Artistic capital

Artistic Capital

Volumn , Issue , 2005, Pages 1-290

  Galenson, David ^a  

^a UNIVERSITY OF CHICAGO   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84917297169     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203700044     Document Type: Book

References (482)

1. Ackroyd, Peter. Dickens (London: Sinclair-Stevenson, 1990).
2. Adams, L. S. A History of Western Art (New York: Abrams, 1995).
3. Aiken, Conrad. A Reviewer's ABC (New York: Meridian Books, 1958).
4. Alberro, A. and P. Norvell Recording Conceptual Art (Berkeley, CA: University of California Press, 2001).
5. Aldridge, John. After the Lost Generation (New York: Arbor House, 1985).
6. Alexander, Paul. Rough Magic (New York: Viking, 1991).
7. Alloway, L. Topics in American Art Since 1945 (New York: W. W. Norton, 1975).
8. Alloway, L. Network (Ann Arbor, MI: UMI Research Press, 1984).
9. American Film Institute. "John Ford: Life Achievement Award Tribute Address" (available online at AFI.com, 1973).
10. Anderson, Lindsay. About John Ford... (London: Plexus, 1981).
11. Apollinaire, Guillaume. Apollinaire on Art: Essays and Reviews 1902-1918 (Boston, MA: MFA Publications, 1972).
12. Apollonio, Umbro, editor. Futurist Manifestos (New York: Viking Press, 1973).
13. Arnason, H. H. History of Modern Art, 3rd edn (New York: Abrams, 1968).
14. Arvin, Newton. Herman Melville (Westport, CT: Greenwood Press, 1972).
15. Ash, Russell. Top 10 of Film (New York: DK Publishing, 2003).
16. Ashton, Dore. A Fable of Modern Art (New York: Thames and Hudson, 1980).
17. Ashton, T. S. "The Relation of Economic History to Economic Theory," in N. B. Harte editor, The Study of Economic History, pp. 161-79 (London: Frank Cass, 1971).
18. Baker, Carlos, editor. Hemingway and His Critics (New York: Hill and Wang, 1961).
19. Bakhtin, Mikhail. Problems of Dostoevsky's Poetics (Minneapolis, MN: University of Minnesota Press, 1984).
20. Balakian, Anna. Literary Origins of Surrealism (New York: New York University Press, 1947).
21. Barbour, James, and Tom Quirk, editors. Writing the American Classics (Chapel Hill, NC: University of North Carolina Press, 1990).
22. Barr, Alfred H. Picasso: Fifty Years of His Art (New York: Museum of Modern Art, 1946).
23. Barr, Alfred H. Matisse: His Art and His Public (New York: Museum of Modern Art, 1951).
24. Barry, Elaine. Robert Frost on Writing (New Brunswick, NJ: Rutgers University Press, 1973).
25. Bassett, John, editor. William Faulkner: The Critical Heritage (London: Routledge and Kegan Paul, 1975).
26. Battcock, Gregory, editor. Minimal Art (Berkeley, CA: University of California Press, 1995).
27. Baudelaire, Charles. The Painter of Modern Life and Other Essays (New York: Da Capo Press, 1986).
28. Baxter, John. The Cinema of John Ford (London: Zwemmer, 1971).
29. Beardsley, J. Earthworks and Beyond, 3rd edn (New York: Abbeville Press, 1998).
30. Beja, Morris. James Joyce (Columbus, OH: State University Press, 1992).
31. Bell, Anne, editor. The Diary of Virginia Woolf, 5 vols (New York: Harcourt Brace Jovanovich, 1980).
32. Bell, C. "The Debt to Cézanne," in Francis Frascina and Charles Harrison, editors, Modern Art and Modernism, pp. 75-8 (New York: Museum of Modern Art, 1982).
33. Bennett, Joan. Virginia Woolf, 2nd edn (Cambridge: Cambridge University Press, 1964).
34. Bercovitch, Sacvan, editor. The Cambridge History of American Literature, Vol. 8 (Cambridge: Cambridge University Press, 1996).
35. Berger, John. The Success and Failure of Picasso (New York: Vintage Books, 1989).
36. Bishop, Elizabeth. One Art (New York: Farrar, Straus, Giroux, 1994).
37. Blistène, B., and L. Dennison Rendezvous (New York: Guggenheim Museum, 1998).
38. Bloom, Harold, editor. Arthur Rimbaud (New York: Chelsea House Publishers, 1988).
39. Bloom, Harold. Genius (New York: Warner Books, 2002).
40. Blotkamp, Carel. Mondrian: The Art of Destruction (New York: Harry N. Abrams, 1995).
41. Bockris, Victor. Warhol (New York: Da Capo Press, 1997).
42. Bogdanovich, Peter. John Ford (Berkeley, CA: University of California Press, 1978).
43. Boime, Albert. "Manet's A Bar at the Folies-Bergère as an Allegory of Nostalgia," in Bradford R. Collins, editor, 12 Views of Manet's Bar (Princeton, NJ: Princeton University Press, 1996).
44. Bois, Y. Painting as Model (Cambridge, MA: MIT Press, 1990).
45. Bowness, Alan. Modern European Art (London: Thames and Hudson, 1972a).
46. Bowness, Alan. Courbet's L'Atelier du Peintre (Newcastle: University of Newcastle upon Tyne, 1972b).
47. Bowness, Alan. The Conditions of Success: How the Modern Artist Rises to Fame (New York: Thames and Hudson, 1990).
48. Branch, Watson, editor. Melville: The Critical Heritage (London: Routledge and Kegan Paul, 1974).
49. Brassaï. Conversations with Picasso (Chicago, IL: University of Chicago Press, 1999).
50. Brereton, Geoffrey. An Introduction to the French Poets (London: Methuen, 1965).
51. Breslin, James E. B. Mark Rothko (Chicago, IL: University of Chicago Press, 1993).
52. Britsch, R. A. and T. A. Britsch. The Arts in Western Culture (Englewood Cliffs, NJ: Prentice-Hall, 1984).
53. Britt, D., editor. Modern Art (New York: Thames and Hudson, 1999).
54. Broude, Norma, editor. Seurat in Perspective (Englewood Cliffs, NJ: Prentice-Hall, 1978).
55. Broude, Norma. Impressionism: A Feminist Reading (New York: Rizzoli, 1991).
56. Bruccoli, Matthew, editor. F. Scott Fitzgerald: A Life in Letters (New York: Charles Scribner's Sons, 1994).
57. Buchloh, Benjamin H. D. "Andy Warhol's One-Dimensional Art: 1956-1966," in Kynaston McShine, editor, Andy Warhol: A Retrospective (New York: Museum of Modern Art, 1989).
