Canon and the traditions of musical culture

Canon Vs. Culture: Reflections on the Current Debate

Volumn , Issue , 2013, Pages 135-150

  Weber, William ^a  

^a CALIFORNIA STATE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84919628095     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203775011-17     Document Type: Chapter

References (19)

1. Frank Kermode, The Classic: Literary Images of Permanence and Change (New York: Viking, 1975)
2. Frank Kermode, “Survival of the Classic,�? in Shakespeare, Spenser, Donne: Renaissance Essays (London: Routledge and Kegan Paul, 1971), 164-80
3. Francis Haskell, Rediscoveries in Art: Some Aspects of Taste, Fashion, and Collecting in England and France (Ithaca: Cornell University Press, 1976)
4. Percy Lovell, “‘Ancient’ Music in Eighteenth-Century England,�? Music and Letters 60 (1979): 401-15
5. H. Diack Johnstone, “The Genesis of Boyce’s Cathedral Music,”Music and Letters, 56 (1975): 26-40.
6. Herbert Schneider, Rezeption der Opern Lullys im Frankreich des Ancien Régime (Tutzing: H. Scneider, 1982).
7. Erich Reimer, “Repertoirebildung und Kanonisierung: Zur Vorgeschichte des Klassikbegriffes, 1800-35,�? Archiv für Musikwissenschaft, 43 (1986): 241-60.
8. Erich Reimer, “Museum Pieces: The Historicist Mainstream in Music of the Last Hundred Years,�? Journal of Musicology 2 (1983):115-34
9. Erich Reimer, “The Twentieth Century and the Orchestra as Museum,�? in The Orchestra: Origins and Transformations, ed. Joan Peyser (New York: Scribner, 1986), 409-34.
10. Joseph Horowitz analyzes the popularization of the canon in the U.S. in Understanding Toscanini (New York: A. A. Knopf, 1987).
11. Ruth A. Solie, ed., Musicology and Difference: Gender and Sexuality in Music Scholarship (Berkeley: University of California Press, 1993).
12. John Bossy, Christianity in the West, 400-1700 (New York: Oxford University Press, 1985), 161.
13. Anthony Cummings, “Toward an Interpretation of the Sixteenth-Century Motet,�? Journal of the American Musicological Society, 34 (1981): 43-59
14. Jeffrey Dean, “The Repertory of the Cappella Guilia in the 1560s,�? Journal of the American Musicological Society, 41 (1988): 465-90
15. Robert Schumann, On Music and Musicians, translated by Paul Rosenfeld (New York: McGraw Hill, 1946), 74.
16. Jeffrey Hay, “The Colloquial Musical Metaphysics of Francis Hueffer and George Bernard Shaw,�? Ph.D. dissertation, University of California, San Diego, 1994.
17. Jacques Revel, “Forms of Expertise: Intellectuals and ‘Popular’ culture in France, 1650-1800,�? in Understanding Popular Culture: Europe from the Middle Ages to the Nineteenth Century, ed. Stephen L. Kaplan (Ithaca: Cornell University Press, 1984).
18. James H. Johnson, “Musical Experience and the Formation of a French Musical Public,�? Journal of Modem History, 64 (1992): 191-226
19. Carl Dahlhaus, ed., Studien zur Trivialmusik des 19. Jahrhundert (Regensburg: Bosse, 1967).