IEEE Transactions on Haptics 2/3 (July-September, 2009).
10. Eric Gunther and Sile O’Modhrain, ‘Cutaneous Grooves: Composing for the Sense of Touch’, Journal of New Music Research 32/4 (December 2003), 369-81.
11. Joseph Rovan and Vincent Hayward, ‘Typology of Tactile Sounds and their Synthesis in Gesture-Driven Computer Music Performance’, in Marcelo M. Wanderley and Marc Battier (eds.), Trends in Gestural Control of Music (Paris: Editions IRCAM, 2000).
12. Francisco Varela and Jonathan Shear, The View from Within: First-Person Approaches to the Study of Consciousness (London: Imprint Academic, 1999), 1.
13. Ernest Edmonds, Lizzie Muller and Deborah Turnbull (eds.), Engage: Interaction, Art and Audience Experience. Proceedings of the Engage Symposium, November 2006 (Sydney: Creativity and Cognition Studios Press, 2006)