58. Budgen, Frank. James Joyce and the Making of Ulysses (Bloomington, IN: Indiana University Press, 1960).
59. Burollet, Thérèse. "Pompier Art," in Alexander V. J. Gaudieri et al., William Bouguereau (Montreal: Montreal Museum of Fine Arts, 1984).
60. Butt, John, and Kathleen Tillotson. Dickens at Work (London: Methuen, 1968).
61. Cabanne, Pierre. Pablo Picasso (New York: William Morrow, 1977).
62. Cabanne, Pierre. Dialogues with Marcel Duchamp (New York: Da Capo Press, 1987).
63. Canaday, J. Culture Gulch (New York: Farrar, Straus and Giroux, 1969).
64. Canaday, J. Mainstreams of Modern Art, 2nd edn (Fort Worth, TX: Harcourt Brace Jovanovich, 1981).
65. Carmean, E. A. and Eliza E. Rathbone. American Art at Mid-Century (Washington, DC: National Gallery of Art, 1978).
66. Carpenter, Humphrey. A Serious Character: The Life of Ezra Pound (Boston, MA: Houghton Mifflin, 1988).
67. Case, W. "Pink Water, White Salt Crystals, Black Boulders, and the Return of Spiral Jetty." Utah Geological Survey Notes 35:1 (2003).
68. Castelli, Leo. Jasper Johns: 35 Years (New York: Harry N. Abrams, 1993).
69. Charlet, N. Yves Klein (Paris: Société nouvelle Adam Biro, 2000).
70. Charvet, P. E. A Literary History of France, Vol. 5 (London: Ernest Benn, 1967).
71. Chave, Anna C. Mark Rothko (New Haven, CT: Yale University Press, 1989).
72. Chicago, J. The Dinner Party (Garden City, KS: Anchor Books, 1979).
73. Chicago, J. Beyond the Flower (New York: Penguin Books, 1996).
74. Chipp, Herschel B. Theories of Modern Art: A Source Book by Artists and Critics (Berkeley, CA: University of California Press, 1969).
75. Chu, Petra ten-Doesschate, editor. Letters of Gustave Courbet (Chicago, IL: University of Chicago Press, 1992).
76. Claridge, Henry, editor. F. Scott Fitzgerald: Critical Assessments, 4 vols (Mountfield: Helm Information, 1991).
77. Cleaver, D. G. Art: An Introduction, 2nd edn (New York: Harcourt Brace Jovanovich, 1972).
78. Coen, Ester. Umberto Boccioni (New York: Metropolitan Museum of Art, 1988).
79. Cohn, Robert. The Poetry of Rimbaud (Princeton, NJ: Princeton University Press, 1973).
80. Collins, Philip, editor. Dickens: The Critical Heritage (London: Routledge and Kegan Paul, 1971).
81. Conrad, Joseph. The Nigger of the Narcissus (Garden City, KS: Doubleday, 1914).
82. Conrad, Joseph. Under Western Eyes (New York: New Directions, 1958).
83. Cooper, Douglas. The Cubist Epoch (London: Phaidon Press, 1971).
84. Cooper, Harry and Ron Spronk. Mondrian: The Transatlantic Paintings (New Haven, CT: Yale University Press, 2001).
85. Coplans, John. Provocations (London: London Projects, 1996).
86. Cornell, S. Art: A History of Changing Style (Englewood Cliffs, NJ: Prentice-Hall, 1983).
87. Cottington, David. "What the Papers Say: Politics and Ideology in Picasso's Collages of 1912," Art Journal 47:4, 353-3 (1988).
88. Courbet, Gustave. Letters of Gustave Courbet (Chicago, IL: University of Chicago Press, 1992).
89. Courthion, Pierre. Le Visage de Matisse (Lausanne: Jean Marguerat, 1942).
90. Cowley, Malcolm. Exile's Return (New York: Viking Press, 1951).
91. Cox, R. G., editor. Thomas Hardy: The Critical Heritage (London: Routledge and Kegan Paul, 1970).
92. Croix, H. de la and R. G. Tansey. Gardner's Art Through the Ages, 6th edn (New York: Harcourt Brace Jovanovich, 1975).
93. Crone, Rainer. "Form and Ideology," in Gary Garrels, editor, The Work of Andy Warhol (New York: Dia Art Foundation, 1989).
94. Cushman, Keith. D. H. Lawrence at Work (Charlottesville, VA: University Press of Virginia, 1978).
95. Dagen, P. L'Art Français: Le XXe Siècle (Paris: Flammarion, 1998).
96. Daix, Pierre. Picasso (New York: Harper Collins, 1994).
97. Danto, A. C. Embodied Meanings (New York: Farrar, Straus and Giroux, 1994).
98. Dawtrey, L., Y. Jackson, M. Masterson, P. Meecham and P. Wood, editors. Investigating Modern Art (New Haven, CT: Yale University Press, 1996).
99. de Duve, Thierry. Kant after Duchamp (Cambridge, MA: MIT Press, 1996).
100. de Kooning, E. The Spirit of Abstract Expressionism (New York: George Braziller, 1994).
101. de la Barre, Madeleine, Sophie Docclo and Victor Ginsburgh. "Returns of Impressionist, Modern, and Contemporary European Paintings, 1962-1991," Annales d'Economie et de Statistique, 3, 143-81 (1995).
102. De Voto, Bernard. Mark Twain at Work (Cambridge, MA: Harvard University Press, 1942).
103. Deming, Robert, editor. James Joyce: The Critical Heritage, 2 vols (New York: Barnes and Noble, 1970).
104. Dempsey, A. Art in the Modern Era (New York: Harry N. Abrams, 2002).
105. Denis, M. 1910. "Cézanne," reprinted in F. Frascina and C. Harrison, editors. Modern Art and Modernism (New York: Harper and Row, 1982).
106. Dickey, James. Babel to Byzantium: Poets and Poetry Now (New York: Farrar, Straus and Giroux, 1968).
107. Doran, Michael. Conversations with Cézanne (Berkeley, CA: University of California Press, 2001).
108. Doran, P. M. editor. Conversations avec Cézanne (Paris: Macula, 1978).
109. Dostoevsky, Anna. Dostoevsky (New York: Liveright, 1975).
110. Dostoevsky, Fyodor. Letters of Fyodor Michailovitch Dostoevsky (New York: Horizon Press, 1961).
111. Dove, Rita, editor. The Best American Poetry, 2000 (New York: Scribner, 2000).
112. Doyle, Charles, editor. Wallace Stevens (London: Routledge and Kegan Paul, 1985).
113. Doyno, Victor. Writing Huck Finn: Mark Twain's Creative Process (Philadelphia, PA: University of Pennsylvania Press, 1991).
114. Drabble, Margaret, editor. The Oxford Companion to English Literature (Oxford: Oxford University Press, 1998).
115. Draper, R. P., editor. D. H. Lawrence: The Critical Heritage (London: Routledge and Kegan Paul, 1970).
116. Duchamp, M. The Writings of Marcel Duchamp (New York: Da Capo Press, 1989).
117. Duff, Christina. "In Payscales, Life Sometimes Imitates Art," Wall Street Journal, May 22, p. B1 (1998).
118. Duret, T. Manet and the Impressionists (Philadelphia, PA: J. B. Lippincott, 1910).
119. Edel, Leon, editor. Henry James (Englewood Cliffs, NJ: Prentice-Hall, 1963).
120. Egan, Michael, editor. Ibsen: The Critical Heritage (London: Routledge and Kegan Paul, 1972).
121. Eliot, T. S. Selected Prose of T. S. Eliot (New York: Harcourt Brace Jovanovich, 1975).
122. Eliot, Valerie, editor. The Letters of T. S. Eliot, Vol. 1 (London: Faber and Faber, 1988).
123. Ellison, Ralph. Going to the Territory (New York: Random House, 1986).
124. Elsen, Albert. Rodin (New York: Museum of Modern Art, 1963).
125. Elsen, Albert. Auguste Rodin: Readings on His Life and Work (Englewood Cliffs, NJ: Prentice-Hall, 1965).
126. Elsen, Albert. Origins of Modern Sculpture (New York: George Braziller, 1974).
127. Emerson, Victor. Mark Twain (Philadelphia, PA: University of Pennsylvania Press, 2000).
128. Esslin, Martin. The Theatre of the Absurd, 3rd edn (London: Penguin Books).
129. Feldstein, Martin, editor. The Economics of Art Museums (Chicago, IL: University of Chicago Press, 1991).
130. Fell, John. Film (New York: Praeger, 1975).
131. Fer, B. Introduction, in Francis Frascina et al., Modernity and Modernism, pp. 3-49 (New Haven, CT: Yale University Press, 1993).
132. Fineberg, J. Art Since 1940, 2nd edn (New York: Harry N. Abrams, 2000).
133. Fisher, Philip. Making and Effacing Art (Cambridge, MA: Harvard University Press, 1997).
134. Fitzgerald, F. Scott. The Crack-Up (New York: New Directions, 1945).
135. Fjelde, Rolf, editor. Ibsen (Englewood Cliffs, NJ: Prentice-Hall, 1965).
136. Flam, Jack. Matisse on Art, revised edn (Berkeley, CA: University of California Press, 1995).
137. Ford, George and Lauriat Lane, editors. The Dickens Critics (Westport, CT: Greenwood Press, 1972).
138. Ford, John. Interviews (Jackson, MS: University Press of Mississippi, 2001).
139. Fowlie, Wallace. Rimbaud (Chicago, IL: University of Chicago Press, 1965).
140. Franzke, A. Dubuffet (New York: Harry N. Abrams, 1981).
141. Frascina, F., N. Blake, B. Fer, T. Garb and C. Harrison. Modernity and Modernism (New Haven, CT: Yale University Press, 1993).
142. Freeman, J. Art: A Crash Course (New York: Watson-Guptill, 1998).
143. Frey, Bruno S. "Superstar Museums: An Economic Analysis," Journal of Cultural Economics, 22:2-3 (1988).
144. Fried, Michael. Art and Objecthood (Chicago, IL: University of Chicago Press, 1998).
145. Friedman, B. H. Jackson Pollock (New York: Da Capo Press, 1995).
146. Frohock, W. M. Rimbaud's Poetic Practice (Cambridge, MA: Harvard University Press, 1963).
147. Fry, R. Last Lectures (Boston, MA: Beacon Press, 1962).
148. Fry, R. Cézanne (Chicago, IL: University of Chicago Press, 1989).
149. Galenson, David W. "The Careers of Modern Artists." Journal of Cultural Economics 24:2, 87-112 (2000).
150. Galenson, David W. Painting outside the Lines: Patterns of Creativity in Modern Art (Cambridge, MA: Harvard University Press, 2001).
151. Galenson, David W. "The Methods and Careers of Leading American Painters in the Late Nineteenth Century" (Unpublished paper, University of Chicago, 2002).
152. Galenson, David W. "Before Abstract Expressionism: Ranking American Painters and Paintings of the Early Twentieth Century" (Unpublished paper, University of Chicago 2003).
153. Galenson, David W. "Toward Abstraction: Ranking European Painters and Paintings of the Early Twentieth Century" (Unpublished paper, University of Chicago, 2004a).
154. Galenson, David W. "Ranking Modern Sculptors and Sculptures" (Unpublished paper, University of Chicago, 2004b).
155. Galenson, David W. and Robert Jensen. "Young Geniuses and Old Masters: The Life Cycles of Great Artists from Masaccio to Jasper Johns" (NBER Working Paper 8368. Cambridge, MA: NBER, 2001).
156. Galenson, David W. and B. A. Weinberg. "Age and the Quality of Work: The Case of Modern American Painters." Journal of Political Economy 108:4, 761-77 (2000).
157. Galenson, David W. and B. A. Weinberg. "Creating Modern Art: The Changing Careers of Painters in France from Impressionism to Cubism." American Economic Review 91:4, 1063-71 (2001).
158. Gallagher, Tag. John Ford (Berkeley, CA: University of California Press, 1986).
159. Gallup, A., G. Gruitrooy and E. M. Weisberg. Great Paintings of the Western World (New York: Hugh Lauter Levin Associates, 1997).
160. Gard, Roger, editor. Henry James: The Critical Heritage (London: Routledge and Kegan Paul, 1968).
161. Gardner, Howard. Creating Minds (New York: Basic Books, 1993).
162. Garnett, Edward, editor. Letters from Joseph Conrad, 1895-1924 (Indianapolis, IN: Charter Books, 1962).
163. Gauguin, Paul. The Writings of a Savage (New York: Da Capo Press, 1996).
164. Gebhardt, V. The History of Art (New York: Barron's Educational Series, 1998).
165. Geldzahler, Henry. Making It New (San Diego, CA: Harcourt Brace, 1994).
166. Gelernter, Mark. A History of American Architecture (Hanover, NH: University Press of New England, 1999).
167. Gersh-Nesic, Beth. The Early Criticism of André Salmon (New York: Garland, 1991).
168. Gibson, James. Thomas Hardy (New York: St Martin's Press, 1996).
169. Gill, Brendan. Many Masks: A Life of Frank Lloyd Wright (New York: G. P. Putnam's Sons, 1987).
170. Gilot, F. and Lake, C. Life with Picasso (New York: Doubleday, 1964).
171. Giry, Marcel. Fauvism: Origins and Development (New York: Alpine Fine Arts, 1982).
172. Goldberger, Paul. "Memories." The New Yorker. December 8, p. 50 (2003).
173. Goldensohn, Lorrie. Elizabeth Bishop (New York: Columbia University Press, 1992).
174. Golding, J. Cubism, 3rd edn (Cambridge, MA: Harvard University Press, 1988).
175. Golding, John. Boccioni's "Unique Forms of Continuity in Space" (Newcastle: University of Newcastle upon Tyne, 1972).
176. Golding, John. Paths to the Absolute (Princeton, NJ: Princeton University Press, 2000).
177. Golding, Robert. Idiolects in Dickens (New York: St Martin's Press, 1985).
178. Gombrich, E. H. The Story of Art, 14th edn (Englewood Cliffs, NJ: Prentice-Hall, 1985).
179. Gordan, John. Joseph Conrad (New York: Russell and Russell, 1963).
180. Gordon, Lyndall. T. S. Eliot (New York: W. W. Norton, 1998).
181. Gottesman, Ronald, editor. Focus on Citizen Kane (Englewood Cliffs, NJ: Prentice-Hall, 1971).
182. Gray, Richard. American Poetry of the Twentieth Century (London: Longman, 1990).
183. Greenberg, Clement. The Collected Essays and Criticism, Vol. 1 (Chicago, IL: University of Chicago Press, 1986a).
184. Greenberg, Clement. The Collected Essays and Criticism, Vol. 2 (Chicago, IL: University of Chicago Press, 1986b).
185. Greenberg, Clement. The Collected Essays and Criticism, Vol. 4 (Chicago, IL: University of Chicago Press, 1993).
186. Gregory, Horace. Pilgrim of the Apocalypse (New York: Viking Press, 1933).
187. Gruen, John. The Artist Observed (Chicago, IL: A Capella Books, 1991).
188. Grunfeld, Frederic. Rodin (New York: Henry Holt, 1987).
189. Guerard, Albert. Thomas Hardy (Norfolk, VA: New Directions, 1964).
190. Guérin, Marcel, editor. Lettres de Degas (Paris: Bernard Grasset, 1931).
191. Guilbaut, S. How New York Stole the Idea of Modern Art (Chicago, IL: University of Chicago Press, 1983).
192. Gwynn, Frederick and Joseph Blottner, editors. Faulkner in the University (Charlottesville, VA: University Press of Virginia, 1995).
193. Haftmann, Werner. Painting in the Twentieth Century (New York: Frederick A. Praeger, 1965).
194. Hall, Donald. The Weather for Poetry (Ann Arbor, MI: University of Michigan Press, 1982).
195. Hamilton, George Heard. Manet and his Critics (New Haven, CT: Yale University Press, 1954).
196. Hamilton, George Heard. Painting and Sculpture in Europe 1880-1940 (Harmondsworth: Penguin Books, 1967).
197. Hamilton, George Heard. 19th and 20th Century Art (New York: Abrams, 1970).
198. Hamilton, George Heard. Painting and Sculpture in Europe, 1880-1940 (Harmondsworth: Penguin, 1972).
199. Hamilton, Ian. Robert Lowell (New York: Random House, 1982).
200. Hanson, Anne Coffin. Manet and the Modern Tradition (New Haven, CT: Yale University Press, 1977).
201. Hardwick, Elizabeth. Seduction and Betrayal (New York: New York Review of Books, 2001).
202. Harrison, C. Modernism (Cambridge: Cambridge University Press, 1997).
203. Harrison, C., F. Frascina and G. Perry. Primitivism, Cubism, Abstraction (New Haven, CT: Yale University Press, 1993).
204. Hartt, F. Art, 3rd edn (Englewood Cliffs, NJ: Prentice-Hall, 1989).
205. Heaney, Seamus. Finders Keepers (New York: Farrar, Straus, Giroux, 2002).
206. Hearn, Michael, editor. The Annotated Huckleberry Finn (New York: W. W. Norton, 2001).
207. Herbert, J. D. "Privilege and the Illusion of the Real." in B. R. Collins, editor, 12 Views of Manet's Bar, pp. 214-32 (Princeton, NJ: Princeton University Press, 1996).
208. Herbert, Robert L. Georges Seurat, 1859-1891 (New York: Metropolitan Museum of Art, 1991).
209. Hess, Thomas B. Willem de Kooning (New York: Museum of Modern Art, 1968).
210. Hess, Thomas B. Barnett Newman (New York: Museum of Modern Art, 1971).
211. Hobbs, R. Robert Smithson (Ithaca, NY: Cornell University Press, 1981).
212. Hoffman, Frederick and Olga Vickery, editors. William Faulkner (East Lansing, MI: Michigan State University Press, 1960).
213. Holty, Carl. "Mondrian in New York: A Memoir." Arts 31:10, 17-21 (1957).
214. Homer, W. I. Seurat and the Science of Painting (Cambridge, MA: MIT Press, 1964).
215. Honour, H. and J. Fleming. A World History of Art (London: Macmillan, 1982).
216. Hopps, Walter and Susan Davidson. Robert Rauschenberg: A Retrospective (New York: Guggenheim Museum, 1997).
217. House, J. Monet: Nature Into Art (New Haven, CT: Yale University Press, 1986).
218. Hughes, R. The Shock of the New (New York: Knopf, 1982.
219. Hughes, R. Nothing If Not Critical (New York: Penguin, 1992).
220. Hughes, Ted. Winter Pollen (New York: Picador, 1994).
221. Hunter, S. and J. Jacobus. History of Modern Art, 3rd edn (Englewood Cliffs, NJ: Prentice-Hall, 1992).
222. Isaacson, J. Claude Monet: Observation and Reflection (Oxford: Phaidon Press, 1978).
223. Jacobsen, Josephine. The Instant of Knowing (Ann Arbor, MI: University of Michigan Press, 1997).
224. James, Henry. The Novels and Tales of Henry James: New York Edition (New York: Charles Scribner's Sons, 1937).
225. James, Henry. The Painter's Eye (Madison, WI: University of Wisconsin Press, 1989).
226. Janis, Sidney. "On the Theme of the Exhibition," in Steven Henry Madoff, editor. Pop Art (Berkeley, CA: University of California Press, 1997).
227. Janson, H. W. History of Art, 2nd edn (Englewood Cliffs, NJ: Prentice-Hall, 1977).
228. Jarrell, Randall. No Other Book (New York: Harper Collins, 1999).
229. Jelliffe, Robert, editor. Faulkner at Nagano (Tokyo: Kenkyusha, 1956).
230. Jensen, Robert. Marketing Modernism in Fin-de-Siècle Europe (Princeton, NJ: Princeton University Press, 1994).
231. Johns, Jasper. Writings, Sketchbook Notes, Interviews (New York: Museum of Modern Art, 1996).
232. Jones, Caroline A. Machine in the Studio (Chicago, IL: University of Chicago Press, 1996).
233. Jones, J. "What did the Americans ever do for us?" Guardian Europe, June 4, Section G2, p. 5 (2002).
234. Joyce, James. Ulysses: A Critical and Synoptic Edition, Vol. 3 (New York: Garland, 1986).
235. Kael, Pauline. Raising Kane (London: Methuen, 2002).
236. Kalstone, David. Becoming a Poet (New York: Farrar, Straus, Giroux, 1989).
237. Karl, Frederick. Joseph Conrad (New York: Farrar, Straus and Giroux, 1979).
238. Karmel, Pepe, editor. Jackson Pollock (New York: Museum of Modern Art, 1999).
239. Kazin, Alfred. On Native Grounds (New York: Harcourt, Brace and World, 1942).
240. Kazin, Alfred. An American Procession (New York: Alfred A. Knopf, 1984).
241. Keller, Julia. "Painting by the Numbers," Chicago Tribune, April 25, section 5, p. 9 (2002).
242. Kendall, Richard, editor. Monet by Himself (New York: Knickerbocker Press, 1999).
243. Kenner, Hugh. Dublin's Joyce (Boston, MA: Beacon Press, 1962).
244. Kenner, Hugh. A Homemade World (Baltimore, MD: Johns Hopkins University Press, 1975).
245. Kenner, Hugh. The Poetry of Ezra Pound (Lincoln, NE: University of Nebraska Press, 1985).
246. Kermode, Frank, editor. Selected Prose of T. S. Eliot (New York: Farrar, Straus and Giroux, 1975).
247. Kettle, Arnold. An Introduction to the English Novel, Vol. 2 (London: Hutchinson University Library, 1953).
248. Kimmelman, M. "Out of the Deep." New York Times Magazine, October 13 (2002).
249. Kimmelman, Michael. Portraits (New York: Random House, 1998).
250. Klein, Y. "The Chelsea Hotel Manifesto," in G. Perlein and B. Cora (2000) Yves Klein: Long Live the Immaterial, pp. 85-8 (New York: Delano Greenidge Editions, 1961).
251. Kosuth, Joseph. Interviews, 1969-1989 (Stuttgart: Edition Patricia Schwartz, 1989).
252. Kosuth, Joseph. Art After Philosophy and After: Collected Writings, 1966-1990 (Cambridge, MA: MIT Press, 1991).
253. Kubler, George. The Shape of Time: Remarks on the History of Things (New Haven, CT: Yale University Press, 1962).
254. Kunitz, Stanley. A Kind of Order, A Kind of Folly (Boston, MA: Little, Brown, 1975).
255. Kuthy, S. Pierre Soulages (Berne: Musée des Beaux-Arts, 1999).
256. Lampert, Catherine. Rodin (London: Arts Council of Great Britain, 1986).
257. Lary, N. M. Dostoevsky and Dickens (London: Routledge and Kegan Paul, 1973).
258. Lawrence, D. H. Selected Literary Criticism (New York: Viking Press, 1956).
259. Leatherbarrow, W. J., editor. The Cambridge Companion to Dostoevsky (Cambridge: Cambridge University Press, 2002).
260. Leavis, F. R. D. H. Lawrence (Chicago, IL: University of Chicago Press, 1956).
261. Leavis, F. R. The Great Tradition (New York: New York University Press, 1969).
262. Lehman, David. "The All-Century Team." New York Times Book Review, September 17, p. 43 (2000).
263. Lehman, Harvey. Age and Achievement (Princeton, NJ: Princeton University Press, 1953).
264. Leiris, A. de. The Drawings of Edouard Manet (Berkeley, CA: University of California Press, 1969).
265. Lensing, George. Wallace Stevens (Baton Rouge, LA: Louisiana State University Press, 1986).
266. Letheve. Daily Life of French Artists in the Nineteenth Century (London: George Allen and Unwin, 1972).
267. Levine, Neil. The Architecture of Frank Lloyd Wright (Princeton, NJ: Princeton University Press, 1996).
268. Lin, Maya. Boundaries (New York: Simon and Schuster, 2000).
269. Litz, A. Walton. The Art of James Joyce (London: Oxford University Press, 1961).
270. Litz, A. Walton. James Joyce, revised edn (New York: Hippocrene Books, 1972).
271. Livingstone, M. David Hockney (New York: Thames and Hudson, 1996).
272. Lowell, Robert. Collected Prose (New York: Noonday Press, 1990).
273. Lubow, A. "An Author of a Certain Age," New York Times Magazine. August 15 (1999).
274. Lucas, F. L. The Drama of Ibsen and Strindberg (London: Cassell, 1962).
275. Lucie-Smith, E. A Concise History of French Painting (New York: Praeger, 1971).
276. Lynton, N. The Story of Modern Art (Ithaca, NY: Cornell University Press, 1980).
277. Lyons, Charles, editor. Critical Essays on Henrick Ibsen (Boston, MA: G. K. Hall, 1987).
278. McCabe, Susan. Elizabeth Bishop (University Park, PA: Pennsylvania State University Press, 1994).
279. McCully, Marilyn, editor. Picasso: The Early Years, 1892-1906 (Washington, DC: National Gallery of Art, 1997).
280. McFarlane, James, editor. The Cambridge Companion to Ibsen (Cambridge: Cambridge University Press, 1994).
281. McGrath, Charles. "The Vicissitudes of Literary Reputation." New York Times Magazine, June 15, pp. 52-5 (2003).
282. MacLeod, Glenn. Wallace Stevens and Modern Art (New Haven, CT: Yale University Press, 1993).
283. McWhirter, David, editor. Henry James's New York Edition (Stanford, CA: Stanford University Press, 1995).
284. Madoff, Steven Henry, editor. Pop Art (Berkeley, CA: University of California Press, 1997).
285. Magill, Frank, editor. Masterpieces of World Literature (New York: Harper Collins, 1989).
286. Mainardi, Patricia. Art and Politics of the Second Empire (New Haven, CT: Yale University Press, 1987).
287. Mainardi, Patricia. The End of the Salon: Art and the State in the Early Third Republic (Cambridge: Cambridge University Press, 1993).
288. Majumdar, Robin and Allen McLaurin, editors. Virginia Woolf: The Critical Heritage (London: Routledge and Kegan Paul, 1975).
289. Malraux, André. Picasso's Mask (New York: Holt, Rinehart, and Winston, 1976).
290. Mast, Gerald. A Short History of the Movies. 4th edn (New York: Macmillan, 1986).
291. Matthiessen, F. O. American Renaissance (London: Oxford University Press, 1941).
292. Meier-Graefe, Julius. Modern Art (London: William Heinemann, 1908.
293. Melville, Herman. Tales, Poems, and Other Writings (New York: Modern Library, 2002).
294. Mepham, John. Virginia Woolf: A Literary Life (London: Macmillan, 1991).
295. Messer, T. Jean Dubuffet (New York: Solomon R. Guggenheim Foundation, 1973).
296. Meyers, Jeffrey, editor. Hemingway: The Critical Heritage (London: Routledge and Kegan Paul, 1982).
297. Meyers, Jeffrey. Robert Frost (Boston, MA: Houghton Mifflin, 1996).
298. Meyers, Jeffrey. Hemingway (New York: Da Capo Press, 1999).
299. Miller, J. William. Modern Playwrights at Work, Vol. 1 (New York: Samuel French, 1968).
300. Miller, James. F. Scott Fitzgerald (New York: New York University Press, 1964).
301. Miller, James. Theory of Fiction: Henry James (Lincoln, NE: University of Nebraska Press, 1972).
302. Mizener, Arthur. The Far Side of Paradise: A Biography of F. Scott Fitzgerald (Cambridge: Riverside Press, 1951).
303. Mochulsky, Konstantin. Dostoevsky (Princeton, NJ: Princeton University Press, 1967).
304. Mondrian, Piet. The New Art - The New Life: The Collected Writings of Piet Mondrian (Boston, MA: G. K. Hall, 1986).
305. Monteiro, George. Conversations with Elizabeth Bishop (Jackson, MS: University of Mississippi, 1996).
306. Moore, George. Impressions and Opinions (New York: Brentano, 1913).
307. Moore, Harry, editor. The Collected Letters of D. H. Lawrence, 2 vols (New York: Viking Press, 1962).
308. Morson, Gary. Narrative and Freedom (New Haven, CT: Yale University Press, 1994).
309. Moulin, R. The French Art Market: A Sociological View (New Brunswick, NJ: Rutgers University Press, 1987).
310. Mudrick, Marvin, editor. Conrad (Englewood Cliffs, NJ: Prentice-Hall, 1966).
311. Munro, Eleanor. Originals (New York: Da Capo Press, 2000).
312. Neider, Charles, editor. The Autobiography of Mark Twain (New York: Harper and Row, 1959).
313. Newman, Barnett. Selected Writings and Interviews (Berkeley, CA: University of California Press, 1992).
314. Nichols, Bill, editor. Movies and Methods (Berkeley, CA: University of California Press, 1976).
315. Nochlin, Linda, editor. Impressionism and Post-Impressionism, 1874-1904: Sources and Documents (Englewood Cliffs, NJ: Prentice-Hall, 1966).
316. Novotny, F. Painting and Sculpture in Europe, 1780 to 1880, 2nd edn (Harmondsworth: Penguin, 1970).
317. O'Brian, John. Ruthless Hedonism: The American Reception of Matisse (Chicago, IL: University of Chicago Press, 1999).
318. O'Brian, P. Pablo Ruiz Picasso (New York: W. W. Norton, 1994).
319. O'Brien, Edna. James Joyce (New York: Penguin, 1999).
320. Orel, Harold, editor. Thomas Hardy's Personal Writings (Lawrence, KS: University of Kansas Press, 1966).
321. Ousby, Ian, editor. The Cambridge Guide to Literature in English (Cambridge: Cambridge University Press, 1988).
322. Parker, Hershel. Herman Melville. Vol. 1 (Baltimore, MD: Johns Hopkins University Press, 1996).
323. Penrose, Roland. Picasso (New York: Harper, 1959).
324. Perkins, David. A History of Modern Poetry: From the 1890s to the High Modernist Mode (Cambridge, MA: Harvard University Press, 1976).
325. Perkins, David. A History of Modern Poetry: Modernism and After (Cambridge, MA: Harvard University Press, 1987).
326. Perloff, Marjorie. The Dance of the Intellect (Cambridge: Cambridge University Press, 1985).
327. Perloff, Marjorie. The Futurist Moment (Chicago, IL: University of Chicago Press, 1986).
328. Perloff, Marjorie. The Poetics of Indeterminacy: Rimbaud to Cage (Evanston, IL: Northwestern University Press, 1999).
329. Plath, Sylvia. Ariel (New York: Harper Collins., 1975a).
330. Plath, Sylvia. Letters Home (New York: Harper and Row, 1975b).
331. Reff, T. "Painting and Theory in the Final Decade," in W. Rubin, editor, Cézanne: The Late Work (New York: Museum of Modern Art, 1977a, pp. 13-54).
332. Reff, T. Manet: Olympia (New York: Viking Press, 1977b).
333. Rewald, John. Georges Seurat (New York: Wittenborn, 1943).
334. Rewald, John. Post-Impressionism (New York: Museum of Modern Art, 1956).
335. Rewald, John. The History of Impressionism, revised edn (New York: Museum of Modern Art, 1961).
336. Rewald, John. editor. Paul Cézanne Letters (New York: Da Capo Press, 1995a).
337. Rewald, John. editor. Camille Pissarro: Letters to his Son Lucien (New York: Da Capo Press, 1995b).
338. Reynolds, Michael. Hemingway's First War (Princeton, NJ: Princeton University Press, 1976).
339. Richardson, John. A Life of Picasso, Volume 1: The Early Years, 1881-1906 (New York: Random House, 1991).
340. Richardson, John. A Life of Picasso, Volume 2: 1907-1917 (New York: Random House, 1996).
341. Riley, Terence. Frank Lloyd Wright (New York: Museum of Modern Art, 1994).
342. Roberts, Neil. A Companion to Twentieth-Century Poetry (Oxford: Blackwell, 2001).
343. Robins, C. The Pluralist Era (New York: Harper and Row, 1984).
344. Robson, Deirdre. "The Avant-Garde and the On-Guard: Some Influences on the Potential Market for the First Generation Abstract Expressionists in the 1940s and Early 1950s," Art Journal 47: 3, 217-20 (1988).
345. Rodin, Auguste. Rodin on Art and Artists (New York: Dover Publications, 1983).
346. Rogers, Franklin, editor. Mark Twain's Satires and Burlesques (Berkeley, CA: University of California Press, 1968).
347. Rosand, David. "Style and the Aging Artist," Art Journal 46:2 (1987).
348. Rosenberg, Harold. The De-Definition of Art (Chicago, IL: University of Chicago Press, 1972).
349. Rosenberg, Harold. The Case of the Baffled Radical (Chicago, IL: University of Chicago Press, 1985).
350. Rosenberg, Harold. The Tradition of the New (New York: Da Capo Press, 1994).
351. Roskill, Mark. Van Gogh, Gauguin, and the Impressionist Circle (Greenwich, CT: New York Graphic Society, 1970).
352. Ross, Clifford, editor. Abstract Expressionism: Creators and Critics (New York: Harry N. Abrams, 1990).
353. Rotella, Guy. Critical Essays on E. E. Cummings (Boston, MA: G. K. Hall, 1984).
354. Rouart, Denis. Edouard Manet (Paris: Flammarion, 1970).
355. Rowell, Margit, editor. Joan Miró: Selected Writings and Interviews (New York: Da Capo Press, 1992).
356. Rubin, William S. Frank Stella (New York: Museum of Modern Art, 1970).
357. Rubin, William, Hélène Seckel and Judith Cousins. Les Demoiselles d'Avignon (New York: Museum of Modern Art, 1994).
358. Ruland, Richard and Malcolm Bradbury. From Puritanism to Postmodernism (New York: Viking, 1991).
359. Ruskin, A. History in Art (New York: Franklin Watts, 1974).
360. Russell, J. The Meanings of Modern Art (New York: Museum of Modern Art, 1981).
361. Russell, J. Matisse: Father and Son (New York: Harry N. Abrams, 1999).
362. Sackler, E., editor. Judy Chicago (New York: Watson-Guptill, 2002).
363. Sandler, I. The Triumph of American Painting (New York: Praeger, 1970).
364. Sandler, I. American Art of the 1960s (New York: Harper and Row, 1988).
365. Sandler, I. Art of the Postmodern Era (New York: Harper Collins, 1996).
366. Sanouillet, M. and E. Petersen, editors.The Writings of Marcel Duchamp (New York: Da Capo Press, 1989).
367. Sarris, Andrew. The American Cinema (New York: E. P. Dutton, 1968).
368. Sarris, Andrew. The John Ford Movie Mystery (London: Secker and Warburg, 1976).
369. Schapiro, Meyer. Paul Cézanne (New York: Abrams, 1952).
370. Schapiro, Meyer. Modern Art (New York: George Braziller, 1968).
371. Schapiro, Meyer. Modern Art: 19th and 20th Centuries (New York: George Braziller, 1979).
372. Schapiro, Meyer. Impressionism (New York: George Braziller, 1997).
373. Schapiro, Meyer. The Unity of Picasso's Art (New York: George Braziller, 2000).
374. Schjeldahl, P. The "7 Days" Art Columns (Great Barrington: The Figures, 1990).
375. Schmidt, Michael. Lives of the Poets (New York: Alfred A. Knop, 1999).
376. Schneider, Pierre. The World of Manet (New York: Time-Life Books, 1968).
377. Schwartz, Lloyd and Sybil Estess, editors. Elizabeth Bishop and Her Art (Ann Arbor, MI: University of Michigan Press, 1983).
378. Scully, Vincent. Frank Lloyd Wright (New York: George Braziller, 1960).
379. Sealts, Merton. Melville's Reading (Columbia, SC: University of South Carolina Press, 1988).
380. Seiberling, G. Monet's Series (New York: Garland, 1980).
381. Seitz, William C. "Abstract-Expressionist Painting in America" (PhD dissertation, Princeton University, 1955).
382. Selz, P. The Work of Jean Dubuffet (New York: Museum of Modern Art, 1962).
383. Semin, D. Martial Raysse (Paris: Editions du Jeu de Paume, 1992).
384. Senie, H. The Tilted Arc Controversy (Minneapolis, MN: University of Minnesota Press, 2002).
385. Serafin, Steven, editor. The Continuum Encyclopedia of American Literature (New York: Continuum, 1999).
386. Serra, R. Writings, Interviews (Chicago, IL: University of Chicago Press, 1994).
387. Seuphor, Michel. Piet Mondrian: Life and Work (New York: Harry N. Abrams, 1956).
388. Shapiro, David and Cecile Shapiro, editors. Abstract Expressionism (Cambridge: Cambridge University Press, 1990).
389. Shapiro, G. Earthwards (Berkeley, CA: University of California Press, 1995).
390. Shattuck, Roger. The Banquet Years (New York: Harcourt, Brace, 1958).
391. Sherry, Norman, editor. Conrad: The Critical Heritage (London: Routledge and Kegan Paul, 1973).
392. Shiff, R. Cézanne and the End of Impressionism (Chicago, IL: University of Chicago Press, 1984).
393. Shucard, Alan, Fred Moramarco and William Sullivan. Modern American Poetry (Boston, MA: Twayne, 1989).
394. Signac, P. "From Eugène Delacroix to Neo-Impressionism." in F. Ratliff, editor, Paul Signac and Color in Neo-Impressionism (New York: Rockefeller University Press, 1992.
395. Silver, L. Art in History (New York: Abbeville Press, 1993).
396. Simonton, Dean Keith. Scientific Genius (Cambridge: Cambridge University Press, 1988).
397. Simonton, Dean Keith. Greatness: Who Makes History and Why (New York: Guilford Press, 1994).
398. Sklar, Robert. F. Scott Fitzgerald (New York: Oxford University Press, 1967).
399. Sklar, Robert. Film (New York: Harry N. Abrams, 1993).
400. Slatoff, Walter. Quest for Failure (Ithaca, NY: Cornell University Press, 1960).
401. Smith, Grahame. Charles Dickens (New York: St Martin's Press, 1996).
402. Smith, Henry Nash. Mark Twain (Cambridge, MA: Harvard University Press, 1962).
403. Smithson, R. Robert Smithson: The Collected Writings (Berkeley, CA: University of California Press, 1996).
404. Spencer, H. The Image Maker: Man and His Art (New York: Charles Scribner's Sons, 1975).
405. Spender, M. From a High Place (New York: Knopf, 1999).
406. Spender, Stephen. The Making of a Poem (London: Hamish Hamilton, 1955).
407. Spurling, Hilary. The Unknown Matisse (New York: Alfred A. Knopf, 1998).
408. Starkie, Enid. Arthur Rimbaud (New York: W. W. Norton, 1939).
409. Stauffer, Donald B. A Short History of American Poetry (New York: E. P. Dutton, 1974).
410. Steinberg, L. Other Criteria (London: Oxford University Press, 1972).
411. Stevens, Holly. Letters of Wallace Stevens (New York: Alfred A. Knopf, 1972).
412. Stevens, Wallace. The Necessary Angel: Essays on Reality and the Imagination (New York: Vintage Books, 1965).
413. Stevens, Wallace. Opus Posthumous (New York: Alfred A. Knopf, 1966).
414. Stevens, Wallace. Collected Poetry and Prose (New York: Library of America, 1997).
415. Stich, S. Yves Klein (Stuttgart: Cantz Verlag, 1994).
416. Stillman, Linda. Alfred Jarry (Boston, MA: Twayne, 1983).
417. Stokstad, M. Art History (New York: Harry N. Abrams, 1995).
418. Stokstad, M. and M. S. Grayson. Art History (New York: Harry N. Abrams, 1995).
419. Stone, Harry, editor. Dickens' Working Notes for His Novels (Chicago, IL: University of Chicago Press, 1987).
420. Strickland, C. and J. Boswell. The Annotated Mona Lisa (Kansas City, MO: Andrews and McMeel, 1992).
421. Stuckey, Charles F. "Warhol in Context," in Gary Garrels, editor, The Work of Andy Warhol (Seattle, WA: Bay Press, 1989).
422. Sweetman, David. Paul Gauguin (New York: Simon and Schuster, 1995).
423. Sylvester, David. About Modern Art (New York: Henry Holt, 1997).
424. Sylvester, David. Interviews with American Artists (New Haven, CT: Yale University Press, 2001).
425. Tafel, Edgar. Apprentice to Genius (New York: McGraw-Hill, 1979).
426. Taylor, Joshua. Futurism (New York: Museum of Modern Art, 1961).
427. Templeton, Joan. Ibsen's Women (Cambridge: Cambridge University Press, 1997).
428. Tennant, P. F. D. Ibsen's Dramatic Technique (New York: Humanities Press, 1965).
429. Terenzio, Stephanie, editor. The Collected Writings of Robert Motherwell (New York: Oxford University Press, 1992).
430. Thompson, Lawrance. Fire and Ice (New York: Russell and Russell, 1961).
431. Toker, Franklin. Fallingwater Rising: Frank Lloyd Wright, E. J. Kaufmann, and America's Most Extraordinary House (New York: Alfred A. Knopf, 2003).
432. Tomkins, Calvin. The Bride and the Bachelors: The Heretical Courtship in Modern Art (New York: Viking Press, 1965).
433. Tomkins, Calvin. The Bride and the Bachelors (New York: Viking Press, 1968).
434. Tomkins, Calvin. Off the Wall: Robert Rauschenberg and the Art World of Our Time (New York: Penguin Books, 1981).
435. Tomkins, Calvin. Post- to Neo-: The Art World of the 1980s (New York: Penguin, 1988).
436. Tomkins, Calvin. Duchamp (New York: Henry Holt, 1996).
437. Tomkins, Calvin. "Man of Steel." New Yorker, August 5, 52-63 (2002).
438. Tomlinson, Charles, editor. Marianne Moore (Englewood Cliffs, NJ: Prentice-Hall, 1969).
439. Trilling, Lionel. The Liberal Imagination (New York: Viking Press, 1951).
440. Trilling, Lionel. The Last Decade (New York: Harcourt Brace Jovanovich, 1979).
441. Truffaut, François. The Films in My Life (New York: Da Capo Press, 1994).
442. Tucker, P. H. Monet in the '90s: The Series Paintings (Boston, MA: Museum of Fine Arts, 1989).
443. Turnbull, Andrew. The Letters of F. Scott Fitzgerald (New York: Charles Scribner's Sons, 1963).
444. Valéry, Paul. Degas, Manet, Morisot (Princeton, NJ: Princeton University Press, 1989).
445. van Gogh, V. The Complete Letters of Vincent van Gogh, Vol. 3 (London: Thames and Hudson, 1958).
446. Varnedoe, K. Cy Twombly (New York: Museum of Modern Art, 1994).
447. Varnedoe, Kirk. Jasper Johns: A Retrospective (New York: Museum of Modern Art, 1996).
448. Varnedoe, Kirk. Jackson Pollock (New York: Museum of Modern Art, 1998).
449. Veblen, T. The Theory of the Leisure Class (Harmondsworth: Penguin Books, 1994).
450. Vendler, Helen. Coming of Age as a Poet (Cambridge, MA: Harvard University Press, 2003).
451. Vincent, Howard. The Trying-Out of Moby-Dick (Boston, MA: Houghton Mifflin, 1949).
452. Vollard, A. Recollections of a Picture Dealer (Boston, MA: Little, Brown, 1936).
453. Vollard, Ambroise. Degas (New York: Dover, 1984a).
454. Vollard, Ambroise. Cézanne (New York: Dover, 1984b).
455. Waggoner, Hyatt. American Poets, revised edn (Baton Rouge, LA: Louisiana State University Press, 1984).
456. Wagner, Linda. "Ernest Hemingway, F. Scott Fitzgerald, and Gertrude Stein," in Emory Elliott, editor, Columbia Literary History of the United States, pp. 873-86 (New York: Columbia University Press, 1988a).
457. Wagner, Linda. Sylvia Plath (London: Routledge, 1988b).
458. Ward, Martha. Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde (Chicago, IL: University of Chicago Press, 1996).
459. Warren, Robert Penn, editor. Faulkner (Englewood Cliffs, NJ: Prentice-Hall, 1966).
460. Wasiolek, Edward. The Brothers Karamazov and the Critics (Belmont, CA: Wadsworth, 1967).
461. Weinberg, Bernard. The Limits of Symbolism (Chicago, IL: University of Chicago Press, 1966).
462. Weitemeier, H. Klein (Cologne: Taschen, 2001).
463. Welles, Orson. Interviews (Jackson, MS: University Press of Mississippi, 2002).
464. Welles, Orson and Peter Bogdanovich. This is Orson Welles (New York: Harper Collins, 1992).
465. Wheeler, D. Art Since Mid-Century (Englewood Cliffs, NJ: Prentice-Hall, 1991).
466. Whistler, J. A. M. The Gentle Art of Making Enemies (New York: G. P. Putman's Sons, 1922).
467. White, H. C. and C. A. White. Canvases and Careers: Institutional Change in the French Painting World (New York: Wiley, 1965).
468. Wildenstein, Daniel. Monet, or the Triumph of Impressionism (Cologne: Taschen, 1996).
469. Wilkins, D., B. Schultz and K. Linduff. Art Past, Art Present (New York: Abrams, 1997).
470. Williams, William Carlos. The Autobiography of William Carlos Williams (New York: Random House, 1951).
471. Williams, William Carlos. Selected Essays of William Carlos Williams (New York: Random House, 1954).
472. Wilson, Edmund. The Shores of Light (New York: Farrar, Straus, and Young, 1952).
473. Wilson, Edmund. Axel's Castle (New York: W. W. Norton, 1959/1984).
474. Wittkower, Rudolf. Sculpture: Processes and Principles (New York: Harper and Row, 1977).
475. Wood, M., B. Cole and A. Gealt. Art of the Western World (New York: Simon and Schuster, 1989).
476. Woolf, Leonard, editor. A Writer's Diary (San Diego, CA: Harcourt Brace, 1982).
477. Woolf, Virginia. Collected Essays. 4 vols (New York: Harcourt Brace and World, 1925).
478. Woolf, Virginia. Mrs. Dalloway (New York: Modern Library, 1928).
479. Woolf, Virginia. Moments of Being (New York: Harcourt Brace Jovanovich, 1976).
480. Woolford, John and Daniel Karlin. Robert Browning (London: Longman, 1996).
481. Young, Philip. Ernest Hemingway: A Reconsideration (University Park, PA: Pennsylvania State University Press, 1966).
482. Zola, Emile. "Edouard Manet," in Francis Frascina and Charles Harrison, editors. Modern Art and Modernism: A Critical Anthology (New York: Harper and Row, 1982, pp. 30-1).